Divinity – I met Ron at Cuffs – it was the premier leather spot, a dark little place but not very big.It was very macho and leather, and I was drawn to that masculinity. I was just hanging out and Terry, my drag mother, it’s where he went out, so one night I went with him, and then after a while I went on my own. One night Ron came in and we met each other and started talking. We were both reading Dennis Cooper at the time.
Ari – Can you tell us about Dennis Cooper?
Divinity – Dennis Cooper was a gay writer- he did a lot of writing about being gay and how to maneuver in society and being true to yourself. He did a lot of really cool exposé on gay life. He was from California and that was interesting to me because for some strange reason I’d always found the idea of going to California really attractive. Something was always telling me to go there but I didn’t know what it was. Once I got there I realized what it was; it was a place I needed to be. All the places I’d been before like New Orleans and Michigan were conservative and moving out to California was really freeing for me. It was like, “oh, possibilities are endless out here!” It was a lot of good reading for me. I read a lot of Brion Gysin as well. A lot of people were like, “you’re black, why are you reading that?” I was like “I don’t know!” It was just really interesting to me. Continue reading “BSTA: Darryl Carlton (Divinity P. Fudge)”→
In late August, 2018, I presented a multimedia discussion for the members of Death Party Philadelphia with the catchy title of “Where do we go when we die?” The group, some three years old now, hosts monthly events relating to death positivity 1 and death adjacent subject matter so I worked my particular niche (the presentation may have alluded to me being a one trick pony) into it by discussing human taxidermy of tattooed skin and the fluid concept of “forever” when it comes to the human body. The central focus of the discussion were photographs and video from museums and institutions that house and exhibit preserved, tattooed, human skin- the Wellcome Collection, the Muséum national d’Histoire naturelle (MNHN), Philadelphia’s Mütter Museum and Japan’s famous Medical Pathology Museum at Tokyo University were represented alongside pop culture ephemera and some deep dives into the semiotics of tattoo culture. Continue reading “Where do we go when we die?”→
I was chatting with Blake Perlingieri about Fakir and his impact on the body modification community; Blake is someone who very much embodies the spirit of Fakir’s Modern Primitives and we’re excited that he’s going to be spending some time with Ari for a BSTA interview soon. With that in mind, to celebrate what would have been Fakir’s 88th birthday, I thought this photo of the two of them, borrowed from Nomad’s Instagram account, would be a nice way to remember him.
We tried to do a lot of cleaning up on this video that a friend of Blake’s shot at the APP Conference in Las Vegas a few years back, but the sound just didn’t want to cooperate. Still, it’s worth checking out for those of us who want to soak up as much of our history as possible.
Ari: I always like to kick these off with an introduction, so tell us a little about you, Mama.
Vidra: My introduction to the industry was 1978. I met a gentleman by the name of Linus Herrell and he owned a store in Cleveland called Body Language and that store, how do you explain it? It’s like one of the first alternative bookstores. We didn’t sell any porn, nothing like that, but it had a rubber room and a leather room, where there were all different types of books and little novelties and stuff like that. Also, he had a piercing room. He had magazines like PFIQ, the whole nine yards and I was like, “OK, this is fascinating.” I met him when he was a bartender at one of the little leather bars in Cleveland, in fact the oldest one in Ohio. He had a huge bull’s tether in his septum, and I was just staring at him, because number one it was very attractive and number two I was like, “hmm, how did you do that? How did he get something that thick into his septum?” I asked him a couple of questions. He explained it to me, explained the process of stretching and piercing. When I asked him where do you get something like that done he said he’d gotten work done at the Gauntlet in L.A. by a gentlemen called Jim Ward. That was my first introduction to Gauntlet, and even that was through Linus. He told me about PFIQ and the new shop he’d be opening, etc etc, and then in his psychotic manner he said, “So what are you doing tonight? I get off in two hours.” I said, “eh, probably just going home” and he said, “Well let’s go home and fuck”, and I’m like, “okay.” Now realize back then I was working for a Catholic Church. I was the rectory cook, as well as directing theatre for the deaf and blind and just about any other handicap you can imagine and normal people all on the same stage. It was a lot of work, it was a lot of fun, and I loved doing it. That’s what I did for a living back then. Cooking for a church rectory for the priests and the nuns who ran the Hunger Center in a pretty impoverished area of Cleveland, but it was also the deaf and the blind center for the Diocese of Cleveland. I had worked with almost all types of disabilities really from the time I was 13. Continue reading “BSTA: David Vidra”→
