Category Archives: Websites

BMExSPC9501

tumblr_n0gl691xgk1town8so1_1280

BMExSPC9501
Artist: Unknown.
Modification: Ear lobe stretching/cartilage piercing.
Client: Shannon Larratt
Location: Toronto, Ontario.
Year: 1992-1994 (date unknown)
Original Source: spcOnline

When I first started the spcOnline site in October of 1995 it mostly consisted of photos from my own collection; pictures I’d taken or inherited made up the majority of the content for the first few months but occasionally we’d get reader submissions. This one was one of the earliest, submitted by and featuring BME founder Shannon Larratt’s early progress with ear lobe stretching.

This photo previously appeared on spcOnline as well as the Sacred Debris tumblr feed.

SPCxBME: Tongue Splitting

SPCxBMEV001
Original Source: 8mm Video Tape.
Conversion Source: 8mm Video Tape.
Year: 1998.
Location: Detroit, Michigan.
Subject: Shannon Larratt (bme)
Interviewer: Shawn Porter (spcOnline, Sacred Debris).

I’m not sure if I can give a good reason as to the real reasons behind why I wanted it done. The general concept had already been interesting to me, but whether it was something that I needed on some level is highly debatable… Back then I did a lot of experimenting with my body, so maybe it was as simple as curiosity..- Shannon Larratt 1

This video was shot in a Detroit, Michigan hotel room in 1998 and features BME founder Shannon Larratt and I discussing the process of having his tongue surgically split by Oral Maxillofacial Surgeon Dr. Lawrence Busino as well as a brief history of it’s contemporary origins. 2

This was the first time Shannon and I had met in person after years of online communication and comes from a larger conversation most of which isn’t body modification related.

DPBSPC: Scalpelled Tongue

DPBDPBSPC
In the photo: Dustin, Phil, Blair.
Procedure: Scalpelled Tongue Piercing.
Artist: Blair.
Year: Unknown. 2001?
Source: spcOnline

Received some great news out of Canada today from my friend Philip, which makes this post perfectly timed. This photo originally ran in the early 2000s on the spcOnline website and features body piercer Dustin, photographer Philip (center) and modification artist Blair and was taken shortly after Philip’s large gauge tongue scalpelling by Blair. The jewelry, Phil tells me, was nylon and apparently was very prone to being stained by just about anything he ate.

“Dennis who used to make Jewellery at Stainless Studios (maybe he worked at newtribe too…) made it for me. At the time Denis was mostly making prince wands out of his loft under DMT or design machine technologies. Since it was only meant to last long enough for the initial healing it was made from nylon. At the time many many body modification practitioners where playing around with nylon jewellery and implants. The implants back then where not the fancy sculpted anatomy changing things you see today. Often it was some nylon rods inserted with needles and a push bar. You would see them if you pinched the skin. Teflon came along as a more common material for things like this a year after I had mine done.” – Philip

Philip was the photographer for all of the ModCon events as well as the first Scarwars. He’s wearing the event t-shirt from the second Modcon.

Congrats, Philip and Alie!

 

BMExSPC007: Knuckle Piercing

BMExSPC009BMExSPC008

BMExSPC007BMExSPC007-009.
Piercer: Tom Brazda.
Studio: Stainless Studios, Toronto (since closed)
Client: Shannon Larratt.
Source: Hard copy photo submission to spcOnline.
Date: 1996/1997 (exact date unsure)

I had a Tumblr message asking for more posts from piercing’s “middle school” era, so I dug out one of the 1990s albums and found these shots, submitted to the spcO site back in the late 1990s by Shannon Larratt of BMEZINE.COM. I’m not sure I ever actually added them to the site back then.

During the mid/late 1990s piercers challenged the ‘if it protrudes, pierce it” ethic of the previous generation, trying out new piercings, new techniques, new jewelry and aftercare. Sometimes things worked out, sometimes they didn’t, but the experimentation was integral to the evolution of the modern piercing community.

 

In deference to Slack

bobdavegilstrap1

Dealing with technology that’s older than some of the readers of this blog comes with a certain level of frustration. Courting donations, finding the tech we need and buying it, waiting for it to arrive to find that it’s defective or doesn’t suit the needs of the project, starting the returns/refund process and then sitting in a holding pattern before you start the whole thing over again has burned me out a little on regular updates.

I have a replacement 8mm VCR en route to Philly and am scouting some digital8/DVC platforms as well, but in the meantime…. I’m enjoying the slack. I should be scanning photos, there are VHS tapes I could be importing… but eh. I think I’m going to let Slack win until the 8mm project gets underway.

