Over the last several years, one of the biggest highlights of the annual Association of Professional Piercers Conference and Exposition has been the exhibits curated by the Body Piercing Archive; while we’re blessed to have a seemingly limitless amount of virtual space for the preservation of material documenting body modification there is something to be said for the tangible experience of seeing these reliquaries in person.
For the 2018 Conference, the BPA curated an exhibit on the intersection of body piercing and performance art featuring familiar names like Ron Athey, TSD, CoRE, Genesis P-Orridge, Bob Flanagan, Stelarc, Jon John and a host of others. Ron and collaborator Divinity P. Fudge were on hand as guest docents, joining BPA’s Paul King, TSD’s Allen Falkner, CoRE’s Steve Joyner, Dr. Dominic Johnson and Dr. Julian Carter on guided tours of the Perforated Body.
This clip features Ron Athey and Darryl Carlton (Divinity P. Fudge) on their first exhibit walkthrough.
We’re working overtime to get the second print volume of Better Safe than Ari interviews ready for this year’s APP Conference and Expo in Las Vegas with a convention exclusive PURPLE AS ALL HELL edition that will be released a few weeks ahead of the standard version. The cover design isn’t finalized and is subject to change. But it will still be PURPLE AS ALL HELL.
The second volume features interviews with:
- Mark Seitchik.
- Mic Rawls.
- Tom Brazda.
- Scott Shatsky.
- Sean McManus.
- Ken Dean.
- David Vidra.
- Bethrah Szumski.
- Curt Warren.
.. and if we get it ready in time a bonus interview.
The regular edition pre-order will be available in late July 2018. If you’re going to be attending this year’s APP Conference and would like a copy of the Vegas exclusive: click here.
On Tuesday July 17th body piercing pioneer Jim Ward will be presenting his IN THE BEGINNING THERE WAS GAUNTLET class to attendees of the annual APP Conference and Expo at the Bally’s hotel in Las Vegas, Nevada.
Jim’s classes are living, breathing history and are a guaranteed good time. If you’re going to be attending this year’s Conference you can sign up for it here:
The class schedule and registration portal for the 2018 Association of Professional Piercers annual Conference and Expo has gone live, and with only four months until showtime attendees are no doubt weighing the plusses and minuses of each offering to fully maximize their time in Las Vegas.
Health, safety, and technique classes probably top the list of most requested , but the APP also offers a selection of anthropology and culture classes that should be considered can’t miss opportunities for anyone interested in the who/what/where/when/why of body piercing. Continue reading
My social media streams have started to fill up with status updates and scores of photos from friends attending the 2017 APP Conference and Exposition in Las Vegas, Nevada. While the majority of activities won’t kick off until Monday, June 12th it seems like a lot of folks headed to Vegas early with over 1000 registered guests slated for this year’s event, which I’m told may be a record. I had planned on sitting out again this year, but the prospect of piercer/anthropologist Paul King’s 2017 offering encouraged me to book a trip out west for what promises to be a class that was made specifically with me in mind.
If you’re attending the Conference this year make sure to stop me and say hello!
You don’t need 2″ ears and a full black bodysuit to do that. The origins of our art form is tribal so that really only need exist in your heart. And you have to honor the traditions of our collective human mythology by incorporating tribal consciousness as well as aesthetics into what we do. – Blake Perlingieri, 2004
When I first saw a photo of Blake Perlingieri in Fakir Musafar’s BODY PLAY in 1991 the majority of people I knew in the piercing scene were decades older than me. My piercing elders would gently caution me against stretching my earlobes (despite me having 1/2″ nipple piercings and a meatotomy) for fear of public exposure and most of the clients of Jack Yount I was introduced to assumed I was his grandson not his friend and mentee. Aside from my brother, Brian Skellie and a few others the idea of a young, heavily tattooed and pierced person was generally considered a novelty in my community. Blake was only a few years older than me. He had 2″ earlobes (at that point mine were probably a humble 1/2″ or so) and tattoos that weren’t off-the-wall flash jobs that were there to prove you could be tattooed while saying nothing about the person wearing them. His photos assured me that the cultural shift that Jack had been telling me about- the old guard making room for the new generation- was coming.