We launched our new print zine project at this year’s APP Conference and Expo with issue #1 of NODAL POINTS; 100 pages of body modification history and culture culled from twenty five years of archival that includes:
A. Viking Navaro polaroids/prints.
Evolution of a subculture: Modcon 1.
Subtracting. (Voluntary Amputation)
BSTA: Blake Perlingieri.
Correspondence with Bud Larsen.
Annie Sprinkle/Fakir Musafar.
Ari and I are hard at work on Issue #3 1 but for folks who didn’t get a chance to grab a copy in Las Vegas- we’re stocked up at Hex Appeal.
I’m still sitting on a few dozen photographs from the awe inspiring IN PURSUIT OF THE SPIRIT exhibit celebrating the life and work of Fakir Musafar that the good folks at the Body Piercing Archive set up at this year’s APP Conference and Expo; when we finally get the new issue of NODAL POINTS sent to print I’m going to try and commit some time to writing a piece about it.
Until then- I bought a brand new go-pro for this year’s APP Conference, and for some reason left it in my hotel room every time I’d go down to the Fakir exhibit; so everything I shot was on my iPhone8+ and as such is lacking in quality. And because of the size of the files… I ran out of space on the first day.
Along with Steve Haworth, Ron Garza stands out as one of the most influential artists who’s work contributed to the popularization of aesthetic scarification in the post 1990s body modification scene; with a style informed by time spent piercing at tattoo shops (as well as innate artistic talent) Ron was able to bridge the gap between basic geometric shape cuttings/branding and larger, more intricate representational designs.
Ron was photographed by his friend and TSD collaborator Allen Falkner in Philadelphia at the first Scar Wars event back in May of 2005.
I’ve been so overwhelmed lately with print projects that I’ve been neglecting the blog; while procrastinating on the latest issue of Nodal Points I was digging through prints and came across this great snapshot from the 1980s. No info on The Who/where/when, but it was too good not to share!
Since I spaced on writing something special for the twentieth anniversary of ModCon last month, I figured I’d at least celebrate the anniversary of this gentleman’s birth; one of the more memorable guests of the first MC event in Toronto, Erik Sprague (then Spidergod5, now the Lizard Man) was already on his way to lizarddom with implants, a split tongue, filed teeth, and the beginnings of his scale tattoo designs.
This photo, taken by ModCon (and Scarwars) photographer Philip Barbosa, appeared on the original Modcon CD-Rom.
In August I’m going to be presenting “The Body in Mourning: Body Art & Ritual in Remembrance of the Dead” for Death Party Philadelphia.
What I’m looking for:
Folks who’ve used body art/ritual as part of their mourning process who’re willing to share their stories. Photos and videos are super helpful since this is a visual presentation.
-Memorial tattoos (both literal and representational)
-Scarification. (bonus if cremation ash was used)
-anything I’m not thinking of
-If you were the practitioner, how did you feel being tasked with the emotional aspects of assisting your client’s mourning process?
What I’m going to need:
-your name. (first name is fine. alias is fine)
-the modification/body ritual used in mourning.
-how it helped you process the mourning
-photos/video of the modification, ritual, loved one (if you’re comfortable sharing)
Not everyone’s story is going to be used, due to time limitations, but may end up in a future issue of NODAL POINTS. Without judgement, self cutting falls outside of the focus of what I’m presenting.
The good folks over at Yellow Beak Press (who put out some of the best tattoo history books on the market) sent SD a Kodachrome slide from the collection of photographer Bob Hanson last year; taken in the 1970s or early 1980s it features Fakir Musafar performing a then rare navel piercing.
Bob’s photos of the tattoo scene of the 70s/80s are highlighted in YBP’s Lost Love 2.
Ari – Let’s start this off with your introduction to Fakir.
Blake – I got a hold of the ReSearch book in 1989 and it blew me away. Obviously it was the only cultural document at the time for an emerging subculture. There’s a lot of stuff in the book I was “meh” on but Fakir’s chapter really grabbed me. I was already piercing my friends in San Diego; people would go up to LA Gauntlet and buy a needle and barbell and I’d do them up in the park under a tree. My band had finally gotten signed and I came to this crossroad where I really wanted to do something meaningful and I knew I had a lot of learning to do so I quit the band and rolled up to San Francisco. The first time I went up there there was Body Manipulations – they were the first piercing studio in the area, they opened before Gauntlet. I went up and peeked at Body M and didn’t really know who they were but I recognized that the handsome guy out front leaning on his motorcycle having a cigarette was Vaughn. I knew he was the guy from the ReSearch book. I ended up making a couple of trips to San Francisco. My folks took me to the Gauntlet in the Castro and I went in, walked upstairs, and it was the first piercing shop I had ever been in. The term “piercer” didn’t exist yet – you were just a guy who did piercings at this time. I walked up and I said, “hey, my name is Blake and I am looking for Fakir and maybe some earrings!” I got the biggest attitude from the guy behind the counter. He didn’t even have visible piercings! He says “well we don’t have any jewelry in your size, honey.” I was like, “alright, fuck you,” and I started to walk out when I hear Fakir say “excuse me young man, I can help you!” I turn around and there he is with a porcupine quill in his septum. I just looked at him and told him he was the reason I came – but that I felt like this wasn’t a very welcoming place for me. At the time this was either summer or late 1990. Fakir took me to lunch. He put his arm around me and said, “well I have never seen the likes of you, young man., Tell me your story!” At the time I had 2” earlobes with huge dreadlocks- just a jungle kid from Southern California. How weird to walk into my first piercing shop to have some guy with no visible piercings be a dick to me. I was put off from the beginning. I didn’t consider myself professional at this time – I had only done genital and septum work. I had never done a nostril or navel. The stuff I was doing on my friends was all “Genesis P-Orridge” genitalia aesthetic. Fakir and I had an immediate connection and I told him I wanted to be a piercer. The first thing he said was, “well you sure don’t want to work at the Gauntlet, trust me.” I think we ate at Cafe Du Nord and it felt like I was coming home so to speak; he was just so welcoming. This is twenty-nine years ago. He literally says, “I think you’re doing something completely unique.” I didn’t understand his historical importance yet, I just intuitively knew he was the Granddaddy and if I was going to start a career I was going to go to the source. That’s a value that doesn’t exist anymore. There is a tattoo school is Vegas that cost $40,000 and guarantees you an internet following by the time you graduate, and you’ve only done like one tattoo. It shows you how ass backwards this culture is. The thing Fakir instilled in me in our first meeting – there were no personalities then, all I was was just a jungle kid, there was Gauntlet and Body M, that’s it for the whole US; there was no measure of what other people were doing. My experience at Gauntlet was very telling- Im sure they all had 00g PAs but they didn’t have the look I wanted to be a part of or was already doing, the things my grandmother introduced me to on her world travels. Continue reading →
Without a doubt, one of my favorite ‘personalities’ from the 1970s/80s era of the Western body modification revival was A. Viking Navaro; the “nom de kink” of a Southern California professor who’s appearance in an early issue of PFIQ, complete with photos by Fakir Musafar, was one of the earliest examples of a modern primitive.
You can see more of Viking Navaro here on Sacred Debris, and in the new SD print zine Nodal Points, available May 2019 from Hex Appeal.