During the mid 1990s I was occasionally contracted to attend tattoo conventions on behalf of bmezine.com; while content was being contributed to the website, BME’s editor Shannon Larratt figured that targeted content- particularly the kind that was often photographed in hotel rooms on a more discrete section of the modification community- would be worth the cost of plane tickets, hotel rooms and an incredibly humble per diem.
This being the age before digital cameras were in common usage, all he asked was that I try to get at least two rolls of film per event. Forty-eight images. Before it was a community driven site (a process which started with the password wall on BME/extreme and took hold with the creation of IAM.BME in 2000) the acquisition of content was king at BME; if people didn’t have dynamic images to view, they’d move along. Having strong photos to hook viewers into sticking around long enough to encourage them to share their own was a major focus of the boom-years of the site.
This photo was taken on one of those sponsored trips, on the convention floor at the Mad Hatter’s Tea Party in Portland, Maine. At the time, facial tattoos and body piercing were frowned upon at some conventions, so a gentleman like this was a welcome sight.
If you look at the BME Encyclopedia on it’s founder Shannon Larratt 1 under the subcategory of “Personal Body Modifications” it lists his blackwork forearm tattoos as the result of a dare. While I know the stories behind quite a few of his tattoos (coverup of matching symbols, a love of homoerotic S/M iconography) I can’t say I was privy to the story of being dared to get heavy blackwork half sleeves.
Shannon sent this 4×6 print to me sometime in the 1990s to be published on my spcOnline site.
Happy New Years from Sacred Debris!
Today marks the start of our 4th year as a blog. I hope that you folks enjoy what we’re doing here. The site is still in a state of semi-hiatus but I’ve got a few new posts in the works so check back (or better yet- subscribe!) soon. As always: likes, shares, comments and tips are appreciated.
This photo dates back to the late 1970s and features a very dashing tattooed/pierced gentleman. No artist/model credit was included with the 35mm print.
From the background it appears to have been taken in the mid-1970s at Cliff Raven’s studio in West Hollywood at or near the completion of my first tattoo. ~ Jim Ward
It’s always a treat when piercing and tattoo history intersect; here we have The Gauntlet/PFIQ’s Jim Ward with a freshly worked on tattoo by Cliff Raven. Inspired by Japanese tattoo designs, Raven’s work was bold, clean and made to last.
Tattoo by Alan Oversby; 1970s. Scanned from the original print.
A few weeks ago I was tagged by multiple friends in a Facebook post from a tattooer who’s been doing male pin-ups; archetypal poses gender swapped with big bearded beefcake. The comments ranged from amused to aggrieved with almost everyone agreeing that it was ‘about time’ that someone was doing them.
Of course, there’s really nothing new under the sun. Male pin-ups, particularly homoerotic ones, have been around for a lot longer than social media. Cliff Raven, Sailor Sid, Phil Sparrow, Alan Oversby… anyone who was tattooing a clientele that appreciated the sexuality of tattoo culture was likely to have done one.
Though they weren’t always as explicit as this amazing piece by Sebastian. It dates back to the late 70s and still packs a punch.
Sacred Debris Sandbox members should check out the FB group for a much raunchier part of the design!
I could be wrong, but I think that the heavily tattooed gentleman in this (amazingly candid and charming) photo is Rufus from Rochester who’s made a few appearances here on SD. It’s hard to tell. Either way, the black graphic back piece blast-over caught my attention and put the print on the fast track to the Sacred Debris update queue. Continue reading →
According to my end of year (2015) poll, the majority of Sacred Debris readers work in some capacity at piercing or tattoo shops. So I’m not sure that a NOT SAFE FOR WORK tag is entirely necessary (if you work at a piercing shop that has issues with you looking at photos of Jack and Sid, you should probably find a new job) but tellingly enough when I use it I get greater reach on the post. Continue reading →
As my wife and I busily prepare our luggage for this weekend’s trip to the Walt Disney World Resort in (rainy) Orlando, Florida I thought it was only fitting that I put together some very NSFW photos of Jack Yount’s Disney tattoos for archival here at Sacred Debris.
Jack’s quaint little house in Zephyrhills was filled with paintings and statues- mostly homoerotic subject matter but with a noticeable presence of Disneyana; he was a great fan of Mickey Mouse and the Disney animated films and in the early 1990s began a full leg tattoo of iconic Disney moments by Ancient Art’s Just Plain Bud Pierson. The tattoos were a whimsical contrast to Jack’s other more shocking body modifications; the placement of Timothy Mouse 1 shrieking in horror at the sight of his subincised penis was intentionally tongue in cheek.
Jack was very encouraging when I decided on a Disney-themed tattoo for my own back-piece (pictured above at Scarwars2 in LA) by Inksmith & Roger’s Mike Wilson.
The photos include Disney tattoos by Bud, Jack’s pieced, split and silicone enhanced penis and R.S.- the owner of the infamous removed split penis that ended up in a jelly jar.
Over the last few years there’s been a rise in popularity of smart phone photo apps and filters that mimic, with mixed success, the imperfection of antiquated camera and processing anomalies; over exposure, light leaks and just enough distortion to make pictures that will likely never exist outside of the digital realm look like well aged prints.
It’s always a trip when I’ve got a photo in-hand where you can see the basis for those filters and gimmicks; like this polaroid positive of Viking Navaro’s black graphic phallus tattoos by Cliff Raven with really distinctive light spots that add tons of character to an already larger than life subject.