Category Archives: Body Play

BSTA: Michael Mulcahy

Ari – I’m super excited for us to do this Michael. Thanks so much for speaking with me today.

Michael – This is tough because I feel like in general I’m a pretty private person, especially with this history and timeline. I don’t think, besides my spouse, there’s a single person I’ve ever talked my timeline over with because it just never seems relevant to my interaction with another person. You know what I mean? The whole, “hey, listen to me!” To me it’s a difficult process but we’ll get through this and hopefully it doesn’t feel like I’m talking too much.

Ari – I don’t really plan out these so we’ll just start with an introduction and let the conversation go organically. First I like to do a brief synopsis though – maybe some information about Marigold, where you started out, and anything else you’d like to include.

Michael – I’ve been piercing for twenty-six years- that has been a long pathway. I currently own Marigold with my wife Jessica, who pierces and tattoos. We have additional tattooers who are there as well as a nurse who does microblading. I’m there sometimes for certain piercings. I do all the genital piercings, the septum piercings, surface work, and anything in relation to difficult anatomy. Other than those few times throughout the week, I’m not there like on a scheduled basis – it’s really appointment only. I’m in school full-time and work other jobs besides Marigold, so I’m busy. I’m in school for biochemistry at Norwich University – which is actually the oldest military college in the United States – It’s the birthplace of ROTC. It’s an interesting environment to be in as a civilian. But as we talk about this timeline, I did sort of leave piercing for a while and do other stuff (while still piercing) including the military and a deployment to Afghanistan. It’s been a convoluted path! I work as a critical care paramedic for a level one trauma center teaching hospital. We live in Montpelier, Vermont – a tiny little town in beautiful Vermont, and it’s great to be in a little town with this shop we’ve created. We love it, it feels perfect, and it’s been twenty-six years between starting and now – it’s like a lifetime.

Ari – Seriously. That’s like twice the average career for a piercer. Continue reading

Small Town Shaman, Big City Pornstar

The 80’s were an interesting time for piercing. PFIQ was going out to more readers than ever, the Gauntlet was growing busier, and piercing was reaching a larger audience every day. Countercultures in general were coming together, sharing ideas, spaces, and people. Being weird and different was becoming welcomed. In the spring of 1982, two wonderful icons of their respected subcultures were getting ready to meet for the first time. After about a year of communication, letters and chats, the sweet, shamanistic Fakir Musafar and the avid, sexy Annie Sprinkle met. They spent a whirlwind week together in New York, one of Fakir’s first times in Manhattan. The midwest shaman got a warm welcome, with pedestrians and cabbies complimenting his septum jewelry (worn on behest of Annie, who found it handsome as could be). The two were determined to turn the city on its head, and they both found great joy showing off at parties and events as Annie lead Fakir about by hooks in his deep chest piercings, or stuck her entire finger through his nipples. They were the talk of the town, answering everyones questions about “if that hurt”. Even Annie went out and about bottomless, ready to show off the fresh addition to her labia. They hosted piercing parties, Fakir adding golden rings to a myriad of members of New York’s various social scenes.  Continue reading

Fakir Musafar Exhibit: Paul King Walkthrough

I’m still sitting on a few dozen photographs from the awe inspiring IN PURSUIT OF THE SPIRIT exhibit celebrating the life and work of Fakir Musafar that the good folks at the Body Piercing Archive set up at this year’s APP Conference and Expo; when we finally get the new issue of NODAL POINTS sent to print I’m going to try and commit some time to writing a piece about it.

Until then- I bought a brand new go-pro for this year’s APP Conference, and for some reason left it in my hotel room every time I’d go down to the Fakir exhibit; so everything I shot was on my iPhone8+ and as such is lacking in quality. And because of the size of the files… I ran out of space on the first day.

I think the PRESS ribbon I was wearing was a bit of a stretch. Continue reading

BSTA: Blake Perlingieri

Ari – Let’s start this off with your introduction to Fakir.

