Tag Archives: PFIQ

43A: Fakir & Star

Fakir Musafar and his friend Star, 1970s

I met Star as the tattooed lady at a San Mateo carnival 10-in-1 show back in 1975. She was also the magician’s girl in the sword box. We connected then and were friends for some 15 years afterward. We did a few shows together and also took pictures in my garage studio with my bed of nails. Stars was a “biker’s girl” and later moved to Florida. I pierced her genitals and she appears in early Gauntlet photo shoots. ~ Fakir Musafar

 

My buddy Scott  recently discovered a few vintage photos of Fakir Musafar and his friend Star in the collection of Bob Hanson and was kind enough to send them over to Sacred Debris.

Star appeared on the cover of the inaugural color issue of PFIQ 1 photographed by Fakir.

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Notes:

  1. PFIQ #15. The previous fourteen issues featured illustrated cover art, primarily by Bud Larsen. Issue #15 also contained a tribute to Ethel Granger by Fakir and an article on Carl Carroll who’s bisected penis appeared in Modern Primitives.

Til there was you

incredibletilsacreddebrisIf I had a dollar donated for every view that the ‘Incredible Til’ video has received since I uploaded it shortly after Sacred Debris launched in 2014, I’d have enough money to buy well over 300,000 dollar items at the local five and dime. That’s not necessarily a reminder that you should throw some love into the tip bucket if you like the content- much of it literally one of a kind- that we post here at SD… but it’s also not NOT one.

With that out of the way….

“The Incredible” Til of Cardiff made his debut in the pages of Piercing Fans International Quarterly thirty-five years ago and has remained one of the most searched-for names in our “how did you find us” queue. While I suspect that most people are searching for pictures of what made him so incredible- an invertible sub and super incised penis that could be turned “inside out”- today’s update is a rare glimpse at the man behind the member.

Interestingly enough every photo of Til in the SD archives finds him with his eyes closed.

This photo dates back to the late 1980s and features tattooing by Alan ‘Mr. Sebastian’ Oversby.




 

FH-21A22: Very much in evidence

ROVEFA21a22“Friend John says that it was in 1976 that I went to a private showing of the movie TATTOO. There I met Doug Malloy and John with his magnificent squid tattoo. And there were pictures shown of tattoos and some piercings. I can’t say that the latter took hold, but my interest in tattoos was reinforced.” Louis ‘Indy’ Rove   1

I got a text message the other day from a friend asking if I knew anything about a piercer working in their home town; was he any good, could I recommend him, any horror stories or caveats – most of us who’ve been around the industry for a year or three are probably pretty used to getting that message and over the years I’ve been able to help steer folks into some good shops to be worked on by some good people. But, increasingly, I’m in the position where there are (exponentially) more piercers out there that I don’t know than those that I do. That doesn’t speak to their skill level or their commitment to safe piercing, good tattooing or ethical body modifications- just that the community that turned into an industry is now bigger than our ability to keep up with it.

it wasn’t always that way, though, and as I dig deeper into my archives I’m seeing faces and names that are cross-referenced over the decades and miles connecting the pioneers of the ‘T&P’ community, revealing a tight knit group who were connected by very few degrees. Over the last few days I’ve scanned photos at random, spanning different years, original owners and disciplines (primarily tattooing and body piercing) but when I move to the research phase almost every one of these pioneers either knew each other or were separated by one or two mutual friends.

The photos I uploaded of Dr. John Lemes, for example- John was there when T&P Party member Indy Rove met Doug Malloy; introducing him to the Southern California scene and Jim Ward (who would go on to put several dozen piercings into his penis) and Fakir Musafar (who photographed him for PFIQ #17).

This photo- FH-21A22- was taken in Louis Rove’s (misspelled on the photograph as Louis Rave) Los Angeles home on 29th January 1982 and features my favorite early bodymod pioneer Bud ‘Viking Navaro’ H in all of his tusk’d glory.

We’ve reached a point in our community/industry’s timeline where there are so many options to get a safe modification performed, but there sure was something special about a smaller more intimate scene.

 

Notes:

  1. PFIQ #17, Who’s Who: Meet Indy, Gauntlet Enterprises 1983, editor Jim Ward/Photographer Fakir Musafar.

The Gauntlet @ Forty

SACREDDEBRISJIMWARD

“40 years ago today Gauntlet came into existence. It’s sometimes hard to believe all that has transpired in the world of body mod in that time.”- Jim Ward, 11.17.2015

Happy anniversary to Jim Ward and The Gauntlet!

BookCover“When I opened Gauntlet in 1975, virtually no one but hardcore fetishists and sadomasochism (S/M) enthusiasts were piercing themselves below the neck. People in the mundane world failed to realize that a little piece of metal strategically inserted in certain locations of the body can significantly amplify erotic sensations in those areas and make sex even more enjoyable. It seemed so clear to me that this was something that could benefit anyone. Why should piercing be limited to a select few? With that in mind, it became my mission to let the world at large in on this amazing secret and to let it know I had the ability to make it a reality.”

Jim has been an amazing resource for piercing fans for the last four decades; The Gauntlet, PFIQ, his APP classes- read the uncensored history of the roots of the modern body piercing revival in his memoir Running the Gauntlet available here: http://www.runningthegauntlet-book.com/

SPCBud20018mm001: Bud Larsen Oral History

In March of 2001 I visited erotic artist Bud Larsen in Phoenix Arizona to talk about his work with PFIQ and Drummer magazine; his art helped define the early aesthetic of both periodicals- crisp black lines like a pornographic Al Hirschfeld featuring ultra masculine pinups, dangerous femme fatals and mindbending scifi and fantasy creatures with exaggeratedly large genitals which were more often than not pierced or otherwise decorated.

