Ari – Sean, I always have everyone do a standard introduction to kick these off, so give us a brief bio.
Sean – I’m old, I’ve been everywhere. Ok, so brief history of Sean in bod-mod. Started with Sadistic Sundays at the video bar in 1990, roughly. I think it was right after high school – I was eighteen. Was doing that for a little bit, was just a Sunday night show type thing, and then left town for a while doing the hippie soul searching whatever, did Ren Fairs for a summer just to get away. When I came back Allen Falkner had moved back to Dallas and he and I became friends. I was hanging out with Allen, helping him paint his first room in his first studio when he was just renting space from a furniture store. He rented a room from them which soon turned into a piercing empire. We hung out for another couple years there in Dallas where I helped him attempt his first suspension, which was fishing line and just a ton of piercings. It was absolutely horrible. It lasted like three seconds – the fishing line started to snag and pull through because it was so thin. We look at it now like what the hell were we thinking? But you experiment, you figure shit out. At that time Fakir wasn’t as willing to share the suspension information with Allen; he did later, so until then there was a lot of us just looking at videos and guessing. Continue reading →
Scott Shatsky may not be the most recognizable names in piercing, but his roots run deep – from being a young man hanging around the original Gauntlet, to apprenticing under Jim Ward and being part of the original Gauntlet San Fransisco crew, Scott offers some wonderful insight into that early pivotal time. Scott remains part of that quiet faction who was more enamored with piercing as an intimate movement, and gives us some new perspective on those Gauntlet years as a client, manager, and Master Piercer.
Ari – Where does piercing start for you, Scott?
Scott – I grew up in Los Angeles, and I always had a fascination with anything other than just being white, so tattoos and piercings fell into that. I was just always very interested, so in high school and even before I was a punk rock kid I was always sticking needles in me for piercings. I don’t even remember how I found Gauntlet, but it was in West Hollywood. I walked in and I became friends with Jim (Ward) and became pretty good friends with Cross, who I share a birthday with. I was a young kid. I wasn’t even in a place where I could get pierced there, age-wise. Cross was only a couple of years older than I was at the time. I have this picture of me sitting there with Jim and his beautiful silver and purple peacock wallpaper in the piercing studio when he was piercing my cartilage. So my identity in that world started years before I was piercing. Continue reading →
After ending his tenure at the New York Gauntlet, Keith Alexander moved closer to home and opened Modern American Bodyarts in Bay Ridge Brooklyn. The studio was very much an extension of Keith’s personality.
He submitted these photos to the spcOnline site in the late 1990s.
Earlier tonight we put up a pre-order page for volume one of the collected Better Safe than Ariinterviews; while there’s been a major push in the last few years for analog books to go digital we figured we’d be contrarians and take our digital interviews to print. So if that’s your sort of thing, please check out the Hex Appeal store for more information.
These days it’s pretty rare to find piercing/modification related physical media, but back in the 1990s there were plenty of options to chose from. PFIQ from Gauntlet enterprises, Body Art and Piercing World out of the UK, In the Flesh- if you knew where to look you had some pretty great piercing publications to collect.
P.A.U.K.’s Piercing World was a favorite of Jack Yount’s, who was thrilled to appear on the cover of issue #10.
Paul King is so handsome it takes a continued effort not to rip the skin off my own face.
Now that we’ve got that out of the way, let’s be frank; Paul is a motherfucking national treasure. I honestly don’t know if I can write a proper introduction without it slipping into something so masturbatory that becomes unreadable, so I’ll just say that he is one of the most revered and respected people in this industry, and deserving of every bit of that. We spoke about Paul’s introduction to body piercing, some of the Master Piercers, cultural appropriation, and the Body Piercing Archives. Don’t forget after all of this to reach out and thank Paul for being who he is, saying what he says, and doing what he does. Also, while you’re at it, thank him for being really, really hot.
Ari- I always have everyone do the standard introductions, so tell us your name and how long you’ve been piercing and where you’re currently at.
