Tag Archives: 1990s

BSTA: Paul King

Paul 1995 photo by Christine Kessler.

Masterpierce Theatre: Paul King

Paul King is so handsome it takes a continued effort not to rip the skin off my own face.
Now that we’ve got that out of the way, let’s be frank; Paul is a motherfucking national treasure. I honestly don’t know if I can write a proper introduction without it slipping into something so masturbatory that becomes unreadable, so I’ll just say that he is one of the most revered and respected people in this industry, and deserving of every bit of that. We spoke about Paul’s introduction to body piercing, some of the Master Piercers, cultural appropriation, and the Body Piercing Archives. Don’t forget after all of this to reach out and thank Paul for being who he is, saying what he says, and doing what he does. Also, while you’re at it, thank him for being really, really hot.

Ari- I always have everyone do the standard introductions, so tell us your name and how long you’ve been piercing and where you’re currently at.

Paul- My name is Paul King and I’ve been a professional body piercer since 1991. I was inspired and trained at a company called the Gauntlet; it was the first piercing shop in the Western world. I served a one-and-a-half-year apprenticeship under Elayne Angel. I then went on to manage Gauntlet Los Angeles, worked in the San Francisco store, and also managed Gauntlet New York. Gauntlet closed in 1998. In 1999, Grant Dempsey and I (Dempsey of Cold Steel International in London), opened up two tattooing and piercing shops in San Francisco called Cold Steel America (www.coldsteelpiercing.com). One was in the old San Francisco Gauntlet location, the other was in the upper Haight. We briefly attempted to do wholesale and decided to open in 2001. You can imagine how well that went. Wholesale didn’t last so long. So after that we parted ways in 2008. He was moving to Australia with his family and I was heading back to school. We let go of the Market street location, and I now have one shop on Haight street in the old Haight-Ashbury district. Continue reading

Nitrate Cautery (NSFW)

Silver Nitrate, applied via long wooden matchstick type applicators, was a popular choice for cautery by modification practitioners back in the 1980s/90s for less invasive procedures like meatotomy and clitoral hood splitting. While cutting lower down the shaft might require a more surgical approach, complete with sutures, opening the urethra (usually to a healed Prince Albert piercing hole that acted as an anchor) was an in-and-out procedure that could be done practically blood-free.

 

The nitrate was moistened with distilled water and rolled onto the edges of cut open tissue, causing a light chemical burn that helped to keep the tissue from reopening; as a side effect the patient was left with a blackish stain on the affected area that would usually only last for a week or so.

This photo from 1992 features a healing meatotomy with silver nitrate stains. Continue reading

Not so erotic tattooing and body piercing.

Charles Gatewood, iconic photographer and counterculture anthropologist, released somewhere in the neighborhood of 200 documentary films through his boutique FLASH VIDEO label. Films that ranged from profound to prurient with titles like Fangs of Steel, Messy Girls and the Erotic Tattooing and Body Piercing series, the Flash Videos were niche content at it’s most niche. When I spoke to Charles about production runs in 2015, he told me that the average title started with a run of 50 units, with more being duplicated if needed. Twenty five years later it’s no surprise that an entire generation of body artists and admirers have come up that have never seen the Gatewood films.

The good news is that the Body Piercing Archive- the archival wing of the Association of Professional Piercers- was gifted the rights to the archive and plans are in place to capture and preserve these lost treasures; something I’ve been doing as well with my personal copies.

For my money, the best of Flash was the fifth volume of the Erotic Tattooing and Body Piercing series; released in 1992 or 93 and filmed at the Meadowlands Tattoo Convention, #5 features Jack Yount, Emil, Mr. X and a host of other luminaries. The photos taken of Jack that day are among my favorite images of him and he often spoke of being photographed by Charles. This brief clip, filmed the same day as his photoshoot in 1992, was shot on Jack’s 8mm camcorder, with a show and tell with a client of Fred Corbin’s. This is the first time this footage has been seen in 25 years.

Hilary and Dana. Photo © Roger Doe 2013

Red(head) in Tooth and Claw
A night shmoozing with the sweetest hooker in the biz.

Dana and I actually talked about how nice Dana is. Renowned not just for his piercing and suspension work, but for being all around such a fucking nice guy. From his early come-ups in California to veering off into being one of the most notable suspension practitioners, taking his skills all over the world at suscons, Dana is truly one of those old heads that’s seen some dynamic shifts the industry has taken and rolled with the punches. We sat down to talk about his introduction to suspension, the ebb of ritual, and why age helps lock down the sweet spot of professionalism in the piercing room.

