Event: Scarwars 2.
Location: Los Angeles.
Year: February 2006.
Photographer: Rachel Larratt.
Subject: Dave Gillstrap.
My wife and I took a much needed week long roadtrip for Thanksgiving; Philadelphia to Asheville North Carolina, Asheville to Atlanta Georgia and back to Philly, checking out the sights, seeing family and just unwinding from all of our responsibilities. I had packed my laptop and had a few blog entries ready to go out, but you know how it goes with vacations…
I’ve been focusing a lot on the 1970s lately, so I figured a 2000s post may be a welcome change. This 2006 photo, by BME’s Rachel Larratt, features scarification artist Dave Gillstrap at the second Scarwars event in Los Angeles. For the event portraits I asked our photographers to go very simple, white backgrounds and neutral lighting to let the personality of the subject stand out.
My impression of Alan was of a rather private man who was a bit difficult to get to know. Not that he was particularly shy. He would casually disrobe and allow himself to be photographed, but there was always a reserved quality about his actions. He could converse with intelligence and ease, but to access the man behind the mask was a challenge. – Jim Ward, A visit to London.
Tattooist and body piercer Alan Oversby- better known in the modification world as Mr. Sebastian- photographing a client at his London studio. March 1978.
Scanned from a 3″x 5″ print originally from Sailor Sid Diller’s collection.
Alan is generally considered to be the godfather of the European body piercing revival, but he was also an accomplished and respected tattoo artist.
For more information about Sid, Alan and the roots of the western piercing scene, visit http://www.runningthegauntlet-book.com/ to pick up Jim Ward’s indispensable book Running the Gauntlet. It features the uncensored story of the piercing community and the creation of the piercing industry and is a must own.
In 1995, my spcOnline was a fledgling body modification site hosted on America Online. AOL. As an ISP, they seemingly had no problem with the body modification content I was posting but I was TOS’d and my site removed over a topless photo of adult film star Nina Hartley that was part of an article I had written on my personal diary page.
Shannon Larratt graciously offered unlimited server space on the BME servers, with no prohibition on content, where my site remained for a decade before I finally retired it in 2005. My time with BME, Shannon and his wife Rachel helped spawn BME/Extreme, ModCon, and Scarwars and directly influenced Occult Vibrations and Sacred Debris.
Fifteen years after first meeting her, I still rely on Rachel for an ear to bend when I’ve got a new idea for a project or just a funny, snarky story to tell at three in the morning. She’s been through a lot over the last few years and she still does her best to keep things going. Recently her home and the majority of her belongings were damaged in a natural disaster in South Carolina.
The fine folks @ Metadope have put out two rad BME patches with funds going to help Rachel and Ari.
Grab some patches, support 20 years of Body Modification documentation and have a happy Halloween!
Artist: Steve Haworth (implants)
Year: 1998 (September)
Location: South Beach, Miami (Eden Roc Hotel)
Photographer: Shawn Porter
I first met Hiro in September of 1998 at the Crowe & Dwyer Tattoo Tour in South Beach Miami. Even surrounded by heavily tattooed people, Hiro stood out; his large forehead implants and stretched nostrils were pretty far out for a tattoo convention in 1998 and every time I tried to introduce myself I’d find him surrounded by photographers.
Steve Haworth finally got us together in his hotel room, and with the help of his interpreter we were able to get to know each other as I documented his modifications. He was in the States collecting work; tattooing from Grime and Guy Aitchison as well as implant and modification work from Steve.
When I ran into him several years later he had added beautiful facial scarifications to his already impressive body of work.
During it’s two decades in print, P.F.I.Q. magazine featured the work of an impressive lineup of photographers; the work of Jim Ward, Fakir Musafar, Diane Mansfield, Mark I. Chester, Michael Rosen, Charles Gatewood and Efrain John Gonzalez (alongside the wonderful submitted content) helped capture a scene when it was much smaller and more intimate.
I’m fairly sure II first met Efrain in May of 2000 at the NYC Tattoo Convention at the Roseland Ballroom, which is when this photograph was taken. On honest-to-god 35mm film. I found him to be incredibly sweet, welcoming and mischievous and over the years when our paths have crossed he’s always been armed with a smile and a camera.
I figure most readers of Sacred Debris are familiar with both of these gents- Manwoman (seated) and Jon Cobb.
Jon’s legacy in the piercing scene is as one of it’s greatest agent provocateurs and technicians, he originated (or popularized) a small handful of piercings that, though still fairly uncommon, changed the industry in ways that are still being felt. His ability to defend his techniques and placement- freehand piercing, nape piercing- set him apart from someone who just threw caution to the wind and did something new for the sake of ego.
Manwoman (February 2, 1938- November 13, 2012) was a Canadian artist, writer and musician who came to greater attention after his appearance in RE/Search Publication’s Modern Primitives in 1989. His book The Gentle Swastika documented his life’s work- The rehabilitation of the Swastika through his artwork and collection of pre-WW2 memorabilia.
I’ve been hesitant to post any Swastika related content up till now; it comes with the pretty heavy tariff of having to field complaint emails- usually from irate, uninformed and downright hostile folks who don’t know about anything other than it’s usage by the National Socialist Party or from those who feel that it’s just a tad too controversial to even bother trying to explain otherwise.
We’ll see how it goes.
You can see more of Efrain’s photos at http://hellfirepress.com