The Golden Age of adult cinema 1 (and it’s siblings, adult magazines) was, despite it’s often lurid and prurient content, conservative. It traded in archetype- the perky blonde, the intense brunette, the fiery redhead-all American good looks and not much in the way of self-expression. When you did see a tattoo, it was small or discrete. Performers with large tattoos were anomalous, 2 with producers fearing that it would ruin the “girl next door” fantasy that their 8mm loops (the VHS tapes) promised.
Happy New Year from Sacred Debris; today marks our fifth anniversary and we are infinitely thankful for all of the support you folks have given us over the last half decade. It was a bumpy year for the blog; we’ve had some tech problems that I’m still trying to work through (if anyone is a WordPress savant, hit me up at [email protected]) so thanks for sticking around and for all the kind words and support; Ari and I have some fun video and print projects lined up this year so we’re hoping that it’s our best yet.
(Photo: Jim Ward and Fakir Musafar, APP Conference 2001. Photo courtesy of Sean Christian/SPCO)
Sad news out of Texas- influential body piercer and suspension practitioner Daryl “Bear” Belmares has passed away. A mentor to some of the best piercers to come out of the 1990s Texas scene, Bear appeared in the documentaries Modify and Written on the Body and had what may be the largest documented set of stretched ear lobes at 5.5″
He will be missed.
July 10, 1956 – December 18, 2018
(excerpt from the 1990s documentary film Written on the Body)
This is our last big push of 2018 for Sacred- the Black Friday/Cyber Monday membership deal.
All fo the perks of the highest level of support for the blog (usually $365) for $150 for the year. You’ll get all of the Sponsor level content unlocked as well as access to the Sacred Debris Sandbox Facebook group* where I post exclusive content that never makes it to the blog- including full length videos!
The offer expires at 11:59 PST on Monday, November 25th.
The support from SD readers is what keeps the blog alive, so if you have the means to do so, we’d really appreciate your support.
Sacred suffered some unscheduled downtime this week; we’re back up and running (and side-eying a wonky WordPress plug-in) so thank you for your messages and patience while we were figuring out what the heck was going on.
Sandbox Members- Over the next few days you’ll notice your expiration dates adjusted by two weeks as a thanks for your support!
It’s hard not to romanticize the time period that made up my entry into the body piercing/modification world; there were far fewer folks piercing/making jewelry and true eccentrics like Bill Krebs, owner/piercer of New Jersey’s Pleasurable Piercing, really made an impression. He appeared (along with my mentor Jack Yount) in Charle’s Gatewood’s Erotic Tattooing and Body Piercing V as well as a line of instructional videos that PP released back in the 1990s and always stood out in a crowd.
The last time I saw Bill was in Ybor City, Florida; we closed a bar after a night of excess and martinis garnished with smoked octopus and, with a hug, parted ways. When I heard that he had passed, that was the memory that stuck with me.
Will from Pleasurable uploaded this snippet from an unfinished documentary on Bill earlier tonight; if you didn’t know Bill you missed out on a hell of a guy.
Divinity – I met Ron at Cuffs – it was the premier leather spot, a dark little place but not very big.It was very macho and leather, and I was drawn to that masculinity. I was just hanging out and Terry, my drag mother, it’s where he went out, so one night I went with him, and then after a while I went on my own. One night Ron came in and we met each other and started talking. We were both reading Dennis Cooper at the time.
Ari – Can you tell us about Dennis Cooper?
Divinity – Dennis Cooper was a gay writer- he did a lot of writing about being gay and how to maneuver in society and being true to yourself. He did a lot of really cool exposé on gay life. He was from California and that was interesting to me because for some strange reason I’d always found the idea of going to California really attractive. Something was always telling me to go there but I didn’t know what it was. Once I got there I realized what it was; it was a place I needed to be. All the places I’d been before like New Orleans and Michigan were conservative and moving out to California was really freeing for me. It was like, “oh, possibilities are endless out here!” It was a lot of good reading for me. I read a lot of Brion Gysin as well. A lot of people were like, “you’re black, why are you reading that?” I was like “I don’t know!” It was just really interesting to me. Continue reading →
In late August, 2018, I presented a multimedia discussion for the members of Death Party Philadelphia with the catchy title of “Where do we go when we die?” The group, some three years old now, hosts monthly events relating to death positivity 1 and death adjacent subject matter so I worked my particular niche (the presentation may have alluded to me being a one trick pony) into it by discussing human taxidermy of tattooed skin and the fluid concept of “forever” when it comes to the human body. The central focus of the discussion were photographs and video from museums and institutions that house and exhibit preserved, tattooed, human skin- the Wellcome Collection, the Muséum national d’Histoire naturelle (MNHN), Philadelphia’s Mütter Museum and Japan’s famous Medical Pathology Museum at Tokyo University were represented alongside pop culture ephemera and some deep dives into the semiotics of tattoo culture. Continue reading →