In Pursuit of the Spirit

(from the Body Piercing Archive)

In honor and celebration of Fakir Musafar’s life, the Body Piercing Archive will present the most comprehensive exhibit that’s ever been seen on Fakir’s art and legacy.

Over 2000 square feet staged with his original iconic images and fabricated sculptures made famous over eight decades of accumulated artwork and Body Play.

As well on view will be many items that have never been on public display.

This will be the largest and most ambitious BPA exhibit to date, so come learn, remember, and celebrate!

Exhibit Hours:
Monday 10 am-6 pm
Tuesday 10 am-6 pm
Wednesday 10 am-6 pm
Thursday 10 am-6 pm

DOCENT TOURS:
Monday
Paul King, 11:30-12:30pm
Ian Bishop, 1:00-2:00pm
Allen Falkner, 2:30-3:30pm
Dustin Allor, 4:00-5:00pm

Tuesday
Cody Vaughn, 10:00-11:00am
Paul King, 11:30-12:30pm
Ian Bishop, 1:00-2:00pm
Betty Ann Peed, 2:30-3:30pm
Jef Saunders, 4:00-5:00pm

Wednesday
Cynthia Wright, 10:00-11:00am
Ken Coyote, 11:30-12:30pm
Yossi Silverman, 1:00-2:00pm
Grin, 2:30-3:30pm
Annie Sprinkle, 4:00-5:00pm

Thursday
Grin, 10:00-11:00am
Paul King, 11:30-12:30pm
Allen Falkner, 1:00-2:00pm
Cynthia Wright, 2:30-3:30pm
Ken Coyote, 4:00-5:00pm

https://www.safepiercing.org/conference.php

Uncovered: PFIQ 12

Annie Sprinkle documented her side of Fakir Musafar’s 1982 visit to NYC in Velvet Talks magazine, with Fakir’s story to be published in issue #12 of PFIQ. With a cover provided by illustrator Bud Larsen, Fakir’s article and photographs join the first appearance of The Incredible Til of Cardiff and the Pierce with a Pro: Clitoris tutorial in issue 12.

PFIQ is © Gauntlet Enterprises.
Issue 12 can sometimes be found on eBay.

Uncovered: Velvet Talks June 1982

The Golden Age of adult cinema 1 (and it’s siblings, adult magazines) was, despite it’s often lurid and prurient content, conservative. It traded in archetype- the perky blonde, the intense brunette, the fiery redhead-all American good looks and not much in the way of self-expression. When you did see a tattoo, it was small or discrete. Performers with large tattoos were anomalous, 2 with producers fearing that it would ruin the “girl next door” fantasy that their 8mm loops (the VHS tapes) promised.

Being tattooed or pierced was subversive in a subversive genre. Continue reading “Uncovered: Velvet Talks June 1982”

Notes:

  1. The Golden Age of Porn: 1969-1984. Wikipedia
  2. Stephanie Green, aka Viper.

Twenty-five years in a circle.

Happy New Year from Sacred Debris; today marks our fifth anniversary and we are infinitely thankful for all of the support you folks have given us over the last half decade. It was a bumpy year for the blog; we’ve had some tech problems that I’m still trying to work through (if anyone is a WordPress savant, hit me up at [email protected]) so thanks for sticking around and for all the kind words and support; Ari and I have some fun video and print projects lined up this year so we’re hoping that it’s our best yet.

(Photo: Jim Ward and Fakir Musafar, APP Conference 2001. Photo courtesy of Sean Christian/SPCO)

#fakirforever

I was chatting with Blake Perlingieri about Fakir and his impact on the body modification community; Blake is someone who very much embodies the spirit of Fakir’s Modern Primitives and we’re excited that he’s going to be spending some time with Ari for a BSTA interview soon. With that in mind, to celebrate what would have been Fakir’s 88th birthday, I thought this photo of the two of them, borrowed from Nomad’s Instagram account, would be a nice way to remember him.

We tried to do a lot of cleaning up on this video that a friend of Blake’s shot at the APP Conference in Las Vegas a few years back, but the sound just didn’t want to cooperate. Still, it’s worth checking out for those of us who want to soak up as much of our history as possible.

Enjoy, and happy birthday, Fakir.

 

Fakir Musafar August 10, 1930 – August 1, 2018

Strange, is it not? that of the myriads who
Before us pass’d the door of Darkness through
Not one returns to tell us of the Road,
Which to discover we must travel too.

-Omar Khayyam

 

Fakir Musafar passed away on August, 1st. There are so many things I could write about him and the lives he touched over the course of his extraordinary career, but right now all I can say is that it was my pleasure to have known him and that I’ll miss him very much.

Journey well, Fakir.

 

Photo Source: Cleo Dubios.

The Road to Awe

I am grateful and honored beyond words to have known you-all of you who have been touched by my presence and followed my example-and the dizzying, fun, enlightening, and delightful experience of seeing so many embrace body piercing and body rituals. I never expected our passions and practices to grow to a global phenomenon-that my early visions of Modern Primitives would expand beyond my wildest dreams. Thank you for embracing, growing, and embodying our art, craft, and energetic ritual practices. They have changed the cultural landscape worldwide. May they serve you well in the future. – Fakir Musafar


If you read Sacred Debris often enough (and I sure hope you do) you’ve no doubt seen mentions of nodal points; points of data in a timeline that shine like beacons, who’s influence spreads out, branches and has an intrinsic impact on everything that comes after them.

I’ve also used the phrase “Major Arcana” while discussing luminaries in the body art community- people who’s presence and persona is impossible to separate from the fabric of our subculture.

These concepts intersect with Fakir Musafar; you could individually catalog every nodal point he’s left on the map of body art and each point would represent a major shift in the cultural landscape. You could talk about his early days of self documentation; his relationship with PFIQ/Gauntlet, his participation in the film Dances, Sacred & Profane, his friendship with Charles Gatewood, his connection with Modern Primitives (the book, of course, and the concept) and all of the piercers and body artists who went through the Fakir Intensives- any one of those would be an unimaginably important legacy.

Earlier today Fakir announced that he has been fighting stage four lung cancer since October of 2017 and that his time with us is coming to a close. In his farewell message, which can be read here, Fakir says that he has been honored to have known us. I think I can say with absolute certainly that the privilege has been all ours.

Photo from SPC, posted 1998.

 

 

 

Queen of Hearts

I first saw photos of Cathy- dubbed Queen of Hearts- in Fakir Musafar’s seminal Body Play & Modern Primitives Quarterly 1At the time of the article her laced measurements were an astounding 39″- 15″- 39″ putting her on par with the legendary Ethel Granger with her progress; in fact she would appear in that issue photographed in one of Ethel’s 15″ corsets.

She began lacing in 1959 and by by the time of publication was wearing a corset or training belt day and night without breaks.

While attending the Mad Hatter’s Tea Party tattoo event in the late 1990s I ran into Cathy and asked her if I could take a few photographs for BME; none of which came out especially well, but hey, Mapplethorpe I’m not.

Notes:

  1. Body Play and Modern Primitives Quarterly, Volume 1 Number 3, 1992. Insight Books, Menlo Park, California. http://bodyplay.com 

Body is the door to spirit: Fakir & Blake

When Blake Perlingieri opened the original NOMAD location in San Francisco in the Summer of 1993 it became the go-to shop for large gauge tribal inspired body piercing. The shop’s aesthetic- from it’s decor, organic jewelry options and young piercers and the experimental work they were doing- was an explosive 180° from the established piercing culture that came before it and along with Blake’s early appearances in Body Play helped refine the Modern Primitive look.

Continue reading “Body is the door to spirit: Fakir & Blake”