Category Archives: Historical Figures

BUD LARSEN for Drummer

Bud Larsen cartoon

Illustrator Bud Larsen’s iconic black and white line drawings helped establish the visual aesthetic for the early issues of both PFIQ and DRUMMER magazine; like a kinky Al Hirschfeld his style was light on color/shading and heavy on technique, line weight, and overall badassedness. These illustrations from early Drummer 1  issues could easily go toe to toe with other more well-known 1970s magazines cartoonists like Bill Ward, Jack Davis, or Gahan Wilson.

Images © Bud Larsen/Drummer

Knoxville 1986

For better or worse, tattoo conventions used to be a common meeting place for devotees of body piercing; while discretion was often necessary on the convention floor, 1 piercing fans would find community in the privacy of their convention hotel room; clothes coming off to reveal the piercings hidden from the more conservative tattoo crowd at large.

In 1986, at the Knoxville Tattoo Convention, a group of friends that included, among others, Jack Yount (not pictured), Sailor Sid Diller, T.R.A.S.H. publisher J.D., Silver Anchor’s Ed Fenster, Marv from Australia, and Emil G, did just that – enjoying each other’s company, shedding their clothes, and having a little fun. Continue reading

Notes:

  1. “Since Ed Hardy had brought the subject of piercings up at the I.T.A.A. Reno Convention in 1977 (he felt, as did the overwhelming majority of Artists there that piercing did not belong at a Tattoo convention and should not be linked to tattooing. I.T.A.A. Members voted there and then not to have piercing at future conventions) it was decided on (by the suggestion of Bob Shaw) not to allow facial tattoos or piercings at the National Tattoo Conventions. This was to be a Convention to promote Tattooing and only Tattooing.”  – Source: http://runningthegauntlet-book.com/BME/jimward/20050329.html. 

Small Town Shaman, Big City Pornstar

The 80’s were an interesting time for piercing. PFIQ was going out to more readers than ever, the Gauntlet was growing busier, and piercing was reaching a larger audience every day. Countercultures in general were coming together, sharing ideas, spaces, and people. Being weird and different was becoming welcomed. In the spring of 1982, two wonderful icons of their respected subcultures were getting ready to meet for the first time. After about a year of communication, letters and chats, the sweet, shamanistic Fakir Musafar and the avid, sexy Annie Sprinkle met. They spent a whirlwind week together in New York, one of Fakir’s first times in Manhattan. The midwest shaman got a warm welcome, with pedestrians and cabbies complimenting his septum jewelry (worn on behest of Annie, who found it handsome as could be). The two were determined to turn the city on its head, and they both found great joy showing off at parties and events as Annie lead Fakir about by hooks in his deep chest piercings, or stuck her entire finger through his nipples. They were the talk of the town, answering everyones questions about “if that hurt”. Even Annie went out and about bottomless, ready to show off the fresh addition to her labia. They hosted piercing parties, Fakir adding golden rings to a myriad of members of New York’s various social scenes.  Continue reading

Atavist: Viking Navaro

Without a doubt, one of my favorite ‘personalities’ from the 1970s/80s era of the Western body modification revival was A. Viking Navaro; the “nom de kink” of a Southern California professor who’s appearance in an early issue of PFIQ, complete with photos by Fakir Musafar, was one of the earliest examples of a modern primitive.

You can see more of Viking Navaro here on Sacred Debris, and in the new SD print zine Nodal Points, available May 2019 from Hex Appeal.

Bear Bigears.

Sad news out of Texas- influential body piercer and suspension practitioner Daryl “Bear” Belmares has passed away. A mentor to some of the best piercers to come out of the 1990s Texas scene, Bear appeared in the documentaries Modify and Written on the Body and had what may be the largest documented set of stretched ear lobes at 5.5″

He will be missed.

July 10, 1956 – December 18, 2018

(excerpt from the 1990s documentary film Written on the Body)

Color Grading. (NSFW)

By the time I finally click upload on the video that’s currently in my editing queue- a video that will clock in with a runtime of somewhere around the eighteen minute range- I’ll have spent roughly ten hours on task time for the final edit. Most of that will be spent color grading the footage, which was shot on VHS tape at Sailor Sid Diller’s Florida home/studio in 1985. Continue reading

Uncovered: Piercing World Issue 10

Earlier tonight we put up a pre-order page for volume one of the collected Better Safe than Ari interviews; while there’s been a major push in the last few years for analog books to go digital we figured we’d be contrarians and take our digital interviews to print. So if that’s your sort of thing, please check out the Hex Appeal store for more information.

These days it’s pretty rare to find piercing/modification related physical media, but back in the 1990s there were plenty of options to chose from. PFIQ from Gauntlet enterprises, Body Art and Piercing World out of the UK, In the Flesh- if you knew where to look you had some pretty great piercing publications to collect.

P.A.U.K.’s Piercing World was a favorite of Jack Yount’s, who was thrilled to appear on the cover of issue #10.

Not so erotic tattooing and body piercing.

Charles Gatewood, iconic photographer and counterculture anthropologist, released somewhere in the neighborhood of 200 documentary films through his boutique FLASH VIDEO label. Films that ranged from profound to prurient with titles like Fangs of Steel, Messy Girls and the Erotic Tattooing and Body Piercing series, the Flash Videos were niche content at it’s most niche. When I spoke to Charles about production runs in 2015, he told me that the average title started with a run of 50 units, with more being duplicated if needed. Twenty five years later it’s no surprise that an entire generation of body artists and admirers have come up that have never seen the Gatewood films.

The good news is that the Body Piercing Archive- the archival wing of the Association of Professional Piercers- was gifted the rights to the archive and plans are in place to capture and preserve these lost treasures; something I’ve been doing as well with my personal copies.

For my money, the best of Flash was the fifth volume of the Erotic Tattooing and Body Piercing series; released in 1992 or 93 and filmed at the Meadowlands Tattoo Convention, #5 features Jack Yount, Emil, Mr. X and a host of other luminaries. The photos taken of Jack that day are among my favorite images of him and he often spoke of being photographed by Charles. This brief clip, filmed the same day as his photoshoot in 1992, was shot on Jack’s 8mm camcorder, with a show and tell with a client of Fred Corbin’s. This is the first time this footage has been seen in 25 years.

Jack and Kristian

My earliest piercing experiences with Jack Yount taught me that he came from the bigger-is-better school; at a time when some piercers were starting with initial 14g jewelry, Jack was more prone to starting at 8g. Blake and Kristian at NOMAD SF certainly understood the appeal of large gauge piercings and jewelry, so when Jack visited their shop in 1994 he instantly warmed up to them both. This photo features Kristian and Jack-  if you’d like to read up on an often overlooked face from the early 1990s piercing scene, check out this BME interview conducted by Shannon Larratt: https://news.bme.com/wp-content/uploads/2008/09/pubring/people/A10101/krist.html