Ari – Let’s do the really generic usual intro, except I want you to do it for both piercing and suspension.

Dana – The beginning of my piercing career was pretty straightforward, I was able to start an apprenticeship and attend the Gauntlet beginning training seminars the second year I believe they were offered, 1993. I don’t remember if it was the second year or not. I took the Gauntlet seminars at 17. Sharrin was running the seminar, Sharrin from the NY Gauntlet, she was a real awesome old school Psychic TV head. I “never really finished my apprenticeship” according to Jerry Metzler (Shiva) but as far as all purposes were concerned I was piercing full time by myself, with Julian Ganesha in and out of the shop because he had another full time job to pay his bills. This was in Fresno at a shop called Spear of Shiva. In 1999 I made the move to San Diego to work at Superfly, and then got an offer to move up to Portland and I was there for a few years. My introduction to suspension started a little bit more in 1999/2000, when I got involved with the San Diego crew, and once I got to Portland it was really heavy, I moved to Portland, walked into doing performances once a month at Fetish Night for five or six years straight. Continue reading

HappyAppy

 

My search for a video of a rare dolphin piercing from BRAVO’s Mike Natali has been unsuccessful, but I’ve been finding lots of great video shot at his Brandon Florida shop in the mid/late 1990s so it’s been a fair tradeoff.

This apadravya was performed on a friend after an intense SM session where the client’s friends comforted and reassured him during the piercing; not standard piercing practice in 2017 but at the time it wasn’t that unusual for ‘enhancing’ piercings to be performed in a ritualized sexual context.

This video is presented for archival purposes only and should not be considered a how-to.

 

 

Superincised Glans

I imported almost 100gb of raw 8mm (cassette) video yesterday; I’m still sorting and storing everything but the content will hopefully rolling out here on SD over the next few weeks. One of the more surprising clips I rediscovered was of BRAVO! owner/piercer Mike Natali performing a glans superincision (which would, I suppose, still be considered a meatotomy) at his Brandon, Florida shop probably sometime in 1996-7.

I apparently filmed it but I have zero recollection of it. Memory is a funny thing.

Modern Sideshow: Bebe the Circus Queen

bebe

From our friends at Wikipedia:
Bebe the Circus Queen (Beatrice Aschard) would perform a variety of stunts such as having a watermelon placed on her back and split with a sword, lying on a bed of nails while weights were placed on her chest… or the “Plastic Bag Of Death”, where she gets into a large plastic bag and one of the other performers sucks all of the air out with a vacuum cleaner. She would also employ an electric grinder in her act (for example, she would create a shower of sparks from a metal chastity belt covering her groin area).”

Taking classic acts from sideshow and vaudeville and translating them for modern audiences, the Jim Rose Circus Sideshow found themselves with ‘falling ovations’ daily, as people in the crowd would faint (no doubt aided by standing in the sun for hours, binge drinking and enjoyment of recreational party favors) as The Amazing Mr. Lifto performed his take on Rasmus Neilsen’s ‘pierced weight lifting’, upping the ante by including swinging heavy objects from his pierced penis. They’d cover their eyes as The Torture King skewered his cheeks and torso like B. A. Bryant had done decades before while touring with Barnum himself and laugh with relief when ThEnigma, tattooed from head to toe like a jigsaw puzzle did a tattooed clown act- that is until he started geeking live insects.

This was still when piercing culture trended older- 40s, 50s- and youth culture was just starting to discover expressing themselves with tattoos, body piercings, scarification and other avenues of modifying their bodies. Seeing stretched piercings swinging weights live on stage, with Eddie Vedder (or insert rockstar here) joining the cast to oooh and awww had a profound effect.

But the one member of the original troupe that didn’t get much attention was Rose’s partner, Bebe the Circus Queen. She didn’t have the dynamic motormouth of Jim, the pain proof skin of Tim “Torture King” Cridland, the stretched piercings of Joe Lifto… so she often got overlooked when it came to media write-ups of the show.

This may be an odd photo for a body modification history/culture blog in so much as it features no body modification, but without the Jim Rose show’s promotion of piercing/tattoo/modification culture during the transitional years of the early 1990s, things may have played out differently, and without Bebe, the Circus wouldn’t have been what it was.

That and I really liked the photo.

Late 1990s, 35mm print scan.