Ok… tell me this… why were you dressed up like the easter bunny, driving me and a few other people around in a boat in one of my dreams last night?? You took us to a little island where you had hidden a bunch of rather large easter eggs for us to find… you didnt slow the boat down as it was coming into the beach.. just went full throttle and tipped the boat, flinging everyone aboard it out onto the sand. ~Wayde Dunn
I have stacks (ok. digital files that take up no physical space) of photos of cuttings and tattoos made by Australia’s Wayde Dunn; each one better than the next. I have some great procedural photos of him working at the second Scarwars event 1 that are probably much more in line with what people want out of a body modification blog. I even had a big piece written about the parallels I see between Wayde and Keith Alexander- both being people who never accepted being the best at something- when they’d achieved the goal of working towards perfection both gladly move on to something new and start back at the bottom; the thrill of knowing something new being much, much more important than the accolades for having done it.
But a photo of him looking cheeky and him telling me about a dream he had where I was the Easter Bunny is a much truer snapshot of our friendship, so I went with that.
Over the course of the three Scarwars events- two in Philadelphia and our Los Angeles outing in 2006- thousands of photographs were taken by our incredible staff of photographers that captured every aspect of the shows; procedurals, portraits, candids and even after hours hotel chicanery and there are probably still dozens if not hundreds of photographs from attendees that even I haven’t seen. It’s almost impossible to pick a single favorite but I always said that if/when we ever do a Scarwars book this 2006 photo by Rachel Larratt of Richmond, Virginia’s Josh Burgh 1 would end up on the cover.
I’m not sure if that makes it my favorite, but if not it’s damn close.
I went to ScarWars for a lot of reasons. I went because friends I don’t get to see all that often would be there. I went because I’d never been to a modded convention and I was curious to learn what they were about. One reason I chose to go to ScarWars specifically had a lot to do with the fact that scarification has meant a lot to me individually, and I wanted to see scarification as a basis of a community. Beyond the intense amounts of fun to be had with the artists, organizers, participants and spectators, I think the thing I really loved about ScarWars was the sense of acceptance that took me in from the minute I arrived. I’ve always believed that preps, punks and hipsters are much more discriminatory toward the non-conforming than certain subcultures are to the mainstream. This was undoubtedly true of the people I met at ScarWars. The simple fact that I showed up and was interested in the work was all that was necessary for me to feel like I had every right and everything to gain from being there. My own experience with scarification gave me something to love about my body. Beyond that, it gave me a focus for graduate work. And at ScarWars, it gave me a community.- J.L.
We always did our best to make the events about more than just modification; the sense of community was equally important and letting everyone know that they were on equal standing- from artists to clients to the volunteers who made sure that the event went smoothly- was always our top priority and is why when I go back through the stacks of photographs (digital, which is never quite as satisfying as analog) my eye is most frequently drawn to the candid moments of the Scarwars guests and artists casually chatting, sharing a story and a laugh before blood was drawn. A decade later and that’s what I remember most; the Storm Trooper (in full Imperial White with a blaster ready for action) guarding the door, “Coop fishing” using our friend Walnut as bait, sitting around the complex bar after the event ended of the night and raising hell… all of that stands out more than a cutting or two.
Thanks to the staff, artists and clients who made the event what it was- I truly couldn’t and wouldn’t have done it without them.
Another highlight from the February 2006 Scarwars event in Los Angeles was meeting and getting to know a piercer named Samantha from Northern California. She had a collaborative cutting done on her chest that was documented by photographer Atom Moore while it was in progress, but this portrait by Rachel Larratt, while significantly less bloody, is still my favorite of her from that weekend.
After the success of the inaugural Scarwars in 2005, we decided to take the party to the west coast less than a year later and in February 2006 found ourselves at a private studio location in Los Angeles California continuing the concept of cutting and branding artists sharing information and collaborative scarification projects.
This photo, taken by the event’s official portrait photographer Rachel Larratt, features modification artist Thorsten Sekira. Thorsten is wearing one of the event’s official t-shirts with a design by New Hampshire’s Nick Kelly.
Event: Scarwars 2.
Location: Los Angeles.
Year: February 2006.
Photographer: Rachel Larratt.
Subject: Dave Gillstrap.
My wife and I took a much needed week long roadtrip for Thanksgiving; Philadelphia to Asheville North Carolina, Asheville to Atlanta Georgia and back to Philly, checking out the sights, seeing family and just unwinding from all of our responsibilities. I had packed my laptop and had a few blog entries ready to go out, but you know how it goes with vacations…
I’ve been focusing a lot on the 1970s lately, so I figured a 2000s post may be a welcome change. This 2006 photo, by BME’s Rachel Larratt, features scarification artist Dave Gillstrap at the second Scarwars event in Los Angeles. For the event portraits I asked our photographers to go very simple, white backgrounds and neutral lighting to let the personality of the subject stand out.