Paul- My name is Paul King and I’ve been a professional body piercer since 1991. I was inspired and trained at a company called the Gauntlet; it was the first piercing shop in the Western world. I served a one-and-a-half-year apprenticeship under Elayne Angel. I then went on to manage Gauntlet Los Angeles, worked in the San Francisco store, and also managed Gauntlet New York. Gauntlet closed in 1998. In 1999, Grant Dempsey and I (Dempsey of Cold Steel International in London), opened up two tattooing and piercing shops in San Francisco called Cold Steel America (www.coldsteelpiercing.com). One was in the old San Francisco Gauntlet location, the other was in the upper Haight. We briefly attempted to do wholesale and decided to open in 2001. You can imagine how well that went. Wholesale didn’t last so long. So after that we parted ways in 2008. He was moving to Australia with his family and I was heading back to school. We let go of the Market street location, and I now have one shop on Haight street in the old Haight-Ashbury district. Continue reading →
Silver Nitrate, applied via long wooden matchstick type applicators, was a popular choice for cautery by modification practitioners back in the 1980s/90s for less invasive procedures like meatotomy and clitoral hood splitting. While cutting lower down the shaft might require a more surgical approach, complete with sutures, opening the urethra (usually to a healed Prince Albert piercing hole that acted as an anchor) was an in-and-out procedure that could be done practically blood-free.
The nitrate was moistened with distilled water and rolled onto the edges of cut open tissue, causing a light chemical burn that helped to keep the tissue from reopening; as a side effect the patient was left with a blackish stain on the affected area that would usually only last for a week or so.
This photo from 1992 features a healing meatotomy with silver nitrate stains. Continue reading →
Charles Gatewood, iconic photographer and counterculture anthropologist, released somewhere in the neighborhood of 200 documentary films through his boutique FLASH VIDEO label. Films that ranged from profound to prurient with titles like Fangs of Steel, Messy Girls and the Erotic Tattooing and Body Piercing series, the Flash Videos were niche content at it’s most niche. When I spoke to Charles about production runs in 2015, he told me that the average title started with a run of 50 units, with more being duplicated if needed. Twenty five years later it’s no surprise that an entire generation of body artists and admirers have come up that have never seen the Gatewood films.
The good news is that the Body Piercing Archive- the archival wing of the Association of Professional Piercers- was gifted the rights to the archive and plans are in place to capture and preserve these lost treasures; something I’ve been doing as well with my personal copies.
For my money, the best of Flash was the fifth volume of the Erotic Tattooing and Body Piercing series; released in 1992 or 93 and filmed at the Meadowlands Tattoo Convention, #5 features Jack Yount, Emil, Mr. X and a host of other luminaries. The photos taken of Jack that day are among my favorite images of him and he often spoke of being photographed by Charles. This brief clip, filmed the same day as his photoshoot in 1992, was shot on Jack’s 8mm camcorder, with a show and tell with a client of Fred Corbin’s. This is the first time this footage has been seen in 25 years.
Red(head) in Tooth and Claw A night shmoozing with the sweetest hooker in the biz.
Dana and I actually talked about how nice Dana is. Renowned not just for his piercing and suspension work, but for being all around such a fucking nice guy. From his early come-ups in California to veering off into being one of the most notable suspension practitioners, taking his skills all over the world at suscons, Dana is truly one of those old heads that’s seen some dynamic shifts the industry has taken and rolled with the punches. We sat down to talk about his introduction to suspension, the ebb of ritual, and why age helps lock down the sweet spot of professionalism in the piercing room.
Ari – Let’s do the really generic usual intro, except I want you to do it for both piercing and suspension.
Dana – The beginning of my piercing career was pretty straightforward, I was able to start an apprenticeship and attend the Gauntlet beginning training seminars the second year I believe they were offered, 1993. I don’t remember if it was the second year or not. I took the Gauntlet seminars at 17. Sharrin was running the seminar, Sharrin from the NY Gauntlet, she was a real awesome old school Psychic TV head. I “never really finished my apprenticeship” according to Jerry Metzler (Shiva) but as far as all purposes were concerned I was piercing full time by myself, with Julian Ganesha in and out of the shop because he had another full time job to pay his bills. This was in Fresno at a shop called Spear of Shiva. In 1999 I made the move to San Diego to work at Superfly, and then got an offer to move up to Portland and I was there for a few years. My introduction to suspension started a little bit more in 1999/2000, when I got involved with the San Diego crew, and once I got to Portland it was really heavy, I moved to Portland, walked into doing performances once a month at Fetish Night for five or six years straight. Continue reading →