Silver Nitrate, applied via long wooden matchstick type applicators, was a popular choice for cautery by modification practitioners back in the 1980s/90s for less invasive procedures like meatotomy and clitoral hood splitting. While cutting lower down the shaft might require a more surgical approach, complete with sutures, opening the urethra (usually to a healed Prince Albert piercing hole that acted as an anchor) was an in-and-out procedure that could be done practically blood-free.
The nitrate was moistened with distilled water and rolled onto the edges of cut open tissue, causing a light chemical burn that helped to keep the tissue from reopening; as a side effect the patient was left with a blackish stain on the affected area that would usually only last for a week or so.
This photo from 1992 features a healing meatotomy with silver nitrate stains. Continue reading
Charles Gatewood, iconic photographer and counterculture anthropologist, released somewhere in the neighborhood of 200 documentary films through his boutique FLASH VIDEO label. Films that ranged from profound to prurient with titles like Fangs of Steel, Messy Girls and the Erotic Tattooing and Body Piercing series, the Flash Videos were niche content at it’s most niche. When I spoke to Charles about production runs in 2015, he told me that the average title started with a run of 50 units, with more being duplicated if needed. Twenty five years later it’s no surprise that an entire generation of body artists and admirers have come up that have never seen the Gatewood films.
The good news is that the Body Piercing Archive- the archival wing of the Association of Professional Piercers- was gifted the rights to the archive and plans are in place to capture and preserve these lost treasures; something I’ve been doing as well with my personal copies.
For my money, the best of Flash was the fifth volume of the Erotic Tattooing and Body Piercing series; released in 1992 or 93 and filmed at the Meadowlands Tattoo Convention, #5 features Jack Yount, Emil, Mr. X and a host of other luminaries. The photos taken of Jack that day are among my favorite images of him and he often spoke of being photographed by Charles. This brief clip, filmed the same day as his photoshoot in 1992, was shot on Jack’s 8mm camcorder, with a show and tell with a client of Fred Corbin’s. This is the first time this footage has been seen in 25 years.
My earliest piercing experiences with Jack Yount taught me that he came from the bigger-is-better school; at a time when some piercers were starting with initial 14g jewelry, Jack was more prone to starting at 8g. Blake and Kristian at NOMAD SF certainly understood the appeal of large gauge piercings and jewelry, so when Jack visited their shop in 1994 he instantly warmed up to them both. This photo features Kristian and Jack- if you’d like to read up on an often overlooked face from the early 1990s piercing scene, check out this BME interview conducted by Shannon Larratt: https://news.bme.com/wp-content/uploads/2008/09/pubring/people/A10101/krist.html
When I’m scanning vintage prints or flipping through digital files on a backup drive, I’m almost always drawn to candid photos over more graphic or procedural ones. Earlier tonight I transferred a 40gb video of Jack having silicone injections over to digital storage and while I’m sure it would be much more of interest to a lot of our readers, I kept going back to this photo of Jack, legs kicked up reading for tonight’s update. It’s been 21 years since I’ve seen him and while our modification experiences certainly helped define what I’m trying to accomplish with Sacred Debris I can honestly say that just spending time with Jack relaxing in his living room talking about nothing special is what I miss the most.
1980s, possible DC or Maryland.