“Raven” was in San Francisco for a brief time on 9th street. I got there when he opened and decided to get the “wind god” tat. He said I was lucky because it was early and he was still fresh and awake after breakfast and not worn out by some of the difficult people that he had come in and bust his chops.
He also gave me a choice of by the hour or a given price. I took the given price and he said it was a bargain because he was fresh and full of energy, as you can see he was, and his work has stay bright after all these years. I believe it was 1982-3. -JD
The first story JD told me, as I was setting up our interview at an Ybor City Pizza shop, was about the time he found himself making an ad hoc tattoo studio out of his van, having discovered a bar full of carnies in Tampa who wanted tattooed. With a mischievous twinkle in his eye he described the good natured degenerates, tough guys and hucksters who joined him in the back of the van, getting skulls and names and roses added to their arms and chests. Continue reading “Meeting JD”→
Ari – Sean, I always have everyone do a standard introduction to kick these off, so give us a brief bio.
Sean – I’m old, I’ve been everywhere. Ok, so brief history of Sean in bod-mod. Started with Sadistic Sundays at the video bar in 1990, roughly. I think it was right after high school – I was eighteen. Was doing that for a little bit, was just a Sunday night show type thing, and then left town for a while doing the hippie soul searching whatever, did Ren Fairs for a summer just to get away. When I came back Allen Falkner had moved back to Dallas and he and I became friends. I was hanging out with Allen, helping him paint his first room in his first studio when he was just renting space from a furniture store. He rented a room from them which soon turned into a piercing empire. We hung out for another couple years there in Dallas where I helped him attempt his first suspension, which was fishing line and just a ton of piercings. It was absolutely horrible. It lasted like three seconds – the fishing line started to snag and pull through because it was so thin. We look at it now like what the hell were we thinking? But you experiment, you figure shit out. At that time Fakir wasn’t as willing to share the suspension information with Allen; he did later, so until then there was a lot of us just looking at videos and guessing. Continue reading “BSTA: Séan McManus”→
How do you introduce Tom Brazda? Seriously, I’m asking you, how the fuck do you even begin to summarize a titan like him? If you pierce, you’ve at least heard his name mentioned. He’s a fucking legend. And next time you speak about him in the past tense, stop it – Tom never stopped kicking ass and taking names. He’s been gracious enough to wax intellectual with us, so y’all turn off your cell phones and read closely – Tom deserves your undivided attention.
Ari – Tom, give us a brief introduction
Tom – My name is Tom Brazda, I started piercing in an amateur way around 1989. I went professional in 1991, so 28 years of experience of watching things happen.
Ari – I would love to start earlier with some of the first experiences you had with piercing before you were a piercer. Were you getting pierced before you got into the business?Continue reading “BSTA: Tom Braza”→
A few weeks ago I started an Instagram account for my Occult Vibrations blog; taking some of my favorite images off of the blog and sending them out into the void that is click-to-like instantblogging. I’ve started to run out of pre-scanned images, so I’m actually going to have to start working at it soon. Should be fun. If you feel like following you can do that here: Occult Vibrations on Instagram.
According to my external hard drive “Wintermute” there are somewhere around 1,500 official photos from the ScarWars2 event that took place in February of 2006. That’s not counting the photos from artists/clients/attendees that I’ve never seen.
These images- #974 and #972 from event photographer Atom Moore- features Ron Garza working on a client’s back with the assistance of Thorsten Sekira.
Over the course of the three Scarwars events- two in Philadelphia and our Los Angeles outing in 2006- thousands of photographs were taken by our incredible staff of photographers that captured every aspect of the shows; procedurals, portraits, candids and even after hours hotel chicanery and there are probably still dozens if not hundreds of photographs from attendees that even I haven’t seen. It’s almost impossible to pick a single favorite but I always said that if/when we ever do a Scarwars book this 2006 photo by Rachel Larratt of Richmond, Virginia’s Josh Burgh 1 would end up on the cover.
I’m not sure if that makes it my favorite, but if not it’s damn close.
I went to ScarWars for a lot of reasons. I went because friends I don’t get to see all that often would be there. I went because I’d never been to a modded convention and I was curious to learn what they were about. One reason I chose to go to ScarWars specifically had a lot to do with the fact that scarification has meant a lot to me individually, and I wanted to see scarification as a basis of a community. Beyond the intense amounts of fun to be had with the artists, organizers, participants and spectators, I think the thing I really loved about ScarWars was the sense of acceptance that took me in from the minute I arrived. I’ve always believed that preps, punks and hipsters are much more discriminatory toward the non-conforming than certain subcultures are to the mainstream. This was undoubtedly true of the people I met at ScarWars. The simple fact that I showed up and was interested in the work was all that was necessary for me to feel like I had every right and everything to gain from being there. My own experience with scarification gave me something to love about my body. Beyond that, it gave me a focus for graduate work. And at ScarWars, it gave me a community.- J.L.
We always did our best to make the events about more than just modification; the sense of community was equally important and letting everyone know that they were on equal standing- from artists to clients to the volunteers who made sure that the event went smoothly- was always our top priority and is why when I go back through the stacks of photographs (digital, which is never quite as satisfying as analog) my eye is most frequently drawn to the candid moments of the Scarwars guests and artists casually chatting, sharing a story and a laugh before blood was drawn. A decade later and that’s what I remember most; the Storm Trooper (in full Imperial White with a blaster ready for action) guarding the door, “Coop fishing” using our friend Walnut as bait, sitting around the complex bar after the event ended of the night and raising hell… all of that stands out more than a cutting or two.
