On September 1st 2015 I recorded a free-form oral history with retired tattoo artist and T.R.A.S.H. editor JD. Recorded during lunch, JD and I shared a pizza and discussed the last days of Sailor Sid Diller, gay erotic artist REX (famous for his MINESHAFT logo design), TRASH magazine and the gentrification of NYC. He was a very charming gentleman, like myself a bit of a rascal and a wonderful connection to days gone by.
It must have been about 1991 when I first met Mike Natali; two decades later and we’ve taken to calling our first meeting ‘guiche day’ as both of us were at Jack Yount’s Zephyrhills Florida house to have ours pierced when were introduced and became fast friends, with Mike becoming an older brother/uncle figure to my brother and I. Under his leadership, Ed Fenster’s SILVER ANCHOR body jewelry company experienced massive growth and his own Bravo! Body Jewelry set a high bar for the companies that followed.
In late August I traveled down to Tampa to reconnect with Mike and to record an oral history with him about his introduction to Jack and Ed Fenster, his time at SA and Bravo and his career as a body piercer. The videos need to be edited and a transcript made, but it was really great to spend the afternoon with him and get his story told.
While in Florida I was also lucky enough to spend the afternoon with retired tattoo artist and legendary gay porn author JD, who proved to be a really nice gent who was full of stories which he was gracious enough to allow me to record. JD was a friend of Sailor Sid Diller and would often tattoo at Sid’s South Florida shop. I archived video a few months back and put a call out for SD/OV readers to help me identify the artist in the tape. Through my new friend Brian I found out that the tattooer was none other than John Daigon, who was not only still around, but was willing to talk to us body modification nerds about the glory days. The audio on that recording is pretty beat due to some technical/location issues, but once I get Mike’s history transcribed I’ll put the footage into Final Cut and see if I can clean it up enough to make a transcript.
Late summer 2015 has been super busy for me and I’ve been ignoring Sacred and OV but as fall approaches I have some really amazing content for you folks. Thanks to everyone who’s supported the site and restorations over the last few months- you’re keeping the wheels moving and I appreciate it.