The entire affair was a disaster of exposed film, lost video/audio tapes and only memories and a few signed PFIQs as a souvenir of the trip. For fourteen years I’ve thought the tapes lost. SD recently received funding to restore 8mm video cassettes and during the sorting/cataloguing I discovered that a video backup of the interview wasn’t lost, just misfiled. This backup was intended to be a safety-net in case something happened to the mini-cassette recorder that we used for the interview was lost, which prophetically did happen, and was never intended to be a “on camera” interview. The handycam was set up to catch the audio and is just haphazardly pointed at Bud and I, and without a lapel mic the audio at times is difficult to hear, but given how woefully under-documented Bud’s career is, it was an amazing find.

This short clip features Bud and I discussing his process for creating a drawing. The audio is muddy, and I still need to scan the PFIQ issue the images we’re discussing come from- there’s a lot more work to do on this tape (hopefully a transcript and better audio) but for now- enjoy a chat with Bud (and my epic bad haircut) and make sure to say thanks to the patrons who sponsored the import/archival of the 8mm collection of the SPC.

(Val Martin wearing Drummer Shirt via The Leather Archives and Museum. Video title art c. Bud Larsen from PFIQ #13)

Bud Larsen Revisited

Bud Larsen artwork for PFIQ

In 2001 I traveled to Phoenix, Az to meet and record an oral history with PFIQ/Drummer artist Bud Larsen. The experience was doomed to failure and for the last 14 years I’ve considered the tape containing the history to be lost.

Late last week, while sorting and organizing tapes from that period I discovered that it wasn’t lost, just misfiled. The tape represents a very rare conversation with Bud and has been put to the head of the queue for archival and preservation. It was shot as a backup so the camera is not set up ‘interview’ style, but the content will hopefully make up for the lack of video when it’s finally ready.

 

 

FH-10A11 Starry-eyed

FH-10A11FH-10A11BACKFH-10A11
Piercer: Jim Ward. 1
Location: Southern California.
Piercing: Nipple.
Year: Early 1980s.
Collection: Sid Diller

 

Notes:

  1. Check out Jim Ward’s memoir, Running the Gauntlet, to learn more about the roots of the western piercing subculture. http://www.runningthegauntlet-book.com/

A5301012 13: Hans of Denmark (NSFW)

A5301012-13

On a visit to London Hans convinced Mr. Sebastian to do four piercings in one session. First, he got a quiche and ampallang. Then he got a Prince Albert. Because he had previously subincised his urethra he had the Prince Albert placed somewhat lower than the usual placement- one which began at the base of the glans and came out lower down the urethra. Finally, in the same session, he got what was the usual upper half of the apadravya. Since it lies just above the spot where the Prince Albert normally lies,  Hans called this piercing his “Queen Victoria.”

Hans has a wonderful sense of humor but had a little that day as he left Mr. Sebastian’s shop and boarded the London bus to return was lodgings. “I had to have a smoke, so I carefully climbed to the upper deck of the bus. I had to. I needed to spread my legs all the way home. Once I got home, I took a nice, long bath. That helped and the healing progressed reasonably fast. But that was the LAST time I ever got so many piercings at once.”


Hans especially likes his “Queen Victoria.” As the photos show, he has increased the piercings substantially. Last New Year’s Eve, he cut a slit from the original piercing so it’s now able to take a 3/4” (outside diameter) tube through the piercing.  – A. Viking Navaro, PFIQ #19

A5301012 13
Model: Hans of Denmark.
Year: 1980s
Piercing: “Queen Victoria”

A Safe Guide: Prince Albert

Thirty-one years ago, before the piercing scene evolved into the piercing industry the term piercer had a much looser definition than it does today. Over time it's come to represent someone who's served a formal apprenticeship and has spent years honing their craft; who's taken advanced learning opportunities like Intensives and technique classes at the annual APP Conference and Expo, someone who can discuss sterility at a level that would humble a physician, and who can absorb knowledge from their peers as freely and easily as they share it with the generation of piercers who’ve come after them. 

When this video was filmed, being a piercer meant you poked people with needles so they'd have shiny nipples and genitals, and tried to do it as safely as possible.

Finding a professional piercer back then was easy, since there were only a small handful in the world. But unless you lived in California (where the Gauntlet was located) or were part of a group like the Leather/SM culture, having easy access to a true professional piercer simply wasn't an option. So sometimes you had to make do.

Today's piercers would be horrified to find photo illustrated step by step instructions for an ampallang or clitoris piercing- but 30 years ago they were made readily available in PFIQ- who's PIERCE WITH A PRO feature covered almost every basic (and some advanced) piercing imaginable and went on to spawn several instructional videos.

 Some knowledge was deemed to be better than none. So was the case with 'A Safe Guide to Professional Piercing' featuring piercing by Jack Yount (then going by Mr. J) and filmed by Sailor Sid Diller. Out of context this video looks like anything but professional piercing- highly sexualized, a lack of sterility and technique that will make you cringe- but one has to consider the time (gloves weren't commonly worn in 1984)  it was filmed and the community that both Jack and Sid were part of (the highly sexual gay leather scene) to fully contextualize the footage.

The tape was distributed to piercers on Sid's correspondence list who were primarily working in leather shops or home studios.

As with all of our archival content, this video contains outdated piercing and aseptic technique and should not be considered a how-to.