I hadn’t planned to update until I had some good news, but once I started thinking about Slack… Flashback to 2006, Los Angeles for Scarwars2- Dave Gillstrap did this fitting tribute to the prophet of Slack himself, J.R. “Bob” Dobbs.

“Moses parted the Red Sea, Oppenheimer split the atom, but “Bob” cut the crap.” – Steve Antczak

Shannon and Tim

timnshannon

This photo was originally submitted to my spcOnline site in 1998 and features BME’s Shannon Larratt and Tim Cridland (aka Zamora the Torture King)  showing off their split tongues. In 1998 tongue had yet to achieve the popularity it’s currently enjoying:

At the first Modcon in 1999 my split tongue was a novelty and, as I recall, the only one present other than Shannon’s. Between hosting many of the splits at my house and Shannon’s network of people and practitioners via BME we could say that at that time we probably knew personally or could at least name most of the split tongues in the world. This would soon change.- Erik Sprague 1

By the last ModCon event, tongue splitting had reached a level where it was no longer on the qualifications list for entry.

[email protected]

swperk

Ten years ago today I was nervously pacing in a Port Richmond 1 warehouse, hoping that the months of planning the inaugural Scarwars event- from assembling the artists, hand picking the attendees, making sure the photographers had what they needed and praying that the warehouse owner believed my ‘we’re shooting pornography, please give us our privacy’ cover story- would be enough to make sure that the weekend would go off without a hitch.

05SW100We made some amazing memories that weekend; the artists made some beautiful scars and while there were some glitches (the gentleman walking around dripping blood comes to mind) by and large it ended up being one of the most laid back events I’ve ever hosted. In the decade that followed we’ve seen decorative scarification flourish; while not getting the same widespread acceptance that tattooing and body piercing are currently enjoying people are finally starting to come around to the idea that a cutting isn’t always mutilation and that sometimes our scars make us stronger. I hope that in some small way we had something to do with that.

I’ve asked SW1 staff, artists 2 and guests to share a memory from the event- here are their stories:

Angela (Medical Liaison)
As someone who was relatively new to the BME community and also now as “modified” as others, this event was extremely inclusive. I attended as a spectator as well as someone on the medical/biohazard team. A very distinct memory, may it be good or bad, was of a young gentleman who had just got some work done and was walking around shirtless. He happen to drip blood EVERYWHERE. I followed the blood trail to him, cleaning up as I went. Finally as I got to him, I drew a circle on the floor and told him he wasn’t allowed outside of the circle…. Over the years of scar wars, this def happened less and less as people were much more aware of themselves… But that was the first… Oh yeah, and I was topless for most of it.

Brian (Staff Fixer)
perkperkWhen you asked us to look back at the inaugural Scar Wars, I literally had to go through pictures and re-read diary entries to jog my memory. After being flooded with nostalgia and thoughts of “I miss them”, I searched for what it was like those important days. It was hectic. I remember being the first ones there and the last to leave almost everyday. My role in the event was a catch all. I documented what I could, helped wherever possible, and most of all was privileged to witness amazing humans enduring painful experiences that ended with huge smiles. Being part of the chaos was grueling at the time, but come 10 years later it stands out as a defining moment of my life. i also can’t believe how many titties there were.

Kathleen† (Staff)
My memories of Scar Wars are mostly about the people who attended. Many friends from around the world who I was meeting for the first time or seeing together in one place when they usually were so far apart. I had seen scarification done many times, but not in such a concentrated group of skilled practitioners, and it was great to walk around the room and watch them all work. The collaborative spirit was something that struck me as well- so many artists with different styles and techniques, all willing to share information and learn from one another. It and the subsequent Scar Wars events are some of the most positive memories I have of any body modification event I’ve ever attended.

Jesse Villemaire (Scarification Artist)
Scar Wars had so many great memories! 10 years later and I’m still proud to be friends with many of these great artists.  I remember connecting with Ron Garza immediately as he put a camera crew in my face to interview me as soon as I arrived. Ron then made me comfortable and allowed me to ask as many stupid questions as I needed too in order to excel my techniques.

I also had the honor of collaborating with Brian Decker on a large bamboo scar piece on Corinna’s back. Corinna dealt with every emotion possible as many friends were coaching her through this intense project…still so unreal. It wasn’t just about cutting people, it was about bonding on a level that’s hard to describe.