Ken – I just moved to Seattle Tattoo Emporium. All these dudes have been there thirty fucking years, like Jimmy the Saint, it’s crazy. It’s also a tattoo museum so they’ve got all this really old shit. Lyle Tuttle will just stop by like, “hey whats up guys?” Old school legendary shit. I don’t really make a lot of money there, but for the experience alone it’s fuckin worth it. I’m not having that bad of a time. I can come and go as I please, I only have a small set schedule. No drama. So many times it’s just stupid shit, but you know how the business is, it’s a constant barrage of bullshit that I would rather not deal with on any level. That’s why I love where I’m working now, because there’s none. These dudes are my fuckin age, they don’t wanna do anything besides go to work, be happy, and come home, and I love this! No drama, no shit, no nothing, I’m good with it. I talk to friends who are really young in the business and it’s all he did this, she did that, blah blah blah, I just don’t fucking care, I couldn’t care less to hear about piercing/tattoo shop drama, it’s just endless. I can’t even go out to a bar without someone coming up and going “Are you a tattoo artist? Let me tell you what I want!” Continue reading “BSTA: Ken Dean”→
The class schedule and registration portal for the 2018 Association of Professional Piercers annual Conference and Expo has gone live, and with only four months until showtime attendees are no doubt weighing the plusses and minuses of each offering to fully maximize their time in Las Vegas.
Ari – Sean, I always have everyone do a standard introduction to kick these off, so give us a brief bio.
Sean – I’m old, I’ve been everywhere. Ok, so brief history of Sean in bod-mod. Started with Sadistic Sundays at the video bar in 1990, roughly. I think it was right after high school – I was eighteen. Was doing that for a little bit, was just a Sunday night show type thing, and then left town for a while doing the hippie soul searching whatever, did Ren Fairs for a summer just to get away. When I came back Allen Falkner had moved back to Dallas and he and I became friends. I was hanging out with Allen, helping him paint his first room in his first studio when he was just renting space from a furniture store. He rented a room from them which soon turned into a piercing empire. We hung out for another couple years there in Dallas where I helped him attempt his first suspension, which was fishing line and just a ton of piercings. It was absolutely horrible. It lasted like three seconds – the fishing line started to snag and pull through because it was so thin. We look at it now like what the hell were we thinking? But you experiment, you figure shit out. At that time Fakir wasn’t as willing to share the suspension information with Allen; he did later, so until then there was a lot of us just looking at videos and guessing. Continue reading “BSTA: Séan McManus”→
Scott Shatsky may not be the most recognizable names in piercing, but his roots run deep – from being a young man hanging around the original Gauntlet, to apprenticing under Jim Ward and being part of the original Gauntlet San Fransisco crew, Scott offers some wonderful insight into that early pivotal time. Scott remains part of that quiet faction who was more enamored with piercing as an intimate movement, and gives us some new perspective on those Gauntlet years as a client, manager, and Master Piercer.
Ari – Where does piercing start for you, Scott?
Scott – I grew up in Los Angeles, and I always had a fascination with anything other than just being white, so tattoos and piercings fell into that. I was just always very interested, so in high school and even before I was a punk rock kid I was always sticking needles in me for piercings. I don’t even remember how I found Gauntlet, but it was in West Hollywood. I walked in and I became friends with Jim (Ward) and became pretty good friends with Cross, who I share a birthday with. I was a young kid. I wasn’t even in a place where I could get pierced there, age-wise. Cross was only a couple of years older than I was at the time. I have this picture of me sitting there with Jim and his beautiful silver and purple peacock wallpaper in the piercing studio when he was piercing my cartilage. So my identity in that world started years before I was piercing. Continue reading “BSTA: Scott Shatsky”→
How do you introduce Tom Brazda? Seriously, I’m asking you, how the fuck do you even begin to summarize a titan like him? If you pierce, you’ve at least heard his name mentioned. He’s a fucking legend. And next time you speak about him in the past tense, stop it – Tom never stopped kicking ass and taking names. He’s been gracious enough to wax intellectual with us, so y’all turn off your cell phones and read closely – Tom deserves your undivided attention.
Ari – Tom, give us a brief introduction
Tom – My name is Tom Brazda, I started piercing in an amateur way around 1989. I went professional in 1991, so 28 years of experience of watching things happen.
Ari – I would love to start earlier with some of the first experiences you had with piercing before you were a piercer. Were you getting pierced before you got into the business?Continue reading “BSTA: Tom Braza”→