The Golden Age of adult cinema (and it’s siblings, adult magazines) was, despite it’s often lurid and prurient content, conservative. It traded in archetype- the perky blonde, the intense brunette, the fiery redhead-all American good looks and not much in the way of self-expression. When you did see a tattoo, it was small or discrete. Performers with large tattoos were anomalous, with producers fearing that it would ruin the “girl next door” fantasy that their 8mm loops (the VHS tapes) promised.
Being tattooed or pierced was subversive in a subversive genre. Continue reading “Uncovered: Velvet Talks June 1982”
Phil Barbosa was the event photographer for all of the ModCon (and the first Scarwars) events; shooting on analog film he captured modified subjects in a studio atmosphere right in the heart of the chaos that was an underground surgical convention.
Occasionally he’d step in front of the camera in between documenting the goings on. Here he is alongside Blair at ModCon 4, 2003. Images from MC4 never appeared in the books or media associated with the events, so this is a rare glimpse inside the penultimate Toronto modification gathering.
Charles Gatewood, iconic photographer and counterculture anthropologist, released somewhere in the neighborhood of 200 documentary films through his boutique FLASH VIDEO label. Films that ranged from profound to prurient with titles like Fangs of Steel, Messy Girls and the Erotic Tattooing and Body Piercing series, the Flash Videos were niche content at it’s most niche. When I spoke to Charles about production runs in 2015, he told me that the average title started with a run of 50 units, with more being duplicated if needed. Twenty five years later it’s no surprise that an entire generation of body artists and admirers have come up that have never seen the Gatewood films.
The good news is that the Body Piercing Archive- the archival wing of the Association of Professional Piercers- was gifted the rights to the archive and plans are in place to capture and preserve these lost treasures; something I’ve been doing as well with my personal copies.
For my money, the best of Flash was the fifth volume of the Erotic Tattooing and Body Piercing series; released in 1992 or 93 and filmed at the Meadowlands Tattoo Convention, #5 features Jack Yount, Emil, Mr. X and a host of other luminaries. The photos taken of Jack that day are among my favorite images of him and he often spoke of being photographed by Charles. This brief clip, filmed the same day as his photoshoot in 1992, was shot on Jack’s 8mm camcorder, with a show and tell with a client of Fred Corbin’s. This is the first time this footage has been seen in 25 years.
Trying to write anything aobut Pat Tidwell without resorting to superlatives is proving impossible. Respected body piercer is a given; when I asked a few mutual friends to describe Tid in one word I got back legend and iconic a few times- but I think I’m going to go with psychedelic sherpa and leave it at that.
This photo was taken in 2006 at the Southern California SCARWARS2 event- either by Atom Moore or Rachel Larratt. (It was in a folder labeled ‘lost disc’ so…)
This weekend marked the ninth anniversary of the third and final Scarwars event. I was going to wait for the tenth before putting a post up, but sentimentality got the best of me and I grabbed a backup drive and pulled over a few of the thousands of photos taken that weekend to share with you folks here on SD.
Continue reading “Three at Nine”
A few weeks ago, some twelve years after it’s launch, I nuked the Scarwars.net blog. It was a long time coming but pulling the plug was strangely anti-climactic. Still, in the decade it was online the site hosted some damn fine content, so from time to time we’ll be featuring highlights here on Sacred Debris.
These photos (by Allen Falkner) date back to May of 2005 and feature Tom’s jaw-dropping full torso scarification by Dave Gillstrap. It remains one of my favorite large-scale cuttings.