The night before the third and final Scarwars event- October of 2007- we booked a local South Philly restaurant to host a pre-party for the attending artists and special guest. The venue told me we’d be responsible for having a doorman, so I put the word out that we needed someone who would have no problem telling folks who weren’t on the guest list that they need to hit the road.
Victor was kind enough to take the assignment, gleefully telling an increasingly agitated stream of locals that they weren’t allowed in until after 10pm.
On the second day of the event he had Australia’s Wayde Dunn and Canada’s Jesse Villemaire collaborate on a flesh removal project on the backs of his legs.
Vic passed away in 2014 at far too young an age. Today when I was out running errands I saw a young man who’s resemblance to him was so strong that it took my breath away; I headed home, plugged in the SCARWARS hard drive and dug out some photos to share. Rest easy, Vic Vile.
Collaboration was the heart of the Scarwars events; different artists working on the same client, sometimes in tandem, sometimes employing different techniques of disciplines of scarring- with each artist taking the role of student and teacher oftentimes during the same procedure. It was immensely satisfying watching different personalities working together to make their client happy.
Over the course of the three Scarwars events- two in Philadelphia and our Los Angeles outing in 2006- thousands of photographs were taken by our incredible staff of photographers that captured every aspect of the shows; procedurals, portraits, candids and even after hours hotel chicanery and there are probably still dozens if not hundreds of photographs from attendees that even I haven’t seen. It’s almost impossible to pick a single favorite but I always said that if/when we ever do a Scarwars book this 2006 photo by Rachel Larratt of Richmond, Virginia’s Josh Burgh 1 would end up on the cover.
I’m not sure if that makes it my favorite, but if not it’s damn close.
I went to ScarWars for a lot of reasons. I went because friends I don’t get to see all that often would be there. I went because I’d never been to a modded convention and I was curious to learn what they were about. One reason I chose to go to ScarWars specifically had a lot to do with the fact that scarification has meant a lot to me individually, and I wanted to see scarification as a basis of a community. Beyond the intense amounts of fun to be had with the artists, organizers, participants and spectators, I think the thing I really loved about ScarWars was the sense of acceptance that took me in from the minute I arrived. I’ve always believed that preps, punks and hipsters are much more discriminatory toward the non-conforming than certain subcultures are to the mainstream. This was undoubtedly true of the people I met at ScarWars. The simple fact that I showed up and was interested in the work was all that was necessary for me to feel like I had every right and everything to gain from being there. My own experience with scarification gave me something to love about my body. Beyond that, it gave me a focus for graduate work. And at ScarWars, it gave me a community.- J.L.
We always did our best to make the events about more than just modification; the sense of community was equally important and letting everyone know that they were on equal standing- from artists to clients to the volunteers who made sure that the event went smoothly- was always our top priority and is why when I go back through the stacks of photographs (digital, which is never quite as satisfying as analog) my eye is most frequently drawn to the candid moments of the Scarwars guests and artists casually chatting, sharing a story and a laugh before blood was drawn. A decade later and that’s what I remember most; the Storm Trooper (in full Imperial White with a blaster ready for action) guarding the door, “Coop fishing” using our friend Walnut as bait, sitting around the complex bar after the event ended of the night and raising hell… all of that stands out more than a cutting or two.
Thanks to the staff, artists and clients who made the event what it was- I truly couldn’t and wouldn’t have done it without them.
Dealing with technology that’s older than some of the readers of this blog comes with a certain level of frustration. Courting donations, finding the tech we need and buying it, waiting for it to arrive to find that it’s defective or doesn’t suit the needs of the project, starting the returns/refund process and then sitting in a holding pattern before you start the whole thing over again has burned me out a little on regular updates.
I have a replacement 8mm VCR en route to Philly and am scouting some digital8/DVC platforms as well, but in the meantime…. I’m enjoying the slack. I should be scanning photos, there are VHS tapes I could be importing… but eh. I think I’m going to let Slack win until the 8mm project gets underway.
I hadn’t planned to update until I had some good news, but once I started thinking about Slack… Flashback to 2006, Los Angeles for Scarwars2- Dave Gillstrap did this fitting tribute to the prophet of Slack himself, J.R. “Bob” Dobbs.
“Moses parted the Red Sea, Oppenheimer split the atom, but “Bob” cut the crap.” – Steve Antczak
It’s almost Valentine’s Day!
While not as gaudy as Christmas, as spooky as Halloween or quite to the level of Easter’s candy excesses Valentine’s Day is still one of my favorite holidays. Probably because I like getting cards. And flowers.
And while he’s never officially said it, I’d like to think that Bruno would be my Valentine, if I asked. You can see more of his modification work on his tumblr feed here: BrunoBMA.