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Sacred suffered some unscheduled downtime this week; we’re back up and running (and side-eying a wonky WordPress plug-in) so thank you for your messages and patience while we were figuring out what the heck was going on.
Sandbox Members- Over the next few days you’ll notice your expiration dates adjusted by two weeks as a thanks for your support!
It’s hard not to romanticize the time period that made up my entry into the body piercing/modification world; there were far fewer folks piercing/making jewelry and true eccentrics like Bill Krebs, owner/piercer of New Jersey’s Pleasurable Piercing, really made an impression. He appeared (along with my mentor Jack Yount) in Charle’s Gatewood’s Erotic Tattooing and Body Piercing V as well as a line of instructional videos that PP released back in the 1990s and always stood out in a crowd.
The last time I saw Bill was in Ybor City, Florida; we closed a bar after a night of excess and martinis garnished with smoked octopus and, with a hug, parted ways. When I heard that he had passed, that was the memory that stuck with me.
Will from Pleasurable uploaded this snippet from an unfinished documentary on Bill earlier tonight; if you didn’t know Bill you missed out on a hell of a guy.
Ari – Where did you first meet Ron (Athey)?
Divinity – I met Ron at Cuffs – it was the premier leather spot, a dark little place but not very big. It was very macho and leather, and I was drawn to that masculinity. I was just hanging out and Terry, my drag mother, it’s where he went out, so one night I went with him, and then after a while I went on my own. One night Ron came in and we met each other and started talking. We were both reading Dennis Cooper at the time.
Ari – Can you tell us about Dennis Cooper?
Divinity – Dennis Cooper was a gay writer- he did a lot of writing about being gay and how to maneuver in society and being true to yourself. He did a lot of really cool exposé on gay life. He was from California and that was interesting to me because for some strange reason I’d always found the idea of going to California really attractive. Something was always telling me to go there but I didn’t know what it was. Once I got there I realized what it was; it was a place I needed to be. All the places I’d been before like New Orleans and Michigan were conservative and moving out to California was really freeing for me. It was like, “oh, possibilities are endless out here!” It was a lot of good reading for me. I read a lot of Brion Gysin as well. A lot of people were like, “you’re black, why are you reading that?” I was like “I don’t know!” It was just really interesting to me. Continue reading
In late August, 2018, I presented a multimedia discussion for the members of Death Party Philadelphia with the catchy title of “Where do we go when we die?” The group, some three years old now, hosts monthly events relating to death positivity and death adjacent subject matter so I worked my particular niche (the presentation may have alluded to me being a one trick pony) into it by discussing human taxidermy of tattooed skin and the fluid concept of “forever” when it comes to the human body. The central focus of the discussion were photographs and video from museums and institutions that house and exhibit preserved, tattooed, human skin- the Wellcome Collection, the Muséum national d’Histoire naturelle (MNHN), Philadelphia’s Mütter Museum and Japan’s famous Medical Pathology Museum at Tokyo University were represented alongside pop culture ephemera and some deep dives into the semiotics of tattoo culture. Continue reading
I was chatting with Blake Perlingieri about Fakir and his impact on the body modification community; Blake is someone who very much embodies the spirit of Fakir’s Modern Primitives and we’re excited that he’s going to be spending some time with Ari for a BSTA interview soon. With that in mind, to celebrate what would have been Fakir’s 88th birthday, I thought this photo of the two of them, borrowed from Nomad’s Instagram account, would be a nice way to remember him.
We tried to do a lot of cleaning up on this video that a friend of Blake’s shot at the APP Conference in Las Vegas a few years back, but the sound just didn’t want to cooperate. Still, it’s worth checking out for those of us who want to soak up as much of our history as possible.
Enjoy, and happy birthday, Fakir.
GoPro cameras are not designed to use them like I tried to use them at this year’s APP Conference. Too shaky, audio is terrible but at least Ron Athey is ever-charming. Ron discusses the work of artist Jon John in this second clip from his walkthrough of the Body Piercing Archive’s 2018 exhibit on the intersection of Body Piercing and Performance Art.
Strange, is it not? that of the myriads who
Before us pass’d the door of Darkness through
Not one returns to tell us of the Road,
Which to discover we must travel too.
Fakir Musafar passed away on August, 1st. There are so many things I could write about him and the lives he touched over the course of his extraordinary career, but right now all I can say is that it was my pleasure to have known him and that I’ll miss him very much.
Journey well, Fakir.
Photo Source: Cleo Dubios.