It’s been thirteen years since we held the first Scarwars event in Philadelphia. Over the years, both on the (now defunct) Scarwars blog and here on Sacred we’ve posted tons of pics from the event(s) and there are still hundreds that have never gone online. Like this photo by SW1 photographer Allen Falkner of Dave Gillstrap working on a cutting with removal.
The design is a mashup of an anatomical heart and a set of brass knuckles; Dave contributed t-shirt designs for the first two events- one featuring an anatomical heart, the other brass knuckles.
Ari – Sean, I always have everyone do a standard introduction to kick these off, so give us a brief bio.
Sean – I’m old, I’ve been everywhere. Ok, so brief history of Sean in bod-mod. Started with Sadistic Sundays at the video bar in 1990, roughly. I think it was right after high school – I was eighteen. Was doing that for a little bit, was just a Sunday night show type thing, and then left town for a while doing the hippie soul searching whatever, did Ren Fairs for a summer just to get away. When I came back Allen Falkner had moved back to Dallas and he and I became friends. I was hanging out with Allen, helping him paint his first room in his first studio when he was just renting space from a furniture store. He rented a room from them which soon turned into a piercing empire. We hung out for another couple years there in Dallas where I helped him attempt his first suspension, which was fishing line and just a ton of piercings. It was absolutely horrible. It lasted like three seconds – the fishing line started to snag and pull through because it was so thin. We look at it now like what the hell were we thinking? But you experiment, you figure shit out. At that time Fakir wasn’t as willing to share the suspension information with Allen; he did later, so until then there was a lot of us just looking at videos and guessing. Continue reading “BSTA: Séan McManus”
A few weeks ago, some twelve years after it’s launch, I nuked the Scarwars.net blog. It was a long time coming but pulling the plug was strangely anti-climactic. Still, in the decade it was online the site hosted some damn fine content, so from time to time we’ll be featuring highlights here on Sacred Debris.
These photos (by Allen Falkner) date back to May of 2005 and feature Tom’s jaw-dropping full torso scarification by Dave Gillstrap. It remains one of my favorite large-scale cuttings.
After all was said and done on the last night of the 2006 Los Angeles Scarwars event, we decided to have a little afterparty. Nothing fancy, just a group of us gathered in a bar/restaurant doing our best to process the previous three days and to relax and unwind…
Pat Tidwell came and sat down at my table and did a perfect “Run for it, Marty!” Doc Brown impersonation from Back to the Future, complete with rewind noises and a crazy pantomime that had everyone breaking down in much needed laughter.
He did it for about 15 minutes straight. One of the thousands of reasons I love Tid.
Photograph for Scarwars by Allen Falkner.
Another SCARTIST portrait by Scarwars 2005 event photographer Allen Falkner, this time featuring influential piercer/scarification artist Dave Gillstrap getting ready to start a cutting. I didn’t meet Dave until the morning of the first day of the 2005 event but his work definitely proceeded him and he went on to do some of the most impressive pieces that came out of the Scarwars events.
I’ve spent the last few days sorting Allen Falkner’s photographs from the 2005 Scarwars Philadelphia event; it’s the first time in eleven years that I’ve looked at his output from that weekend as a body of work and not just individual photos- three discs so far- discs filled with so many amazing memories, images and personalities that it’s been hard to step away from the archival and prepare any of the images for a Sacred Debris update.
Continue reading “SCARtists: Blair @ Scarwars 2005”
A mondo film (from the Italian word for “world”) is an exploitation documentary film, sometimes resembling a pseudo-documentary and usually depicting sensational topics, scenes, or situations.
On Saturday, August 2nd I’m going to be having a small birthday party at the Overground Cinema in Philadelphia where we’ll be screening some classic Body Modification films. I’m still finalizing the roster, which will include a mix of professional documentaries like Dances Sacred and Profane and the Marionette alongside some of the classic homemade footage you’ve seen on Sacred Debris.
