“A regular contributor to the magazine was a local gay artist who went by the name of Bud. His work occupied thirteen of the first fourteen covers and after we went to color appeared regularly inside. I had seen his work in the gay S/M magazine Drummer. How we actually met and connected, I’ve forgotten. I do remember that he did some tattoo designs for some clients of Cliff Raven, a T&P group regular. Bud’s imaginative pen and ink drawings show the strong influence of both comic and early fantasy and sci-fi art.”
-Jim Ward. 1
I hope everyone is staying as safe as possible with the worldwide covid19 outbreak; I know a lot of us are currently waiting it out and social distancing in the safety of our own homes, but to the folks on the front lines – medical personnel, first responders, food service, grocers, and online retailers – you have our most sincere gratitude.
I’ve been trying to be productive during the SI phase of the pandemic, working on articles for the upcoming Nodal Points IV, working on a presentation that may be released online called THE DOCUMENTED BODY- Documenting piercing documentation, and trying to maintain balance when everything’s topsy turvy, so I’ll try to update Sacred a little more frequently during the next few weeks.
This photo brings us back to a happier time, late 1970s, in the London, England shop of Alan ‘Mr. Sebastian’ Oversby, and features Sailor Sid Diller and Banana.
In the late 1970s, illustrator Bud Larsen contributed distinctive line-art illustrations to magazines that would go on to become synonymous with the subcultures they documented; forty-plus years later PFIQ and Drummer have become the defacto reference points for folks researching the history of body piercing and gay leather culture respectively. Bud provided cover art for both of their inaugural issues, with interior illustrations that in my mind are as intrinsic to their visual identity as Al Hirschfeld’s similar but decidedly less erotic drawings were to the New Yorker.
While most of Bud’s Drummer work was in their DRUM BEATS section, he also contributed several representatives to their Zodiac series -an S&M sign of the zodiacal times – like this Cancer 1 illo from the seventh issue. (1976)
Other signs by Bud:
- Cancer Facts: Protective, artistic, rebellious, loyal, lie detector, intuitive, self-conscious, sensitive, insecure, visionary, clingy, thoughtful lover. Source – https://www.ganeshaspeaks.com/zodiac-signs/cancer/facts ↩
In the late 1950’s-early 1960s, Alan Oversby, known in the tattoo and piercing community as Mister Sebastian, got tattooed by George Burchette with what he believed was the first set of pubic wings. He came up with the idea by sketching shapes that fit nicely into the triangular shapes he was drawing and found that wings were not only aesthetically pleasing but that they also visually elongated the penis.
This photo, taken in the late 1970s, features a client with tattoos and piercings – paired pubic and reverse Prince Albert- by Sebastian.
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This would have been taken in the mid to late 1980s, performed at Sid’s Silver Anchor location. Jack would go on to have a urethral reroute opening in the center of the flame- “a waterhole to put out the fire” as he put it in Charle’s Gatewood’s Erotic Tattooing & Body Piercing Vol5.
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O-Kee-Pa is the name given to a religious and spiritual rite among the Mandan tribe. It was done yearly when the willow trees along the rivers were in full bloom. It recalls a time when a great flood killed all the inhabitants of the world, and the first Mandan survived on a great canoe. A bird came to them with a willow branch in full bloom and showed them back to land, where they settled and lived out the rest of the tribe’s life. Each year, they recreate this ceremony, and welcome warriors into the tribe after a ritual of fasting, and body suspension, as well as pray to the gods for food, fertility, and fortune. This us one of the most well documented and known ritual practices of suspension, although even still documentation is scarce. Few outsiders were lucky enough to witness this ceremony, however, those that were published some records of it to keep these traditions alive. The book O-kee-pa was originally authored by an American painter named George Catlin in 1867. It covers his month-long stay with the Mandan Indigenous Peoples in 1832. Catlin, formerly a lawyer turned painter, spent years living among Indigenous peoples, painting them and documenting their unique way of life. He quickly realized war and disease were encroaching on the western tribes and rushed to document their lives. It is this book, referenced by Fakir Musafar in Dances Sacred and Profane as one of the inspirations for him to do the O-Kee-Pa and meet the Great Spirit. Continue reading
At first glance, this photo, taken April of 1978, is a still life featuring a penis and a bouquet of flowers. I’d flipped past it dozens of times when looking through stacks of photos that need to be scanned without noticing that the model was wearing a ‘frenum loop’ – that little glint of gold behind his coronal ridge. Photographed some two years before PFIQ’s Pierce with a Pro 1 article gave step by step instructions for would-be piercers to try their hand at piercing a frenum, this slightly blurry and water damaged forty-plus year old print highlights the sexual functionality of a pierced frenum as an ad hoc cock ring. 2 Continue reading
Illustrator Bud Larsen’s iconic black and white line drawings helped establish the visual aesthetic for the early issues of both PFIQ and DRUMMER magazine; like a kinky Al Hirschfeld his style was light on color/shading and heavy on technique, line weight, and overall badassedness. These illustrations from early Drummer 1 issues could easily go toe to toe with other more well-known 1970s magazines cartoonists like Bill Ward, Jack Davis, or Gahan Wilson.
Images © Bud Larsen/Drummer
One of the only downsides of moving content from the archives of Sacred Debris back into the world of print after two and a half decades is a lack of quick and easy translation; for the interviews we’ve posted online, for better or for worse, most modern web browsers allow readers all over the world to have access to the history we’re sharing. Sure the translations can be a little clunky (body piercer, it seems, can translate to body driller. Which sounds kind of badass, honestly) but at least they’re available.
The zines, however – up until now they’ve only been available in English. Thankfully, we have some pretty amazing friends, and with the assistance of Nahuel Burgos and a small team of multilingual proof-readers, we’re pleased as punch to be able to offer the latest issue of Nodal Points in a Spanish translated edition.
Better yet, we’ve decided to match Nahuel’s generosity by donating 100% of the gross monies collected between January 10th-January 31st for this edition to a charity to be determined – we’re leaning towards a charity that provides aid and services to families affected by the policies at the Southern US border.
These zines will be coming directly from the printer.
(the English language edition can be found here: https://www.blurb.com/b/9773006-volume-3-nodal-points)
En este número de Nodal Points, Ari profundiza en la carrera y la influencia del perforador corporal retirado Vaughn. Hablando con el, antiguos empleados, clientes y amigos, indagamos en su carrera desde Modern Primitives hasta la apertura del estudio de perforación corporal más longevo del mundo. Con Vaughn, Joey y Melissa, Duncan Vann, Greg Kulz y Blake Perlingieri.