The early issues of any print publication go a long way towards defining their overall visual identity; what makes it “it” is honed by the editor’s choice in orchestrating the entire finished product which includes deciding on what you could consider is the most important aspect- the design of the front cover.
Early PFIQ issues, edited by Jim Ward, favored illustrated covers with art primarily provided by Bud Larsen, but with issue four the duties were handled by an illustrator named, simply, Ronin. I did a little digging and couldn’t really find out anything about him, but you have to appreciate Jim’s decision to feature an all female trio of cover “models” in a time where the body piercing demographic heavily skewed towards gay males. While the documentation of the early days of the western piercing scene is, by availability, often very one sided, Jim always featured as diverse a lineup as contributions would allow in PFIQ.
Issue #4 featured a “Who’s Who” article on Alan Oversby, AKA Mister Sebastian.
I was putting a bunch of material together for an academic research request on ‘women in early western body modification’ this week which included this scan from PFIQ#31 (1988) featuring side art by the late Bud Larsen.
The demographics in the 70s/80s skewed towards males (primarily gay males) but going back through the old PFIQs while gathering up information, I was pleasantly surprised by the amount of female representation included. Issue 31 was almost 50/50 with female and male piercing content including a wonderful photoshoot featuring Krystine Kolorful by legendary photographer Diane Mansfield.
As I told the researcher (who I’ll ask to share her final project with SD readers) the early days were much more dialed into sexuality than aesthetics, so most of the representation was (pleasantly celebrating) sex positive which made the older issues a lot more fun than the later ones in my opinion.