Event: Scarwars 2.
Location: Los Angeles.
Year: February 2006.
Photographer: Rachel Larratt.
Subject: Dave Gillstrap.
My wife and I took a much needed week long roadtrip for Thanksgiving; Philadelphia to Asheville North Carolina, Asheville to Atlanta Georgia and back to Philly, checking out the sights, seeing family and just unwinding from all of our responsibilities. I had packed my laptop and had a few blog entries ready to go out, but you know how it goes with vacations…
I’ve been focusing a lot on the 1970s lately, so I figured a 2000s post may be a welcome change. This 2006 photo, by BME’s Rachel Larratt, features scarification artist Dave Gillstrap at the second Scarwars event in Los Angeles. For the event portraits I asked our photographers to go very simple, white backgrounds and neutral lighting to let the personality of the subject stand out.
My impression of Alan was of a rather private man who was a bit difficult to get to know. Not that he was particularly shy. He would casually disrobe and allow himself to be photographed, but there was always a reserved quality about his actions. He could converse with intelligence and ease, but to access the man behind the mask was a challenge. – Jim Ward, A visit to London.
Tattooist and body piercer Alan Oversby- better known in the modification world as Mr. Sebastian- photographing a client at his London studio. March 1978.
Scanned from a 3″x 5″ print originally from Sailor Sid Diller’s collection.
Alan is generally considered to be the godfather of the European body piercing revival, but he was also an accomplished and respected tattoo artist.
For more information about Sid, Alan and the roots of the western piercing scene, visit http://www.runningthegauntlet-book.com/ to pick up Jim Ward’s indispensable book Running the Gauntlet. It features the uncensored story of the piercing community and the creation of the piercing industry and is a must own.
In 1995, my spcOnline was a fledgling body modification site hosted on America Online. AOL. As an ISP, they seemingly had no problem with the body modification content I was posting but I was TOS’d and my site removed over a topless photo of adult film star Nina Hartley that was part of an article I had written on my personal diary page.
Shannon Larratt graciously offered unlimited server space on the BME servers, with no prohibition on content, where my site remained for a decade before I finally retired it in 2005. My time with BME, Shannon and his wife Rachel helped spawn BME/Extreme, ModCon, and Scarwars and directly influenced Occult Vibrations and Sacred Debris.
Fifteen years after first meeting her, I still rely on Rachel for an ear to bend when I’ve got a new idea for a project or just a funny, snarky story to tell at three in the morning. She’s been through a lot over the last few years and she still does her best to keep things going. Recently her home and the majority of her belongings were damaged in a natural disaster in South Carolina.
Artist: Steve Haworth (implants)
Year: 1998 (September)
Location: South Beach, Miami (Eden Roc Hotel)
Photographer: Shawn Porter
I first met Hiro in September of 1998 at the Crowe & Dwyer Tattoo Tour in South Beach Miami. Even surrounded by heavily tattooed people, Hiro stood out; his large forehead implants and stretched nostrils were pretty far out for a tattoo convention in 1998 and every time I tried to introduce myself I’d find him surrounded by photographers.
Steve Haworth finally got us together in his hotel room, and with the help of his interpreter we were able to get to know each other as I documented his modifications. He was in the States collecting work; tattooing from Grime and Guy Aitchison as well as implant and modification work from Steve.
When I ran into him several years later he had added beautiful facial scarifications to his already impressive body of work.
I keep meaning to write a more in-depth article on the relationship between the 1960s/70s Gay Leather culture and the roots of the Western Body Piercing revival; the two worlds often overlapped and it’s fair to say that without leather culture the piercing scene would have evolved much, much differently. You’d think that it would come naturally for me to write about- I’ve been going to leather bars since I was a teenager. I work at a leather bar. There are tons of resources out there for me to dig through, people to interview…
Instead I’ll be lazy- for now- and just add this photo of Sailor Sid Diller geared up. It’s been sitting in my queue for about two months waiting for me to get the lead out and get to researching the leather article… Sid deserves better than that.
Another contribution from Ron Garza’s video collection, this clip features Ron performing a strike branding on a client’s neck. The popularity of strike branding- applying heated metal to the skin to burn the tissue and form a controlled scar- has waned in the years since the introduction of more predictable forms of scarification like ESU branding and cutting with flesh removal.
I still haven’t heard back from the student who’s research request I helped out on so I figured I’d drop another scan that I did from the information I provided to her.
Body Art magazine was UK based publication that ran 23 issues from 1988-1996.
Unlike PFIQ (which focused almost exclusively on body piercing) or the tattoo magazines of the time, Body Art was more free-form, covering piercing, tattooing, surgical modification, hair/makeup/clothing and more.
Out of the five and a half ModCon events held between 1999 and 2004, ModCon3 holds the title for most guests invited and most modifications performed. When we finally closed the doors on the last day our practitioners and staff were exhausted and in need of some down-time, so we headed to Shannon Larratt’s Bathurst Street house for a night of tellin’ stories and last minute suspension.
I did my first that night, along with my friends Sean and Andy who is seen here getting pierced by Blair Mclean and Steve Haworth. I’ve been to a lot of suspension events since that night but the simplicity of a bunch of friends goofing around in that back yard after a hellish, stressful weekend sticks with me as one of the best.
“Hey, Rube!” is a slang phrase most commonly used in the United States by circus and traveling carnival workers (“carnies”), with origins in the middle 19th century. It is a rallying call, or a cry for help, used by carnies in a fight with outsiders. It is also sometimes used to refer to such a fight: “The clown got a black eye in a Hey, Rube.” -Wikipedia
My social networking streams are all polluted by discussion of the latest episode of Ink Master; instead of rotting my brain with “the worst thing to happen to tattooing since Hepatitis C” I’ve queued up this fun little short film starring Canada’s sweethearts Burnaby Q. Orbax and Sweet Pepper Klopek- the Monsters of Schlock.
The day they filmed my segment I was nursing a 103* fever, so I don’t remember a lot of it. I was also 70lbs heavier than I am these days so seeing chubby, medicated me ramble on is kind of weird, but ultimately better than Ink Master.