Thanks to the staff, artists and clients who made the event what it was- I truly couldn’t and wouldn’t have done it without them.
I really meant to write a long, wordy treatise on the legacy of the SPC website during what would have been it’s 20th anniversary; but as always I’m getting to it a little late. Time has erased when our original launch date was but if my admittedly flawed memory is correct I think it was somewhere in September of 1995 that I first started sharing my archives via the members.aol.com space that came free with my AOL account. The original photos that went online were aggregates from several sources; photos I had taken, photos I had inherited from my mentor Jack Yount and images I had traded with other members of the offline body modification community who didn’t have access to a scanner or outlet to post them so I put them under a blanket name to simplify things- from Shawn Porter’s Collection. It seemed the best way to tie everything up in the days before promotion and branding were necessary- in 1995 there was BME and tattoos.com so if you were looking for body modification content it was easy enough to find. Worried that it would seem too much like a monument to ego, I shortened it to SPC Online (which went through different iterations; spc, spcOnline, spcO) and kept the name until we finally went offline in 2005.
Despite the boundary pushing nature of our content, AOL never had a problem with what I published and I kept things on their server until a photo adult performer Nina Hartley and I on my person blog (we didn’t call them blogs then) got me shut down. 20 years later I still appreciate the irony that America Online had no problem with voluntary amputation but female toplessness was a no-go. When we went dark due to the terms of service violation BME’s Shannon Larratt offered unlimited storage space and bandwidth with no content restrictions; the spcO remained on BME’s servers for the next ten years. Like Sacred Debris, our primary focus was history but we also branched out into more recent modification culture with convention coverage, chat rooms and personals and profiles of contemporary piercers and tattooists. Never the biggest (the BME juggernaut was impossible to compete with) we managed to stay true to the mission of documenting body modification culture from ritual, sexual, aesthetic and extreme with content that often wasn’t available elsewhere. Our archives were responsible for seeding the original incarnation of BME/Extreme, which opened the floodgates of what was then a very closed community of surgical body modification devotees. encouraging them to send in photos of their own modifications and ultimately influencing Shannon and I to create the ModCon events.
I am reminded of how very, very, VERY different my life (and by extension, BME, and by extension of that, a lot of other people’s lives as well) would be if I hadn’t met Shawn at exactly the right moment … If I’d met him earlier or later it wouldn’t have been even remotely the same — it had to be that moment for all the pieces to fit. I am proud to have been a catalyst for change and growth in a lot of people’s lives, but in this case, it was Shawn that was the catalyst in my life. On one hand it’s amazing how life-changing sequences birth from chance and coincidence, and on the other hand, duh, what else would genesis be? ~ Shannon Larratt September 1st 2012
In 2005, a decade after the initial launch of the site, BME’s server suffered a major crash and the majority of the spcO directory was lost; my backups were sloppy and incomplete and, partially motivated by the work I was putting into the SCARWARS events/blog I decided to not recover the site, ending it’s run with gratitude for everyone who had viewed the site and participated in it’s ten year tenure.
In late 2013 I discovered a cd-rom of old spcO images and began posting them on my personal facebook page. The flood of nostalgia encouraged me to reconnect with some old friends, rescan old images (spcO’s average image size was 640×40 at a 72dpi resolution) and start talking to trusted confidants about maybe resurrecting SPC as a blog. Ultimately I decided to go further back than spc, back to my old print/glue/staple body modification zine Sacred Debris, but without spc and it’s legacy I doubt any of this would have happened.
So happy 20th anniversary to the Shawn Porter Collection (online). It was a lot of fun and certainly helped shaped my 20s.
Event: Scarwars 2.
Location: Los Angeles.
Year: February 2006.
Photographer: Rachel Larratt.
Subject: Dave Gillstrap.
My wife and I took a much needed week long roadtrip for Thanksgiving; Philadelphia to Asheville North Carolina, Asheville to Atlanta Georgia and back to Philly, checking out the sights, seeing family and just unwinding from all of our responsibilities. I had packed my laptop and had a few blog entries ready to go out, but you know how it goes with vacations…
I’ve been focusing a lot on the 1970s lately, so I figured a 2000s post may be a welcome change. This 2006 photo, by BME’s Rachel Larratt, features scarification artist Dave Gillstrap at the second Scarwars event in Los Angeles. For the event portraits I asked our photographers to go very simple, white backgrounds and neutral lighting to let the personality of the subject stand out.
In 1995, my spcOnline was a fledgling body modification site hosted on America Online. AOL. As an ISP, they seemingly had no problem with the body modification content I was posting but I was TOS’d and my site removed over a topless photo of adult film star Nina Hartley that was part of an article I had written on my personal diary page.
Shannon Larratt graciously offered unlimited server space on the BME servers, with no prohibition on content, where my site remained for a decade before I finally retired it in 2005. My time with BME, Shannon and his wife Rachel helped spawn BME/Extreme, ModCon, and Scarwars and directly influenced Occult Vibrations and Sacred Debris.
Fifteen years after first meeting her, I still rely on Rachel for an ear to bend when I’ve got a new idea for a project or just a funny, snarky story to tell at three in the morning. She’s been through a lot over the last few years and she still does her best to keep things going. Recently her home and the majority of her belongings were damaged in a natural disaster in South Carolina.