Dallas Suscon 2010 recut.

In April of 2010 I found myself on a Southwest Airlines flight heading back to Philadelphia, hunched over my macbook and quickly editing this video from the Dallas Suscon for my then partner’s ‘Body Art and Modification’ class at SUNY Purchase. The class, taught by Doctor William Peace, explored historical and contemporary body modification practices and their place in society and culture. We shot the film on two starter level HD video cameras (and an iphone) and I edited it quickly in iMovie. Not exactly the best job, but… it earned her an A.

Dallas Suscon 2010 Recut

I’ve recut the film to remove the opening/closing titles which were class specific and to increase the resolution to 1080. The songs were put in to mute out some of the background dialogue.

Allen is currently working hard on what may be the last (in it’s present format) Dallas Suscon; for more information in this year’s event, which includes a performance by Fakir Musafar and CoRE, check out Suspension.org.

1533775_440428339433945_1767188378_nThis year’s SUSCON will also feature an exclusive performance by Fakir Musafar and CoRE; tickets can be purchased at the Lakewood Theater. More information can be found at the event’s Facebook page: Flight to Spirit/Puja.

 

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Shawn Porter has spent the majority of his life in the modification world. As a body modification archivist and documentarian, he has one of the most extensive collections of documents relating to the early American body modification community in existence. He edited the SPC website from 1995 to 2005, co-founded ModCon, was the host of ModCons 3.5 and 4, and created and hosted The Scarwars Project from 2004-2007. In 2011 Shawn launched Occult Vibrations, a blog devoted to traditional American tattoos with a focus on the occult and esoteric. He currently resides in Philadelphia with his wife Julia and their creepy pets Mr. Bailey Papers and L. RonBenet Ramsey.

One comment

  1. Thanks for the nice trip down memory lane – made me revisit all the pictures I have from that year. I miss this venue….

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