The early issues of any print publication go a long way towards defining their overall visual identity; what makes it “it” is honed by the editor’s choice in orchestrating the entire finished product which includes deciding on what you could consider is the most important aspect- the design of the front cover.
Early PFIQ issues, edited by Jim Ward, favored illustrated covers with art primarily provided by Bud Larsen, but with issue four the duties were handled by an illustrator named, simply, Ronin. I did a little digging and couldn’t really find out anything about him, but you have to appreciate Jim’s decision to feature an all female trio of cover “models” in a time where the body piercing demographic heavily skewed towards gay males. While the documentation of the early days of the western piercing scene is, by availability, often very one sided, Jim always featured as diverse a lineup as contributions would allow in PFIQ.
Issue #4 featured a “Who’s Who” article on Alan Oversby, AKA Mister Sebastian.
Earlier tonight we put up a pre-order page for volume one of the collected Better Safe than Ariinterviews; while there’s been a major push in the last few years for analog books to go digital we figured we’d be contrarians and take our digital interviews to print. So if that’s your sort of thing, please check out the Hex Appeal store for more information.
These days it’s pretty rare to find piercing/modification related physical media, but back in the 1990s there were plenty of options to chose from. PFIQ from Gauntlet enterprises, Body Art and Piercing World out of the UK, In the Flesh- if you knew where to look you had some pretty great piercing publications to collect.
P.A.U.K.’s Piercing World was a favorite of Jack Yount’s, who was thrilled to appear on the cover of issue #10.
Dome Karukoski’s TOM OF FINLAND is currently playing in limited release in theaters across the US, exposing the erotic artwork of Touko Laaksonen to a new generation of (hopefully) adoring fans. Over the last few decades there has been a growing appreciation for Tom’s iconic pencil drawings of hunky leather men, bikers and sailors with Finland recently releasing a series of postage stamps and online retailers selling a wide variety of Tom goods including shower curtains, bedding and a wide variety of branded clothing.
While it’s great to see Tom’s work receiving so much attention, it’s heartbreaking that the art of Bud Larsen hasn’t had the same luck. His work for early PFIQ (and Drummer magazine) issues was a mixture of bold, graceful line work and erotic subject matter that helped the magazine establish it’s aesthetic.
This illustration was for Drummer Magazine, 1970s. Bud’s work often included mythological, sci-fi and astrological elements.
Lauren Pine, Autumn Asbury, Mark, Denise Gianneta, Dug McDowel and Kieth Alexander. NYC 1994 photo courtesy of Mark Seitchik.
Masterpierce Theatre: Mark Seitchik
Mark is one of those piercers who I’d heard about for so long, and had been so curious about, but information always seemed relatively scarce. His years at Gauntlet are some of the most interesting times in our history, and he sat at the helm of both San Fransisco and New York studios, helping train and work alongside some of the most notable piercers in history. One of only five people ever bestowed the title of Master Piercer, his passion and humility brought him to the top of the piercing world in the early and mid 90s. Mark is an incredible person with a rich history in our community, and even decades after he’s left he is someone we need to respect, to remember, and to admire. Reading about someone and talking to them is like night and day; talking with Mark was one of the most humbling experiences in my career. I am thrilled to be able to share this. Continue reading →
The tattoo community was a much different place back in the 1970s when this ad for Cliff Raven’s Sunset Strip Tattoo Studio ran in the pages of the venerable DRUMMER magazine; being an out, gay tattooer was a much bigger deal than it is in 2017. Despite a clear lack of diversity and a culture that was considerably less evolved than I like to think we are these days (though watching the news has me wondering) Cliff was able to maintain the respect of his peers through clean, solid, built to last tattooing. In the last few years I’ve been lucky to see a handful of 30-40 year old Cliff Raven tattoos that have stood the test of time. Attempts have been made to capitalize on his name- including a clothing line and branded wine- but to date, thankfully, nothing has materialized.
While he excelled in tattooing traditional Japanese subject matter, I’ll always have a soft spot for his muscle boys and homoerotic imagery.
I met Star as the tattooed lady at a San Mateo carnival 10-in-1 show back in 1975. She was also the magician’s girl in the sword box. We connected then and were friends for some 15 years afterward. We did a few shows together and also took pictures in my garage studio with my bed of nails. Stars was a “biker’s girl” and later moved to Florida. I pierced her genitals and she appears in early Gauntlet photo shoots. ~ Fakir Musafar
My buddy Scott recently discovered a few vintage photos of Fakir Musafar and his friend Star in the collection of Bob Hanson and was kind enough to send them over to Sacred Debris.
Star appeared on the cover of the inaugural color issue of PFIQ 1 photographed by Fakir.
PFIQ #15. The previous fourteen issues featured illustrated cover art, primarily by Bud Larsen. Issue #15 also contained a tribute to Ethel Granger by Fakir and an article on Carl Carroll who’s bisected penis appeared in Modern Primitives. ↩
I’m not sure if I ever posted the backside of the ‘manage a trois of horns’ photo that I turned into 2015’s Sacred Debris/APP post card- I need to get better about keeping track of uploads (or hire a personal assistant to keep track for me) so assuming that I haven’t-
Backside of image FH36A- Sailor Sid Diller, Jim Ward and Bud ‘Viking’ Navaro, February 1982 from the collection of Sailor Sid Diller/Jack Yount. Regular readers know that I never pass up a chance to post septum tusk photos, so I’m including the front side as well. Also, I like that shag carpeting.
The postcards were given away at APP2015 for first year attendees.
I’m still working on transcribing the 2001 sit-down I did with PFIQ/Drummer Magazine artist Bud Larsen; I’ve mentioned before that it’s less of an interview and more a free form oral history and as such I’m not sure how much will be relevant to SD readers, but the same can’t be said for examples of his artwork, which is always impressive and of interest to folks interested in body modification history.
This ARIES illustration was used in Drummer Magazine 1 (ed note: cite issue number/date) and features the God of War himself, tattooed and collared and impeccably inked by Bud. I don’t know much about astrology, but it would seem that Tennessee Williams, Bill Shatner and “The Night Porter” actor Dirk Bogarde are all Aries- and according to the Internet that means that they’re:
Enterprising, Incisive, Spontaneous, Daring, Active, Courageous and Energetic, the Aries are the proverbial infants, guileless and optimistic to the fault. However, they also are impatient, impetuous, vain, proud and egoistic. (source: http://www.ganeshaspeaks.com/aries/aries-facts.action)
That seems fairly dead on for Shatner, so maybe there’s something to it?
Drummer Magazine was launched in 1975 by John H. Embry and Jeanne Barney, catering to gay men into the Leather subculture. It ran until April of 1999. Over it’s tenure it was considered highly influential in the gay/leather community. ↩
Our final Sacred Debris postcard run of 2015 arrived today; featuring one of my favorite photos of Jack Yount (approximately 1988/9) smiling and enjoying a cocktail, these are a little thank you for site patrons and friends. I’ve put a few aside as a bonus for folks who’ve signed up for our email notification list; I broke the list down into groups of 20 and used my trusty 20 sided dice to roll a winner for each block. The winners have been contacted via email and have a choice of three different postcards. Thank you so much to everyone who’s supported the Sacred Debris blog this year; donations, research help, comments and sharing posts on your social networking feeds- it’s really motivational to see that the site is reaching an audience of folks who appreciate it.
I’m working on a year end poll to see what we’ve been doing right, what we can do better and how you folks want to see the blog evolve in 2016, so check back on NYE and take a few minutes sharing your thoughts on how to keep things interesting and fun.
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