Curt – Let me tell you a little bit about my start, I know all your interviews start with that. I grew up in Ogden, Utah, which is about forty miles outside Salt Lake City. I started having ear piercings around middle school – I got influenced by heavy metal so I thought, “fuck, I gotta have my ears pierced now!” After high school I moved to Maui, Hawaii, and while I was living over there a friend of mine got back after having spent the summer in New York. We were having coffee and she was eating soup, and I kept hearing this clank! I asked, “what the hell is that noise?” And she said, “oh, it’s my tongue piercing!” This was around 1993, and she showed it to me, and I’d never seen one, or even considered it for that matter! I became very fixated with it, fascinated by it, and decided I had to have one or else I couldn’t live anymore! The closest place for me to get one was in Honolulu on Oahu. This woman who called herself “The Piercing Elf” had a little piercing only studio there, so I flew out, rented a car, and failed to check her hours. I spent a lot of money to fly out there and hang out and fly back to Maui without a tongue piercing. So I saved up and a few months later I flew back out, made sure to check her hours first this time, and got it done. The experience for me – not being involved with the industry, not having any tattoos and only having some ear piercings – I was rather intimidated by her. She was sleeved and had a lot of piercings, but she had a great bedside manner, which made me feel comfortable. My first professional piercing experience was a piercing only studio with good jewelry and good bedside manner. Continue reading
Ari: I always like to kick these off with an introduction, so tell us a little about you, Mama.
Vidra: My introduction to the industry was 1978. I met a gentleman by the name of Linus Herrell and he owned a store in Cleveland called Body Language and that store, how do you explain it? It’s like one of the first alternative bookstores. We didn’t sell any porn, nothing like that, but it had a rubber room and a leather room, where there were all different types of books and little novelties and stuff like that. Also, he had a piercing room. He had magazines like PFIQ, the whole nine yards and I was like, “OK, this is fascinating.” I met him when he was a bartender at one of the little leather bars in Cleveland, in fact the oldest one in Ohio. He had a huge bull’s tether in his septum, and I was just staring at him, because number one it was very attractive and number two I was like, “hmm, how did you do that? How did he get something that thick into his septum?” I asked him a couple of questions. He explained it to me, explained the process of stretching and piercing. When I asked him where do you get something like that done he said he’d gotten work done at the Gauntlet in L.A. by a gentlemen called Jim Ward. That was my first introduction to Gauntlet, and even that was through Linus. He told me about PFIQ and the new shop he’d be opening, etc etc, and then in his psychotic manner he said, “So what are you doing tonight? I get off in two hours.” I said, “eh, probably just going home” and he said, “Well let’s go home and fuck”, and I’m like, “okay.” Now realize back then I was working for a Catholic Church. I was the rectory cook, as well as directing theatre for the deaf and blind and just about any other handicap you can imagine and normal people all on the same stage. It was a lot of work, it was a lot of fun, and I loved doing it. That’s what I did for a living back then. Cooking for a church rectory for the priests and the nuns who ran the Hunger Center in a pretty impoverished area of Cleveland, but it was also the deaf and the blind center for the Diocese of Cleveland. I had worked with almost all types of disabilities really from the time I was 13. Continue reading