I hope everyone is staying as safe as possible with the worldwide covid19 outbreak; I know a lot of us are currently waiting it out and social distancing in the safety of our own homes, but to the folks on the front lines – medical personnel, first responders, food service, grocers, and online retailers – you have our most sincere gratitude.
I’ve been trying to be productive during the SI phase of the pandemic, working on articles for the upcoming Nodal Points IV, working on a presentation that may be released online called THE DOCUMENTED BODY- Documenting piercing documentation, and trying to maintain balance when everything’s topsy turvy, so I’ll try to update Sacred a little more frequently during the next few weeks.
This photo brings us back to a happier time, late 1970s, in the London, England shop of Alan ‘Mr. Sebastian’ Oversby, and features Sailor Sid Diller and Banana.
For better or worse, tattoo conventions used to be a common meeting place for devotees of body piercing; while discretion was often necessary on the convention floor, 1 piercing fans would find community in the privacy of their convention hotel room; clothes coming off to reveal the piercings hidden from the more conservative tattoo crowd at large.
In 1986, at the Knoxville Tattoo Convention, a group of friends that included, among others, Jack Yount (not pictured), Sailor Sid Diller, T.R.A.S.H. publisher J.D., Silver Anchor’s Ed Fenster, Marv from Australia, and Emil G, did just that – enjoying each other’s company, shedding their clothes, and having a little fun. Continue reading →
“Since Ed Hardy had brought the subject of piercings up at the I.T.A.A. Reno Convention in 1977 (he felt, as did the overwhelming majority of Artists there that piercing did not belong at a Tattoo convention and should not be linked to tattooing. I.T.A.A. Members voted there and then not to have piercing at future conventions) it was decided on (by the suggestion of Bob Shaw) not to allow facial tattoos or piercings at the National Tattoo Conventions. This was to be a Convention to promote Tattooing and only Tattooing.” – Source: http://runningthegauntlet-book.com/BME/jimward/20050329.html.↩
It’s been thirteen years since we held the first Scarwars event in Philadelphia. Over the years, both on the (now defunct) Scarwars blog and here on Sacred we’ve posted tons of pics from the event(s) and there are still hundreds that have never gone online. Like this photo by SW1 photographer Allen Falkner of Dave Gillstrap working on a cutting with removal.
The design is a mashup of an anatomical heart and a set of brass knuckles; Dave contributed t-shirt designs for the first two events- one featuring an anatomical heart, the other brass knuckles.
Scott Shatsky may not be the most recognizable names in piercing, but his roots run deep – from being a young man hanging around the original Gauntlet, to apprenticing under Jim Ward and being part of the original Gauntlet San Fransisco crew, Scott offers some wonderful insight into that early pivotal time. Scott remains part of that quiet faction who was more enamored with piercing as an intimate movement, and gives us some new perspective on those Gauntlet years as a client, manager, and Master Piercer.
Ari – Where does piercing start for you, Scott?
Scott – I grew up in Los Angeles, and I always had a fascination with anything other than just being white, so tattoos and piercings fell into that. I was just always very interested, so in high school and even before I was a punk rock kid I was always sticking needles in me for piercings. I don’t even remember how I found Gauntlet, but it was in West Hollywood. I walked in and I became friends with Jim (Ward) and became pretty good friends with Cross, who I share a birthday with. I was a young kid. I wasn’t even in a place where I could get pierced there, age-wise. Cross was only a couple of years older than I was at the time. I have this picture of me sitting there with Jim and his beautiful silver and purple peacock wallpaper in the piercing studio when he was piercing my cartilage. So my identity in that world started years before I was piercing. Continue reading →
Blair, Dustin, Dave Vidra and Tom Brazda @ NIX. Photo courtesy of Dustin Sharrow.
How do you introduce Tom Brazda? Seriously, I’m asking you, how the fuck do you even begin to summarize a titan like him? If you pierce, you’ve at least heard his name mentioned. He’s a fucking legend. And next time you speak about him in the past tense, stop it – Tom never stopped kicking ass and taking names. He’s been gracious enough to wax intellectual with us, so y’all turn off your cell phones and read closely – Tom deserves your undivided attention.
Ari – Tom, give us a brief introduction
Tom – My name is Tom Brazda, I started piercing in an amateur way around 1989. I went professional in 1991, so 28 years of experience of watching things happen.
Ari – I would love to start earlier with some of the first experiences you had with piercing before you were a piercer. Were you getting pierced before you got into the business?Continue reading →
Lauren Pine, Autumn Asbury, Mark, Denise Gianneta, Dug McDowel and Kieth Alexander. NYC 1994 photo courtesy of Mark Seitchik.
Masterpierce Theatre: Mark Seitchik
Mark is one of those piercers who I’d heard about for so long, and had been so curious about, but information always seemed relatively scarce. His years at Gauntlet are some of the most interesting times in our history, and he sat at the helm of both San Fransisco and New York studios, helping train and work alongside some of the most notable piercers in history. One of only five people ever bestowed the title of Master Piercer, his passion and humility brought him to the top of the piercing world in the early and mid 90s. Mark is an incredible person with a rich history in our community, and even decades after he’s left he is someone we need to respect, to remember, and to admire. Reading about someone and talking to them is like night and day; talking with Mark was one of the most humbling experiences in my career. I am thrilled to be able to share this. Continue reading →
King of the Hiller: A night reprocessing good memories with Warren Hiller.
Warren is undoubtedly one of the most positive people I’ve spoken with. His idealism is pretty refreshing in a field where most of us are grumpy as fuck. His insight into the community, not just in the early Toronto piercing scene but as well as the early information share boom occurring on BME, should sate any piercing geeks curiosity on the subjects. We spoke at length about what it was like to babysit 400+ piercers, the teachings of Tom Brazda, and why we all deserve our day in the sun. Continue reading →
While ampallangs are normally pierced through the glans, some people place the piercing immediately behind the glans, or through the body of the shaft itself. A shaft ampallang placed immediately behind the glans is treated pretty much the same as a regular ampallang, but one through the body of the shaft is quite different. Experience has shown that ideally the piercing should be done while the penis is erect — since if it’s done while flaccid, it pinches when erect. This is an extremely rare piercing. 1
Piercer Mike Natali performed this ampallang piercing, placed behind the glans, in 1993 or 1994. Initially pierced with an 8g needle, the piercing was immediately stretched to 6g. While the client was happy with the placement, he removed the piercing shortly after and asked to be repierced for the sensation.
As with most of the archival videos presented on Sacred Debris, this footage contains techniques that aren’t consistent with modern standards and is being made available in an effort to document and archive body modification history.
Stay tuned to the end of the clip for a special message.
The night before the third and final Scarwars event- October of 2007- we booked a local South Philly restaurant to host a pre-party for the attending artists and special guest. The venue told me we’d be responsible for having a doorman, so I put the word out that we needed someone who would have no problem telling folks who weren’t on the guest list that they need to hit the road.
Victor was kind enough to take the assignment, gleefully telling an increasingly agitated stream of locals that they weren’t allowed in until after 10pm.
On the second day of the event he had Australia’s Wayde Dunn and Canada’s Jesse Villemaire collaborate on a flesh removal project on the backs of his legs.
Vic passed away in 2014 at far too young an age. Today when I was out running errands I saw a young man who’s resemblance to him was so strong that it took my breath away; I headed home, plugged in the SCARWARS hard drive and dug out some photos to share. Rest easy, Vic Vile.