While ampallangs are normally pierced through the glans, some people place the piercing immediately behind the glans, or through the body of the shaft itself. A shaft ampallang placed immediately behind the glans is treated pretty much the same as a regular ampallang, but one through the body of the shaft is quite different. Experience has shown that ideally the piercing should be done while the penis is erect — since if it’s done while flaccid, it pinches when erect. This is an extremely rare piercing. 1
Piercer Mike Natali performed this ampallang piercing, placed behind the glans, in 1993 or 1994. Initially pierced with an 8g needle, the piercing was immediately stretched to 6g. While the client was happy with the placement, he removed the piercing shortly after and asked to be repierced for the sensation.
As with most of the archival videos presented on Sacred Debris, this footage contains techniques that aren’t consistent with modern standards and is being made available in an effort to document and archive body modification history.
Stay tuned to the end of the clip for a special message.
The night before the third and final Scarwars event- October of 2007- we booked a local South Philly restaurant to host a pre-party for the attending artists and special guest. The venue told me we’d be responsible for having a doorman, so I put the word out that we needed someone who would have no problem telling folks who weren’t on the guest list that they need to hit the road.
Victor was kind enough to take the assignment, gleefully telling an increasingly agitated stream of locals that they weren’t allowed in until after 10pm.
On the second day of the event he had Australia’s Wayde Dunn and Canada’s Jesse Villemaire collaborate on a flesh removal project on the backs of his legs.
Vic passed away in 2014 at far too young an age. Today when I was out running errands I saw a young man who’s resemblance to him was so strong that it took my breath away; I headed home, plugged in the SCARWARS hard drive and dug out some photos to share. Rest easy, Vic Vile.
Tell your MOM I said ‘Hey’- A backyard BBQ with Sean Philips.
Sean Philips is a bad motherfucker with a voice that sounds like an angel orgasming at a Lynyrd Skynyrd concert. For the last two decades he’s been helping shape the industry we have today – there’s hardly a major event or forum he hasn’t participated in. If you’ve ever asked a piercing question online, there’s a good chance he was on the other side answering it. From humble beginnings inside a piercing pagoda to running his own studio with his wife, Sean has seen and done it all. We got up early in the morning to talk about the pre-BME days, history, and why getting your heroes drunk will make your dreams come true.
Ari – Sean, go ahead and give us an introduction.
Sean – My name is Sean Philips and I’ve been piercing 20 years. I started in 1996, so my career will be of legal drinking age in October. I am currently in Round Rock, Texas, right outside Austin where I own and pierce out of Golden Goat Tattoo Company. Continue reading →
Trying to write anything aobut Pat Tidwell without resorting to superlatives is proving impossible. Respected body piercer is a given; when I asked a few mutual friends to describe Tid in one word I got back legend and iconic a few times- but I think I’m going to go with psychedelic sherpa and leave it at that.
This photo was taken in 2006 at the Southern California SCARWARS2 event- either by Atom Moore or Rachel Larratt. (It was in a folder labeled ‘lost disc’ so…)
Gregg, in my opinion, has always been a piercer worth watching – and not just in a creepy, webcam sort of way, but in the way that an eighteen year titan with a metric fuckton of creativity can’t help but captivate anyone actually interested in piercing. Even if they can’t pronounce his last name, piercers across the board universally appreciate his ingenuity, which in my opinion has not only influenced modern piercers but also modern jewelry. Amidst a sea of black arms and olive debates, people who can stand out on a technical and innovative level, and continue to push the momentum of this industry are always worth paying attention to. So I called Gregg to talk about his industrial work, working with other piercers, and why we’re all fucked once we get older.
“Speaking of nodal points in history, of some emerging pattern in the texture of things. Of everything changing.”- William Gibson, All Tomorrow’s Parties.
In the late 1980s and early 1990s, piercer Blake Perlingieri was instrumental in the shift from the prevailing aesthetic of body piercing (leather and levis) back to it’s primal roots; an evangelist who’s message was organic, freehand and raw. The logical heir to the Modern Primitive movement started by Fakir Musafar, Blake opened NOMAD twenty-four years ago and has been one of the industry’s true mavericks ever since.
This video features Blake performing large gauge conch piercings- part of what became known as the ‘Nomad look’- circa 1990s. I don’t think it’s hyperbolic to say that without his influence, ear lobe stretching (and everything that came after) wouldn’t have taken hold so quickly in the piercing community. About the needles used: “Ranfac Corp made it. Single bevel. I think it was 5 or 6″ long and they were 72.00 each!!!”
This weekend marked the ninth anniversary of the third and final Scarwars event. I was going to wait for the tenth before putting a post up, but sentimentality got the best of me and I grabbed a backup drive and pulled over a few of the thousands of photos taken that weekend to share with you folks here on SD.
You don’t need 2″ ears and a full black bodysuit to do that. The origins of our art form is tribal so that really only need exist in your heart. And you have to honor the traditions of our collective human mythology by incorporating tribal consciousness as well as aesthetics into what we do. – Blake Perlingieri, 2004
When I first saw a photo of Blake Perlingieri in Fakir Musafar’s BODY PLAY in 1991 the majority of people I knew in the piercing scene were decades older than me. My piercing elders would gently caution me against stretching my earlobes (despite me having 1/2″ nipple piercings and a meatotomy) for fear of public exposure and most of the clients of Jack Yount I was introduced to assumed I was his grandson not his friend and mentee. Aside from my brother, Brian Skellie and a few others the idea of a young, heavily tattooed and pierced person was generally considered a novelty in my community. Blake was only a few years older than me. He had 2″ earlobes (at that point mine were probably a humble 1/2″ or so) and tattoos that weren’t off-the-wall flash jobs that were there to prove you could be tattooed while saying nothing about the person wearing them. His photos assured me that the cultural shift that Jack had been telling me about- the old guard making room for the new generation- was coming.
Another SCARTIST portrait by Scarwars 2005 event photographer Allen Falkner, this time featuring influential piercer/scarification artist Dave Gillstrap getting ready to start a cutting. I didn’t meet Dave until the morning of the first day of the 2005 event but his work definitely proceeded him and he went on to do some of the most impressive pieces that came out of the Scarwars events.
I’ve spent the last few days sorting Allen Falkner’s photographs from the 2005 Scarwars Philadelphia event; it’s the first time in eleven years that I’ve looked at his output from that weekend as a body of work and not just individual photos- three discs so far- discs filled with so many amazing memories, images and personalities that it’s been hard to step away from the archival and prepare any of the images for a Sacred Debris update. Continue reading →