Ari – Sean, I always have everyone do a standard introduction to kick these off, so give us a brief bio.
Sean – I’m old, I’ve been everywhere. Ok, so brief history of Sean in bod-mod. Started with Sadistic Sundays at the video bar in 1990, roughly. I think it was right after high school – I was eighteen. Was doing that for a little bit, was just a Sunday night show type thing, and then left town for a while doing the hippie soul searching whatever, did Ren Fairs for a summer just to get away. When I came back Allen Falkner had moved back to Dallas and he and I became friends. I was hanging out with Allen, helping him paint his first room in his first studio when he was just renting space from a furniture store. He rented a room from them which soon turned into a piercing empire. We hung out for another couple years there in Dallas where I helped him attempt his first suspension, which was fishing line and just a ton of piercings. It was absolutely horrible. It lasted like three seconds – the fishing line started to snag and pull through because it was so thin. We look at it now like what the hell were we thinking? But you experiment, you figure shit out. At that time Fakir wasn’t as willing to share the suspension information with Allen; he did later, so until then there was a lot of us just looking at videos and guessing. Continue reading “BSTA: Séan McManus”→
I really meant to write a long, wordy treatise on the legacy of the SPC website during what would have been it’s 20th anniversary; but as always I’m getting to it a little late. Time has erased when our original launch date was but if my admittedly flawed memory is correct I think it was somewhere in September of 1995 that I first started sharing my archives via the members.aol.com space that came free with my AOL account. The original photos that went online were aggregates from several sources; photos I had taken, photos I had inherited from my mentor Jack Yount and images I had traded with other members of the offline body modification community who didn’t have access to a scanner or outlet to post them so I put them under a blanket name to simplify things- from Shawn Porter’s Collection. It seemed the best way to tie everything up in the days before promotion and branding were necessary- in 1995 there was BME and tattoos.com so if you were looking for body modification content it was easy enough to find. Worried that it would seem too much like a monument to ego, I shortened it to SPC Online (which went through different iterations; spc, spcOnline, spcO) and kept the name until we finally went offline in 2005.
Despite the boundary pushing nature of our content, AOL never had a problem with what I published and I kept things on their server until a photo adult performer Nina Hartley and I on my person blog (we didn’t call them blogs then) got me shut down. 20 years later I still appreciate the irony that America Online had no problem with voluntary amputation but female toplessness was a no-go. When we went dark due to the terms of service violation BME’s Shannon Larratt offered unlimited storage space and bandwidth with no content restrictions; the spcO remained on BME’s servers for the next ten years. Like Sacred Debris, our primary focus was history but we also branched out into more recent modification culture with convention coverage, chat rooms and personals and profiles of contemporary piercers and tattooists. Never the biggest (the BME juggernaut was impossible to compete with) we managed to stay true to the mission of documenting body modification culture from ritual, sexual, aesthetic and extreme with content that often wasn’t available elsewhere. Our archives were responsible for seeding the original incarnation of BME/Extreme, which opened the floodgates of what was then a very closed community of surgical body modification devotees. encouraging them to send in photos of their own modifications and ultimately influencing Shannon and I to create the ModCon events.
I am reminded of how very, very, VERY different my life (and by extension, BME, and by extension of that, a lot of other people’s lives as well) would be if I hadn’t met Shawn at exactly the right moment … If I’d met him earlier or later it wouldn’t have been even remotely the same — it had to be that moment for all the pieces to fit. I am proud to have been a catalyst for change and growth in a lot of people’s lives, but in this case, it was Shawn that was the catalyst in my life. On one hand it’s amazing how life-changing sequences birth from chance and coincidence, and on the other hand, duh, what else would genesis be? ~ Shannon Larratt September 1st 2012
In 2005, a decade after the initial launch of the site, BME’s server suffered a major crash and the majority of the spcO directory was lost; my backups were sloppy and incomplete and, partially motivated by the work I was putting into the SCARWARS events/blog I decided to not recover the site, ending it’s run with gratitude for everyone who had viewed the site and participated in it’s ten year tenure.
In late 2013 I discovered a cd-rom of old spcO images and began posting them on my personal facebook page. The flood of nostalgia encouraged me to reconnect with some old friends, rescan old images (spcO’s average image size was 640×40 at a 72dpi resolution) and start talking to trusted confidants about maybe resurrecting SPC as a blog. Ultimately I decided to go further back than spc, back to my old print/glue/staple body modification zine Sacred Debris, but without spc and it’s legacy I doubt any of this would have happened.
So happy 20th anniversary to the Shawn Porter Collection (online). It was a lot of fun and certainly helped shaped my 20s.
In March of 2001 I visited erotic artist Bud Larsen in Phoenix Arizona to talk about his work with PFIQ and Drummer magazine; his art helped define the early aesthetic of both periodicals- crisp black lines like a pornographic Al Hirschfeld featuring ultra masculine pinups, dangerous femme fatals and mindbending scifi and fantasy creatures with exaggeratedly large genitals which were more often than not pierced or otherwise decorated.
The entire affair was a disaster of exposed film, lost video/audio tapes and only memories and a few signed PFIQs as a souvenir of the trip. For fourteen years I’ve thought the tapes lost. SD recently received funding to restore 8mm video cassettes and during the sorting/cataloguing I discovered that a video backup of the interview wasn’t lost, just misfiled. This backup was intended to be a safety-net in case something happened to the mini-cassette recorder that we used for the interview was lost, which prophetically did happen, and was never intended to be a “on camera” interview. The handycam was set up to catch the audio and is just haphazardly pointed at Bud and I, and without a lapel mic the audio at times is difficult to hear, but given how woefully under-documented Bud’s career is, it was an amazing find.
