Happy May the 4th (be with you) everyone!
Georgia based artist Jason Craig was our go-to artist for event branding throughout the 2000s; in 2005 he designed this Star Wars/Liberty Bell Mashup t-shirt for the inaugural ScarWars event in Philadelphia. It was printed in two styles; on a black t-shirt and on a grey raglan t-shirt.
The shirts were available for pre-order and at the event, and never reprinted.
Scarwars event fixer Brian Sowden and host Shawn Porter, 2005
It’s been thirteen years since we held the first Scarwars event in Philadelphia. Over the years, both on the (now defunct) Scarwars blog and here on Sacred we’ve posted tons of pics from the event(s) and there are still hundreds that have never gone online. Like this photo by SW1 photographer Allen Falkner of Dave Gillstrap working on a cutting with removal.
The design is a mashup of an anatomical heart and a set of brass knuckles; Dave contributed t-shirt designs for the first two events- one featuring an anatomical heart, the other brass knuckles.
King of the Hiller: A night reprocessing good memories with Warren Hiller.
Warren is undoubtedly one of the most positive people I’ve spoken with. His idealism is pretty refreshing in a field where most of us are grumpy as fuck. His insight into the community, not just in the early Toronto piercing scene but as well as the early information share boom occurring on BME, should sate any piercing geeks curiosity on the subjects. We spoke at length about what it was like to babysit 400+ piercers, the teachings of Tom Brazda, and why we all deserve our day in the sun. Continue reading →
The night before the third and final Scarwars event- October of 2007- we booked a local South Philly restaurant to host a pre-party for the attending artists and special guest. The venue told me we’d be responsible for having a doorman, so I put the word out that we needed someone who would have no problem telling folks who weren’t on the guest list that they need to hit the road.
Victor was kind enough to take the assignment, gleefully telling an increasingly agitated stream of locals that they weren’t allowed in until after 10pm.
On the second day of the event he had Australia’s Wayde Dunn and Canada’s Jesse Villemaire collaborate on a flesh removal project on the backs of his legs.
Vic passed away in 2014 at far too young an age. Today when I was out running errands I saw a young man who’s resemblance to him was so strong that it took my breath away; I headed home, plugged in the SCARWARS hard drive and dug out some photos to share. Rest easy, Vic Vile.
This weekend marked the ninth anniversary of the third and final Scarwars event. I was going to wait for the tenth before putting a post up, but sentimentality got the best of me and I grabbed a backup drive and pulled over a few of the thousands of photos taken that weekend to share with you folks here on SD.
A few weeks ago, some twelve years after it’s launch, I nuked the Scarwars.net blog. It was a long time coming but pulling the plug was strangely anti-climactic. Still, in the decade it was online the site hosted some damn fine content, so from time to time we’ll be featuring highlights here on Sacred Debris.
These photos (by Allen Falkner) date back to May of 2005 and feature Tom’s jaw-dropping full torso scarification by Dave Gillstrap. It remains one of my favorite large-scale cuttings.
While mostly known for his contributions to the world of photography, the late Charles Gatewood produced a series of films documenting the various subcultures he had become renowned for photographing. Under the FLASH VIDEO banner he released a library of incredibly rare films on VHS tape that included the Erotic Tattooing & Body Piercing series, the Painless Steel Series, the “Weird” series that included visits to San Francisco, New York and Thailand (his best seller) and an impressive assortment of fetish one-offs. Continue reading →
Collaboration was the heart of the Scarwars events; different artists working on the same client, sometimes in tandem, sometimes employing different techniques of disciplines of scarring- with each artist taking the role of student and teacher oftentimes during the same procedure. It was immensely satisfying watching different personalities working together to make their client happy.
Ok… tell me this… why were you dressed up like the easter bunny, driving me and a few other people around in a boat in one of my dreams last night?? You took us to a little island where you had hidden a bunch of rather large easter eggs for us to find… you didnt slow the boat down as it was coming into the beach.. just went full throttle and tipped the boat, flinging everyone aboard it out onto the sand. ~Wayde Dunn
I have stacks (ok. digital files that take up no physical space) of photos of cuttings and tattoos made by Australia’s Wayde Dunn; each one better than the next. I have some great procedural photos of him working at the second Scarwars event 1 that are probably much more in line with what people want out of a body modification blog. I even had a big piece written about the parallels I see between Wayde and Keith Alexander- both being people who never accepted being the best at something- when they’d achieved the goal of working towards perfection both gladly move on to something new and start back at the bottom; the thrill of knowing something new being much, much more important than the accolades for having done it.
But a photo of him looking cheeky and him telling me about a dream he had where I was the Easter Bunny is a much truer snapshot of our friendship, so I went with that.
According to my external hard drive “Wintermute” there are somewhere around 1,500 official photos from the ScarWars2 event that took place in February of 2006. That’s not counting the photos from artists/clients/attendees that I’ve never seen.
These images- #974 and #972 from event photographer Atom Moore- features Ron Garza working on a client’s back with the assistance of Thorsten Sekira.