The 80’s were an interesting time for piercing. PFIQ was going out to more readers than ever, the Gauntlet was growing busier, and piercing was reaching a larger audience every day. Countercultures in general were coming together, sharing ideas, spaces, and people. Being weird and different was becoming welcomed. In the spring of 1982, two wonderful icons of their respected subcultures were getting ready to meet for the first time. After about a year of communication, letters and chats, the sweet, shamanistic Fakir Musafar and the avid, sexy Annie Sprinkle met. They spent a whirlwind week together in New York, one of Fakir’s first times in Manhattan. The midwest shaman got a warm welcome, with pedestrians and cabbies complimenting his septum jewelry (worn on behest of Annie, who found it handsome as could be). The two were determined to turn the city on its head, and they both found great joy showing off at parties and events as Annie lead Fakir about by hooks in his deep chest piercings, or stuck her entire finger through his nipples. They were the talk of the town, answering everyones questions about “if that hurt”. Even Annie went out and about bottomless, ready to show off the fresh addition to her labia. They hosted piercing parties, Fakir adding golden rings to a myriad of members of New York’s various social scenes.Continue reading →
We launched our new print zine project at this year’s APP Conference and Expo with issue #1 of NODAL POINTS; 100 pages of body modification history and culture culled from twenty five years of archival that includes:
A. Viking Navaro polaroids/prints.
Evolution of a subculture: Modcon 1.
Subtracting. (Voluntary Amputation)
BSTA: Blake Perlingieri.
Correspondence with Bud Larsen.
Annie Sprinkle/Fakir Musafar.
Ari and I are hard at work on Issue #3 1 but for folks who didn’t get a chance to grab a copy in Las Vegas- we’re stocked up at Hex Appeal.
I’ve been so overwhelmed lately with print projects that I’ve been neglecting the blog; while procrastinating on the latest issue of Nodal Points I was digging through prints and came across this great snapshot from the 1980s. No info on The Who/where/when, but it was too good not to share!
Since I spaced on writing something special for the twentieth anniversary of ModCon last month, I figured I’d at least celebrate the anniversary of this gentleman’s birth; one of the more memorable guests of the first MC event in Toronto, Erik Sprague (then Spidergod5, now the Lizard Man) was already on his way to lizarddom with implants, a split tongue, filed teeth, and the beginnings of his scale tattoo designs.
This photo, taken by ModCon (and Scarwars) photographer Philip Barbosa, appeared on the original Modcon CD-Rom.
In late August, 2018, I presented a multimedia discussion for the members of Death Party Philadelphia with the catchy title of “Where do we go when we die?” The group, some three years old now, hosts monthly events relating to death positivity 1 and death adjacent subject matter so I worked my particular niche (the presentation may have alluded to me being a one trick pony) into it by discussing human taxidermy of tattooed skin and the fluid concept of “forever” when it comes to the human body. The central focus of the discussion were photographs and video from museums and institutions that house and exhibit preserved, tattooed, human skin- the Wellcome Collection, the Muséum national d’Histoire naturelle (MNHN), Philadelphia’s Mütter Museum and Japan’s famous Medical Pathology Museum at Tokyo University were represented alongside pop culture ephemera and some deep dives into the semiotics of tattoo culture. Continue reading →
Happy May the 4th (be with you) everyone!
Georgia based artist Jason Craig was our go-to artist for event branding throughout the 2000s; in 2005 he designed this Star Wars/Liberty Bell Mashup t-shirt for the inaugural ScarWars event in Philadelphia. It was printed in two styles; on a black t-shirt and on a grey raglan t-shirt.
The shirts were available for pre-order and at the event, and never reprinted.
Scarwars event fixer Brian Sowden and host Shawn Porter, 2005
It’s been thirteen years since we held the first Scarwars event in Philadelphia. Over the years, both on the (now defunct) Scarwars blog and here on Sacred we’ve posted tons of pics from the event(s) and there are still hundreds that have never gone online. Like this photo by SW1 photographer Allen Falkner of Dave Gillstrap working on a cutting with removal.
The design is a mashup of an anatomical heart and a set of brass knuckles; Dave contributed t-shirt designs for the first two events- one featuring an anatomical heart, the other brass knuckles.
During the mid 1990s I was occasionally contracted to attend tattoo conventions on behalf of bmezine.com; while content was being contributed to the website, BME’s editor Shannon Larratt figured that targeted content- particularly the kind that was often photographed in hotel rooms on a more discrete section of the modification community- would be worth the cost of plane tickets, hotel rooms and an incredibly humble per diem.
This being the age before digital cameras were in common usage, all he asked was that I try to get at least two rolls of film per event. Forty-eight images. Before it was a community driven site (a process which started with the password wall on BME/extreme and took hold with the creation of IAM.BME in 2000) the acquisition of content was king at BME; if people didn’t have dynamic images to view, they’d move along. Having strong photos to hook viewers into sticking around long enough to encourage them to share their own was a major focus of the boom-years of the site.
This photo was taken on one of those sponsored trips, on the convention floor at the Mad Hatter’s Tea Party in Portland, Maine. At the time, facial tattoos and body piercing were frowned upon at some conventions, so a gentleman like this was a welcome sight.