Blair, Dustin, Dave Vidra and Tom Brazda @ NIX. Photo courtesy of Dustin Sharrow.
How do you introduce Tom Brazda? Seriously, I’m asking you, how the fuck do you even begin to summarize a titan like him? If you pierce, you’ve at least heard his name mentioned. He’s a fucking legend. And next time you speak about him in the past tense, stop it – Tom never stopped kicking ass and taking names. He’s been gracious enough to wax intellectual with us, so y’all turn off your cell phones and read closely – Tom deserves your undivided attention.
Ari – Tom, give us a brief introduction
Tom – My name is Tom Brazda, I started piercing in an amateur way around 1989. I went professional in 1991, so 28 years of experience of watching things happen.
Ari – I would love to start earlier with some of the first experiences you had with piercing before you were a piercer. Were you getting pierced before you got into the business?Continue reading →
King of the Hiller: A night reprocessing good memories with Warren Hiller.
Warren is undoubtedly one of the most positive people I’ve spoken with. His idealism is pretty refreshing in a field where most of us are grumpy as fuck. His insight into the community, not just in the early Toronto piercing scene but as well as the early information share boom occurring on BME, should sate any piercing geeks curiosity on the subjects. We spoke at length about what it was like to babysit 400+ piercers, the teachings of Tom Brazda, and why we all deserve our day in the sun. Continue reading →
Piercer: Tom Brazda.
Studio: Stainless Studios, Toronto (since closed)
Client: Shannon Larratt.
Source: Hard copy photo submission to spcOnline.
Date: 1996/1997 (exact date unsure)
I had a Tumblr message asking for more posts from piercing’s “middle school” era, so I dug out one of the 1990s albums and found these shots, submitted to the spcO site back in the late 1990s by Shannon Larratt of BMEZINE.COM. I’m not sure I ever actually added them to the site back then.
During the mid/late 1990s piercers challenged the ‘if it protrudes, pierce it” ethic of the previous generation, trying out new piercings, new techniques, new jewelry and aftercare. Sometimes things worked out, sometimes they didn’t, but the experimentation was integral to the evolution of the modern piercing community.
I can’t remember when Shannon Larratt submitted these to the spcOnline site; sometime in the late 1990s seems right but I’m honestly not quite sure. The 4″x6″ photos showed up in my Post Office Box with a note that’s long since been lost.
The piercings- vertical lowbrets- were performed by Tom Brazda at Toronto’s Stainless Studios. Brazda was one of a small handful of highly influential piercers who emerged out of the early 1990s scene. His contributions to the piercing scene have been immeasurable if not regrettably overlooked.
According to the BME/Encyclopedia:
The vertical lowbret piercing starts inside the mouth between the lower lip and the teeth (not behind the teeth as with a mandible piercing) and travels straight down, exiting on the lower edge of the jawline. This piercing is usually done with a straight or very slightly bent barbell 1.5″ to 2″ in length depending on anatomy.
Healing is usually uneventful, although the piercing can be quite sore at first. Gum erosion is also a risk depending on placement. In some cases there may be some transfer of fluid from inside the mouth to the outside of the piercing.