Blake – I got a hold of the ReSearch book in 1989 and it blew me away. Obviously it was the only cultural document at the time for an emerging subculture. There’s a lot of stuff in the book I was “meh” on but Fakir’s chapter really grabbed me. I was already piercing my friends in San Diego; people would go up to LA Gauntlet and buy a needle and barbell and I’d do them up in the park under a tree. My band had finally gotten signed and I came to this crossroad where I really wanted to do something meaningful and I knew I had a lot of learning to do so I quit the band and rolled up to San Francisco. The first time I went up there there was Body Manipulations – they were the first piercing studio in the area, they opened before Gauntlet. I went up and peeked at Body M and didn’t really know who they were but I recognized that the handsome guy out front leaning on his motorcycle having a cigarette was Vaughn. I knew he was the guy from the ReSearch book. I ended up making a couple of trips to San Francisco. My folks took me to the Gauntlet in the Castro and I went in, walked upstairs, and it was the first piercing shop I had ever been in. The term “piercer” didn’t exist yet – you were just a guy who did piercings at this time. I walked up and I said, “hey, my name is Blake and I am looking for Fakir and maybe some earrings!” I got the biggest attitude from the guy behind the counter. He didn’t even have visible piercings! He says “well we don’t have any jewelry in your size, honey.” I was like, “alright, fuck you,” and I started to walk out when I hear Fakir say “excuse me young man, I can help you!” I turn around and there he is with a porcupine quill in his septum. I just looked at him and told him he was the reason I came – but that I felt like this wasn’t a very welcoming place for me. At the time this was either summer or late 1990. Fakir took me to lunch. He put his arm around me and said, “well I have never seen the likes of you, young man., Tell me your story!” At the time I had 2” earlobes with huge dreadlocks- just a jungle kid from Southern California. How weird to walk into my first piercing shop to have some guy with no visible piercings be a dick to me. I was put off from the beginning. I didn’t consider myself professional at this time – I had only done genital and septum work. I had never done a nostril or navel. The stuff I was doing on my friends was all “Genesis P-Orridge” genitalia aesthetic. Fakir and I had an immediate connection and I told him I wanted to be a piercer. The first thing he said was, “well you sure don’t want to work at the Gauntlet, trust me.” I think we ate at Cafe Du Nord and it felt like I was coming home so to speak; he was just so welcoming. This is twenty-nine years ago. He literally says, “I think you’re doing something completely unique.” I didn’t understand his historical importance yet, I just intuitively knew he was the Granddaddy and if I was going to start a career I was going to go to the source. That’s a value that doesn’t exist anymore. There is a tattoo school is Vegas that cost $40,000 and guarantees you an internet following by the time you graduate, and you’ve only done like one tattoo. It shows you how ass backwards this culture is. The thing Fakir instilled in me in our first meeting – there were no personalities then, all I was was just a jungle kid, there was Gauntlet and Body M, that’s it for the whole US; there was no measure of what other people were doing. My experience at Gauntlet was very telling- Im sure they all had 00g PAs but they didn’t have the look I wanted to be a part of or was already doing, the things my grandmother introduced me to on her world travels. Continue reading

In Pursuit of the Spirit

(from the Body Piercing Archive)

In honor and celebration of Fakir Musafar’s life, the Body Piercing Archive will present the most comprehensive exhibit that’s ever been seen on Fakir’s art and legacy.

Over 2000 square feet staged with his original iconic images and fabricated sculptures made famous over eight decades of accumulated artwork and Body Play.

As well on view will be many items that have never been on public display.

This will be the largest and most ambitious BPA exhibit to date, so come learn, remember, and celebrate!

Exhibit Hours:
Monday 10 am-6 pm
Tuesday 10 am-6 pm
Wednesday 10 am-6 pm
Thursday 10 am-6 pm

DOCENT TOURS:
Monday
Paul King, 11:30-12:30pm
Ian Bishop, 1:00-2:00pm
Allen Falkner, 2:30-3:30pm
Dustin Allor, 4:00-5:00pm

Tuesday
Cody Vaughn, 10:00-11:00am
Paul King, 11:30-12:30pm
Ian Bishop, 1:00-2:00pm
Betty Ann Peed, 2:30-3:30pm
Jef Saunders, 4:00-5:00pm

Wednesday
Cynthia Wright, 10:00-11:00am
Ken Coyote, 11:30-12:30pm
Yossi Silverman, 1:00-2:00pm
Grin, 2:30-3:30pm
Annie Sprinkle, 4:00-5:00pm

Thursday
Grin, 10:00-11:00am
Paul King, 11:30-12:30pm
Allen Falkner, 1:00-2:00pm
Cynthia Wright, 2:30-3:30pm
Ken Coyote, 4:00-5:00pm

https://www.safepiercing.org/conference.php

Fakir Musafar August 10, 1930 – August 1, 2018

Strange, is it not? that of the myriads who
Before us pass’d the door of Darkness through
Not one returns to tell us of the Road,
Which to discover we must travel too.

-Omar Khayyam

 

Fakir Musafar passed away on August, 1st. There are so many things I could write about him and the lives he touched over the course of his extraordinary career, but right now all I can say is that it was my pleasure to have known him and that I’ll miss him very much.

Journey well, Fakir.

 

Photo Source: Cleo Dubios.

Queen of Hearts

I first saw photos of Cathy- dubbed Queen of Hearts- in Fakir Musafar’s seminal Body Play & Modern Primitives Quarterly 1At the time of the article her laced measurements were an astounding 39″- 15″- 39″ putting her on par with the legendary Ethel Granger with her progress; in fact she would appear in that issue photographed in one of Ethel’s 15″ corsets.

She began lacing in 1959 and by by the time of publication was wearing a corset or training belt day and night without breaks.

While attending the Mad Hatter’s Tea Party tattoo event in the late 1990s I ran into Cathy and asked her if I could take a few photographs for BME; none of which came out especially well, but hey, Mapplethorpe I’m not.

Notes:

  1. Body Play and Modern Primitives Quarterly, Volume 1 Number 3, 1992. Insight Books, Menlo Park, California. http://bodyplay.com 

Viking Navaro: Pumping

blacktusk

I think I’ve featured at least one of these photos before over on the SD Tumblr account, but for those of you who don’t follow it… here you go.

Viking Navaro enjoying a little body play- vacuum pumping his pierced/stretched nipple piercings. These date back to the early 1980s. Bud’s half-sleeve by Cliff Raven.

You can follow us on Tumblr at: http://sacreddebris.tumblr.com

blacktusk2