Piercer: Tom Brazda.
Studio: Stainless Studios, Toronto (since closed)
Client: Shannon Larratt.
Source: Hard copy photo submission to spcOnline.
Date: 1996/1997 (exact date unsure)
I had a Tumblr message asking for more posts from piercing’s “middle school” era, so I dug out one of the 1990s albums and found these shots, submitted to the spcO site back in the late 1990s by Shannon Larratt of BMEZINE.COM. I’m not sure I ever actually added them to the site back then.
During the mid/late 1990s piercers challenged the ‘if it protrudes, pierce it” ethic of the previous generation, trying out new piercings, new techniques, new jewelry and aftercare. Sometimes things worked out, sometimes they didn’t, but the experimentation was integral to the evolution of the modern piercing community.
I can’t remember when Shannon Larratt submitted these to the spcOnline site; sometime in the late 1990s seems right but I’m honestly not quite sure. The 4″x6″ photos showed up in my Post Office Box with a note that’s long since been lost.
The piercings- vertical lowbrets- were performed by Tom Brazda at Toronto’s Stainless Studios. Brazda was one of a small handful of highly influential piercers who emerged out of the early 1990s scene. His contributions to the piercing scene have been immeasurable if not regrettably overlooked.
According to the BME/Encyclopedia:
The vertical lowbret piercing starts inside the mouth between the lower lip and the teeth (not behind the teeth as with a mandible piercing) and travels straight down, exiting on the lower edge of the jawline. This piercing is usually done with a straight or very slightly bent barbell 1.5″ to 2″ in length depending on anatomy.
Healing is usually uneventful, although the piercing can be quite sore at first. Gum erosion is also a risk depending on placement. In some cases there may be some transfer of fluid from inside the mouth to the outside of the piercing.