Trying to write anything aobut Pat Tidwell without resorting to superlatives is proving impossible. Respected body piercer is a given; when I asked a few mutual friends to describe Tid in one word I got back legend and iconic a few times- but I think I’m going to go with psychedelic sherpa and leave it at that.
This photo was taken in 2006 at the Southern California SCARWARS2 event- either by Atom Moore or Rachel Larratt. (It was in a folder labeled ‘lost disc’ so…)
In 1998, Keith Alexander 1 organized an after party for the release of Dee Snider’s Strangeland 2 at NYC’s Webster Hall. Called Night of 1000 Scars, Keith arranged for a variety of performances including a 3 person ‘human mobile’ style suspension by Dallas collective TSD (Traumatic Stress Discipline) 3 to tie in with the film’s theme of ritual body art.
Due to a technical error, the beams were rigged too low allowing the suspendees (Allen Falkner, Xeon and Pat Tidwell) to be able to make contact with the floor while spinning, unintentionally creating the spinning beam suspension. Other performers that night included Essie and Spidergod5, who went on to become The Lizardman who had this to say about the event:
In alot of ways, this event was a pivotal point in the current era of my life – it was after this event that I cemented my decision to leave my doctoral program and devote myself entirely to performing as both my career and way of life. This was also where I first met and became friends with TSD. – Erik Sprague
While the film ultimately had very little long term impact (Rotten Tomatoes rates it at 6%) Night of 1000 Scars remains a turning point in the visibility of suspension in the traditional media as well as creating one of it’s most loved styles.