My earliest piercing experiences with Jack Yount taught me that he came from the bigger-is-better school; at a time when some piercers were starting with initial 14g jewelry, Jack was more prone to starting at 8g. Blake and Kristian at NOMAD SF certainly understood the appeal of large gauge piercings and jewelry, so when Jack visited their shop in 1994 he instantly warmed up to them both. This photo features Kristian and Jack- if you’d like to read up on an often overlooked face from the early 1990s piercing scene, check out this BME interview conducted by Shannon Larratt: https://news.bme.com/wp-content/uploads/2008/09/pubring/people/A10101/krist.html
Jim Sens is one of the genuinely sweetest guys you’ll ever meet. Like almost too sweet. Suspiciously sweet. Like, “Who the fuck is this guy? Why is he so nice? Who told him he could be so nice?” Jim has been a notable figure on the scene for quite some time now, being a big proponent of the early surface bar movement, and also for his breakneck speed with a needle. Jim has essentially taken the High Priestess Campus location to one of the most high volume shops in the country with his personality and skills. We recently sat down to talk about the midwest, the surface bar, and picking glue out of his penis.Ari- Ok bud, so give ahead, give it a whirl, do the introduction.
Jim Sens- Hi, I’m Jim, I’ve been piercing for a bit over 18 years, and I’ve been working at High Priestess for the last 10. I’ve worked at a variety of big name studios before that. I started out piercing at a studio in St Cloud, Minnesota, called Cloud 9 Tattoo. Before that I worked counter at a studio that isn’t around anymore called The Dark Side in Honolulu, Hawaii.
Trying to write anything aobut Pat Tidwell without resorting to superlatives is proving impossible. Respected body piercer is a given; when I asked a few mutual friends to describe Tid in one word I got back legend and iconic a few times- but I think I’m going to go with psychedelic sherpa and leave it at that.
This photo was taken in 2006 at the Southern California SCARWARS2 event- either by Atom Moore or Rachel Larratt. (It was in a folder labeled ‘lost disc’ so…)
Gregg, in my opinion, has always been a piercer worth watching – and not just in a creepy, webcam sort of way, but in the way that an eighteen year titan with a metric fuckton of creativity can’t help but captivate anyone actually interested in piercing. Even if they can’t pronounce his last name, piercers across the board universally appreciate his ingenuity, which in my opinion has not only influenced modern piercers but also modern jewelry. Amidst a sea of black arms and olive debates, people who can stand out on a technical and innovative level, and continue to push the momentum of this industry are always worth paying attention to. So I called Gregg to talk about his industrial work, working with other piercers, and why we’re all fucked once we get older.