From our friends at Wikipedia:
“Bebe the Circus Queen (Beatrice Aschard) would perform a variety of stunts such as having a watermelon placed on her back and split with a sword, lying on a bed of nails while weights were placed on her chest… or the “Plastic Bag Of Death”, where she gets into a large plastic bag and one of the other performers sucks all of the air out with a vacuum cleaner. She would also employ an electric grinder in her act (for example, she would create a shower of sparks from a metal chastity belt covering her groin area).”
Taking classic acts from sideshow and vaudeville and translating them for modern audiences, the Jim Rose Circus Sideshow found themselves with ‘falling ovations’ daily, as people in the crowd would faint (no doubt aided by standing in the sun for hours, binge drinking and enjoyment of recreational party favors) as The Amazing Mr. Lifto performed his take on Rasmus Neilsen’s ‘pierced weight lifting’, upping the ante by including swinging heavy objects from his pierced penis. They’d cover their eyes as The Torture King skewered his cheeks and torso like B. A. Bryant had done decades before while touring with Barnum himself and laugh with relief when ThEnigma, tattooed from head to toe like a jigsaw puzzle did a tattooed clown act- that is until he started geeking live insects.
This was still when piercing culture trended older- 40s, 50s- and youth culture was just starting to discover expressing themselves with tattoos, body piercings, scarification and other avenues of modifying their bodies. Seeing stretched piercings swinging weights live on stage, with Eddie Vedder (or insert rockstar here) joining the cast to oooh and awww had a profound effect.
But the one member of the original troupe that didn’t get much attention was Rose’s partner, Bebe the Circus Queen. She didn’t have the dynamic motormouth of Jim, the pain proof skin of Tim “Torture King” Cridland, the stretched piercings of Joe Lifto… so she often got overlooked when it came to media write-ups of the show.
This may be an odd photo for a body modification history/culture blog in so much as it features no body modification, but without the Jim Rose show’s promotion of piercing/tattoo/modification culture during the transitional years of the early 1990s, things may have played out differently, and without Bebe, the Circus wouldn’t have been what it was.
That and I really liked the photo.
Late 1990s, 35mm print scan.