Ari – Sean, I always have everyone do a standard introduction to kick these off, so give us a brief bio.
Sean – I’m old, I’ve been everywhere. Ok, so brief history of Sean in bod-mod. Started with Sadistic Sundays at the video bar in 1990, roughly. I think it was right after high school – I was eighteen. Was doing that for a little bit, was just a Sunday night show type thing, and then left town for a while doing the hippie soul searching whatever, did Ren Fairs for a summer just to get away. When I came back Allen Falkner had moved back to Dallas and he and I became friends. I was hanging out with Allen, helping him paint his first room in his first studio when he was just renting space from a furniture store. He rented a room from them which soon turned into a piercing empire. We hung out for another couple years there in Dallas where I helped him attempt his first suspension, which was fishing line and just a ton of piercings. It was absolutely horrible. It lasted like three seconds – the fishing line started to snag and pull through because it was so thin. We look at it now like what the hell were we thinking? But you experiment, you figure shit out. At that time Fakir wasn’t as willing to share the suspension information with Allen; he did later, so until then there was a lot of us just looking at videos and guessing. Continue reading “BSTA: Séan McManus”
More memories from Allen Falkner’s 2009 Dallas Suscon, this time featuring a ‘suicide’ suspension from Mr. Ho, suspending from the dome that was, I believe, supplied by Ohio’s Ihung Suspension group.
During his suspension he decided to flip himself upside down, resembling the X11 card of the Tarot, the Hanged Man. Thankfully no one decided to ‘name’ the suspension, instead focusing on how rad Ho looked while pulling it off and supporting him as Allen used him as a punching bag.
Spring cleaning at my house always turns up treasures that have been sitting around uncategorized for far too long. Today’s finds included the DVD-R full of photos from the 2009 Dallas Suscon hosted by Allen Falkner. It was one of my first times using a long since stolen Leica D-lux 3 camera, with this photo of Erik ‘The Lizardman’ Sprague being my favorite shot of the bunch.
In 2003, a small crew sponsored by BMEZine founder Shannon Larratt started a North American tour to film Body Modification enthusiasts/practices for what promised to be a very unique documentary.
Shannon sent out DVC cameras to people not on the tour’s path who he felt could contribute something unique, equipped Jon Cobb with a camera for a tour of South East Asia and even managed to make a website and trailer for the film- Uvatiarru– that ultimately never got produced.
This image is from the first stop of the US Tour on 04 May 2003. While the tour allowed for the crew to go to the homes/studios of the people they were filming, some folks stepped it up and hosted parties and events when the tour came through their town.
IAM.BME community members Lauren and Sam organized a suspension event in NYC for the first stop of the tour, which found CURED member (and ModCon/SCARwars photographer) Philip Barbosa suspending with an assist from ROP’s Emrys Yetz. A Cured crew member- Johnny- films in the background.
I’ve been told that these tapes still exist; they’re just waiting to be put together and celebrate a time/place that was very influential in the development of the Body Modification community worldwide.
In April of 2010 I found myself on a Southwest Airlines flight heading back to Philadelphia, hunched over my macbook and quickly editing this video from the Dallas Suscon for my then partner’s ‘Body Art and Modification’ class at SUNY Purchase. The class, taught by Doctor William Peace, explored historical and contemporary body modification practices and their place in society and culture. We shot the film on two starter level HD video cameras (and an iphone) and I edited it quickly in iMovie. Not exactly the best job, but… it earned her an A.
Dallas Suscon 2010 Recut
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I’ve recut the film to remove the opening/closing titles which were class specific and to increase the resolution to 1080. The songs were put in to mute out some of the background dialogue.
Allen is currently working hard on what may be the last (in it’s present format) Dallas Suscon; for more information in this year’s event, which includes a performance by Fakir Musafar and CoRE, check out Suspension.org.
This year’s SUSCON will also feature an exclusive performance by Fakir Musafar and CoRE; tickets can be purchased at the Lakewood Theater. More information can be found at the event’s Facebook page: Flight to Spirit/Puja.
When some folks host suspension events emphasis is often placed on how many suspension they can cram into a three day period. They pride themselves on pushing the envelope with what can be done with rigging and occasionally if not often devolve into one-upmanship, trying to see if you can hang from one 16g hook in your scrotum long enough to get a photo to post on their tumblr accounts*.
Allen Falkner and his team do things a little differently. This year’s DALLAS Suscon features a class schedule that could rival the annual APP Conference in Vegas. Bedside manner, gender roles in the suspension community, how music choices tie in with ritual, invaluable technique classes that cover everything from basic/advanced knot tying to suturing should the situation call for it. There are also classes by Paul King and Fakir Musfar that promise to justify the price of admission.
Registration is open.