Tag Archives: 2000s

Dallas Suscon 2009: Ho

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More memories from Allen Falkner’s 2009 Dallas Suscon, this time featuring a ‘suicide’ suspension from Mr. Ho, suspending from the dome that was, I believe, supplied by Ohio’s Ihung Suspension group.

During his suspension he decided to flip himself upside down, resembling the X11 card of the Tarot, the Hanged Man. Thankfully no one decided to ‘name’ the suspension, instead focusing on how rad Ho looked while pulling it off and supporting him as Allen used him as a punching bag.

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Scarwars 2006: 10th Anniversary

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Over the course of the three Scarwars events- two in Philadelphia and our Los Angeles outing in 2006- thousands of photographs were taken by our incredible staff of photographers that captured every aspect of the shows; procedurals, portraits, candids and even after hours hotel chicanery and there are probably still dozens if not hundreds of photographs from attendees that even I haven’t seen. It’s almost impossible to pick a single favorite but I always said that if/when we ever do a Scarwars book this 2006 photo by Rachel Larratt of Richmond, Virginia’s Josh Burgh 1 would end up on the cover.

I’m not sure if that makes it my favorite, but if not it’s damn close.

I wrote a long winded and absurdly sentimental piece on the impact the first Scarwars event had on my life that can be found here: http://sacreddebris.com/scarwarsten (as well as an ‘evolution of a subculture’ piece that can be found http://sacreddebris.com/evolution-of-a-subculture-scarwars1-2005) and had considered doing the same for SWII for it’s tenth anniversary; instead, I’ll share what my friend JL had to say about it:

I went to ScarWars for a lot of reasons. I went because friends I don’t get to see all that often would be there. I went because I’d never been to a modded convention and I was curious to learn what they were about. One reason I chose to go to ScarWars specifically had a lot to do with the fact that scarification has meant a lot to me individually, and I wanted to see scarification as a basis of a community. Beyond the intense amounts of fun to be had with the artists, organizers, participants and spectators, I think the thing I really loved about ScarWars was the sense of acceptance that took me in from the minute I arrived. I’ve always believed that preps, punks and hipsters are much more discriminatory toward the non-conforming than certain subcultures are to the mainstream. This was undoubtedly true of the people I met at ScarWars. The simple fact that I showed up and was interested in the work was all that was necessary for me to feel like I had every right and everything to gain from being there. My own experience with scarification gave me something to love about my body. Beyond that, it gave me a focus for graduate work. And at ScarWars, it gave me a community.- J.L.

We always did our best to make the events about more than just modification; the sense of community was equally important and letting everyone know that they were on equal standing- from artists to clients to the volunteers who made sure that the event went smoothly- was always our top priority and is why when I go back through the stacks of photographs (digital, which is never quite as satisfying as analog) my eye is most frequently drawn to the candid moments of the Scarwars guests and artists casually chatting, sharing a story and a laugh before blood was drawn. A decade later and that’s what I remember most; the Storm Trooper (in full Imperial White with a blaster ready for action) guarding the door, “Coop fishing” using our friend Walnut as bait, sitting around the complex bar after the event ended of the night and raising hell… all of that stands out more than a cutting or two.

Thanks to the staff, artists and clients who made the event what it was- I truly couldn’t and wouldn’t have done it without them.

Notes:

  1. Scarification by Brian Decker, NYC

Samantha at Scarwars 2006

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Another highlight from the February 2006 Scarwars event in Los Angeles was meeting and getting to know a piercer named Samantha from Northern California. She had a collaborative cutting done on her chest that was documented by photographer Atom Moore while it was in progress, but this portrait by Rachel Larratt, while significantly less bloody, is still my favorite of her from that weekend.

You can check out Samantha’s stone jewelry here: http://thestonewitch.bigcartel.com/