We’ll be screening them on a full sized movie theater screen. And there will be popcorn. What more can you ask for! As a thank you, anyone who’s contributed to Sacred Debris in any way- through our donate button, with providing media players or content, etc is invited to come and join the fun. Just contact me for information!
Oh. I forgot. Month to date (July) we’ve had almost 7000 viewers here on the blog. It would seem that there’s people enjoying the content we publish- and if everyone who enjoyed an article donated $1 we could easily buy the hardware we need to add new (old) content. So. If you’re feeling generous- please hit the donate button on the right. Consider it a birthday present. Feeling appreciated for what we do goes a long way to keeping the site online.
In April of 2010 I found myself on a Southwest Airlines flight heading back to Philadelphia, hunched over my macbook and quickly editing this video from the Dallas Suscon for my then partner’s ‘Body Art and Modification’ class at SUNY Purchase. The class, taught by Doctor William Peace, explored historical and contemporary body modification practices and their place in society and culture. We shot the film on two starter level HD video cameras (and an iphone) and I edited it quickly in iMovie. Not exactly the best job, but… it earned her an A.
Dallas Suscon 2010 Recut
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I’ve recut the film to remove the opening/closing titles which were class specific and to increase the resolution to 1080. The songs were put in to mute out some of the background dialogue.
Allen is currently working hard on what may be the last (in it’s present format) Dallas Suscon; for more information in this year’s event, which includes a performance by Fakir Musafar and CoRE, check out Suspension.org.
This year’s SUSCON will also feature an exclusive performance by Fakir Musafar and CoRE; tickets can be purchased at the Lakewood Theater. More information can be found at the event’s Facebook page: Flight to Spirit/Puja.
When the Body Modification world was much smaller and more spread out, devotees were rarely able to meet in person. Travel was usually prohibitively expensive, particularly international destinations. People kept in touch with letters, audio and video tapes and the occasional and often times incredibly expensive long distance phone call.
Before ever meeting in person, Sailor Sid Diller and Alan (Mr. Sebastian) Oversby knew each other quite well thanks to exchanging letters and audio cassettes. Sid’s UK trip would help bridge the International gap in the Body Piercing/Tattoo community-and he’d leave with a few souvenir tattoos from Sebastian.
Sid interviewed Sebastian for Issue #4 of PFIQ.
Cenobite Performance – Head Kavadi – The Orbit Room – Dallas TX – 1995
When Clive Barker was in town back in the early 90s he was doing a book signing right across the street from the shop I owned at the time- Obscurities in Dallas, Texas. I went over to meet him and show photos of some of the suspensions I had done; at the time I guess he’d never seen suspension before. So he referred to me as a living Cenobite. Of course I took it as a huge compliment and starting use the term in different things from websites, to internet handles, and of course the name of that performance.
The show was supposed to be an adaptation of a kavadi, but just for the head. It was in my early days and I was a lot more experimental back then. I knew very little about shows or even entertainment for that matter. There was really no end planned out for the show- it was just sort of stick shit in my face and it’s a show. I believe we were going to end it with a blackout, but it never happened. As I remember one of the crew was supposed to smash the lights with a hammer; but I guess there was a communication error.
You can see at one point I lean over. What you can’t see was a mouth full of saliva that I had been building during the performance. I leaned over, let it run out of my mouth and I expected the lights to go out. That never happened and everyone thought I was passing out.
As for pain, it was all virtually painless. The tiny needles in the eyebrows was really the worst part. The spears in the head actually felt more like a deep message. Some parts of the video are a little rough, but we decided to keep it intact for presentation.
Allen Falkner is an innovator in the Body Suspension community, a founding member of TSD: Traumatic Stress Discipline and a former Body Piercer from Dallas Texas. He has organized several Dallas Suscons as well as traveling globally to share his skills and to learn from others. He is an advisor to the newly formed ISA: International Suspension Alliance and operates FADE FAST, a laser tattoo removal business in Dallas.