The enjoyment of learning with many others, realizing there’s multiple ways to create a scar, watching Dave create “shading” with his cross hatching technique, seeing other artists collaborating for the very first time…it was all very inspiring.

Scar Wars is a significant part of our history. Thanks Shawn for having a vision that brought so many talented people from around the world to showcase the art we were truly passionate about.

Ryan Ouellette (Scarification Artist)
Scar Wars was the first time that I felt like I was part of a larger scarification community and that I really had colleagues in it. I knew there were other people out there doing it and getting it but I was in this little bubble of only seeing my pieces and only knowing my techniques and aftercare. Being able to watch other people doing it really helped me expand my own methods. I grew a lot from that experience and scarification really came into its own as a respectable art form, rather than just an internet fad.

Allen Falkner (Photographer)
So many fond memories form that weekend. Sadly most stories cannot be shared with the public due the nature of the indiscretions and the people involved.

Julie (Guest)
SWJULEScar Wars was an intensely personal experience among friends and strangers, unique in a way that doesn’t feel possible anymore. I got cut at Scar Wars and love it ten years later, but it was not the most memorable thing about the event. What I remember most was an inherent trust in the people I was surrounded by that I’ve since learned is rare. It is hard to put succinctly into words how this event (and others like it) helped me personally grow. I’ll leave it to a simple thank you to everyone involved.

Shawn Porter: (Host)
shawnscarwarsThe first Scarwars was fun. It was supposed to be serious, life changing, important.. but more than anything it was fun. The staff worked overtime (literally) to make sure that by the time I walked in the door everything had been taken care of so I was free just to enjoy myself and have a good time. Everything lined up perfectly and I was humbled to be part of something that meant as much to the artists and guests as it did for me.

Notes:

  1. Port Richmond is a neighborhood in North Philadelphia, several miles from the downtown area.
  2. The artists at the first ScarWars were Ron Garza, Dave Gilstrap, Vampy, Monte, Jesse Villemaire, Brian Decker and Ryan Ouellette

Self Amputee Tracings: JJ97

hand amputee tracingI received this tracing along with a direct photocopy of JJ’s hands in September of 1997 after striking up a friendship with him through the UNIQUE mailing list. I had started collecting hand tracings a few years previous to our correspondence and when I asked him for tracings of his hand he happily obliged, adding the drawings of his reshaped bone structure on several of them. All of his amputations were self done.

Beta was better

tumblr_nlfvfnNhFZ1town8so1_1280I had a fairly productive time organizing VHS tapes today; trying to get the unlabeled tapes queued up to see what’s on them, categorizing them into groups of piercing, tattooing, modification, etc-the sorting is boring work but the upside is that almost everything I’ve dug out so far has been really rad, save for the tape with the random episodes of (25 year old) Geraldo and Kids in the Hall on it. Which turned out to be pretty rad in retrospect.

I should have some new modification content in the SANDBOX over the next few days for site supporters with the main site hopefully getting some early 1980s piercing content early next week.

Thanks so much for the continued interest and support of the SD project- It means a lot.

 

 

 

Una más cerveza

shannonlarrattsacredmexico

I woke up this morning to find my social networking streams full of photos of Shannon Larratt; bearded and serious, monastic and stoic with motivational quotes accompanying them. It’s been two years since he passed away; who he was will, in time, be replaced by who people want him to have been.

Those of us who knew him- who laughed with him, fought with him, spoke to him every day or had spats where we didn’t speak for months- who remember the good, the bad and the ugly of him- have a responsibility to remind the people who are looking for a prophet or a guru that behind it all there was just a dude. A funny, good hearted dude who was as frail and fallible, as strong and as sure as anyone else. Shannon was a man, not a meme.

My memory of Shannon for today is how my friendship with him profoundly affected my wardrobe. I never left a meeting with Shannon Larratt without having at least one t-shirt gifted (or forced upon) to me. Some were funny. Some were bad. Some had his face on them. Some had genitals on them. A lot of them had genitals on them. I’d say “no thanks man, I already have 200 BME shirts” and somehow I’d still end up leaving with a bag stuffed with them.

This photo finds Shannon pleasantly drunk at his house in La Paz, Mexico having one of my Scarwars shirts forced on him. That BMEFest- 2005- was hands down the best BME event I ever attended. It was all smiles, laughter, good times and just one more beer.

It’s been a strange trip, but one I’m certainly glad to have been on with him.

tumblr_ncotn7ii4F1town8so1_1280