This short clip features Bud and I discussing his process for creating a drawing. The audio is muddy, and I still need to scan the PFIQ issue the images we’re discussing come from- there’s a lot more work to do on this tape (hopefully a transcript and better audio) but for now- enjoy a chat with Bud (and my epic bad haircut) and make sure to say thanks to the patrons who sponsored the import/archival of the 8mm collection of the SPC.
(Val Martin wearing Drummer Shirt via The Leather Archives and Museum. Video title art c. Bud Larsen from PFIQ #13)
Artist: Steve Haworth (implants)
Year: 1998 (September)
Location: South Beach, Miami (Eden Roc Hotel)
Photographer: Shawn Porter
I first met Hiro in September of 1998 at the Crowe & Dwyer Tattoo Tour in South Beach Miami. Even surrounded by heavily tattooed people, Hiro stood out; his large forehead implants and stretched nostrils were pretty far out for a tattoo convention in 1998 and every time I tried to introduce myself I’d find him surrounded by photographers.
Steve Haworth finally got us together in his hotel room, and with the help of his interpreter we were able to get to know each other as I documented his modifications. He was in the States collecting work; tattooing from Grime and Guy Aitchison as well as implant and modification work from Steve.
When I ran into him several years later he had added beautiful facial scarifications to his already impressive body of work.
When I first started the spcOnline site in October of 1995 it mostly consisted of photos from my own collection; pictures I’d taken or inherited made up the majority of the content for the first few months but occasionally we’d get reader submissions. This one was one of the earliest, submitted by and featuring BME founder Shannon Larratt’s early progress with ear lobe stretching.
This photo previously appeared on spcOnline as well as the Sacred Debris tumblr feed.
Original Source: 8mm Video Tape.
Conversion Source: 8mm Video Tape.
Location: Detroit, Michigan.
Subject: Shannon Larratt (bme)
Interviewer: Shawn Porter (spcOnline, Sacred Debris).
I’m not sure if I can give a good reason as to the real reasons behind why I wanted it done. The general concept had already been interesting to me, but whether it was something that I needed on some level is highly debatable… Back then I did a lot of experimenting with my body, so maybe it was as simple as curiosity..- Shannon Larratt1
This video was shot in a Detroit, Michigan hotel room in 1998 and features BME founder Shannon Larratt and I discussing the process of having his tongue surgically split by Oral Maxillofacial Surgeon Dr. Lawrence Busino as well as a brief history of it’s contemporary origins. 2
This was the first time Shannon and I had met in person after years of online communication and comes from a larger conversation most of which isn’t body modification related.
In the photo: Dustin, Phil, Blair.
Procedure: Scalpelled Tongue Piercing.
Year: Unknown. 2001?
Received some great news out of Canada today from my friend Philip, which makes this post perfectly timed. This photo originally ran in the early 2000s on the spcOnline website and features body piercer Dustin, photographer Philip (center) and modification artist Blair and was taken shortly after Philip’s large gauge tongue scalpelling by Blair. The jewelry, Phil tells me, was nylon and apparently was very prone to being stained by just about anything he ate.
“Dennis who used to make Jewellery at Stainless Studios (maybe he worked at newtribe too…) made it for me. At the time Denis was mostly making prince wands out of his loft under DMT or design machine technologies. Since it was only meant to last long enough for the initial healing it was made from nylon. At the time many many body modification practitioners where playing around with nylon jewellery and implants. The implants back then where not the fancy sculpted anatomy changing things you see today. Often it was some nylon rods inserted with needles and a push bar. You would see them if you pinched the skin. Teflon came along as a more common material for things like this a year after I had mine done.” – Philip
Philip was the photographer for all of the ModCon events as well as the first Scarwars. He’s wearing the event t-shirt from the second Modcon.
This photo was originally submitted to my spcOnline site in 1998 and features BME’s Shannon Larratt and Tim Cridland (aka Zamora the Torture King) showing off their split tongues. In 1998 tongue had yet to achieve the popularity it’s currently enjoying:
At the first Modcon in 1999 my split tongue was a novelty and, as I recall, the only one present other than Shannon’s. Between hosting many of the splits at my house and Shannon’s network of people and practitioners via BME we could say that at that time we probably knew personally or could at least name most of the split tongues in the world. This would soon change.- Erik Sprague 1
By the last ModCon event, tongue splitting had reached a level where it was no longer on the qualifications list for entry.
I received this tracing along with a direct photocopy of JJ’s hands in September of 1997 after striking up a friendship with him through the UNIQUE mailing list. I had started collecting hand tracings a few years previous to our correspondence and when I asked him for tracings of his hand he happily obliged, adding the drawings of his reshaped bone structure on several of them. All of his amputations were self done.
I had a fairly productive time organizing VHS tapes today; trying to get the unlabeled tapes queued up to see what’s on them, categorizing them into groups of piercing, tattooing, modification, etc-the sorting is boring work but the upside is that almost everything I’ve dug out so far has been really rad, save for the tape with the random episodes of (25 year old) Geraldo and Kids in the Hall on it. Which turned out to be pretty rad in retrospect.
I should have some new modification content in the SANDBOX over the next few days for site supporters with the main site hopefully getting some early 1980s piercing content early next week.
Thanks so much for the continued interest and support of the SD project- It means a lot.