Category Archives: Fakir Musafar

Annie Sprinkle’s HERSTORY of Body Piercing, May 2019

Annie Sprinkle’s photo documentation of communities that weren’t paid attention to by the mainstream media – most notably the 42nd Street scene of the 1970s, the world of adult cinema, and the early western body piercing revival – falls very much in line with my view that subcultures should be documented internally; that participants are best suited to chronicle their own movements w/o the academic gaze.

At the 2019 Association of Professional Piercers Conference and Expo, Annie, joined by her long time friend and collaborator Veronica Vera, presented a class on her Herstory of Body Piercing and it’s intersection with early luminaries Fakir Musafar, Charles Gatewood, and Spider Webb.Annie and Veronica were as charming as could be despite the blissfully raw content they were presenting; in a class given by Jim Ward earlier that day it was pointed out that the piercing world has evolved into something that Jim (piercing as a sexual exploration) and Fakir (piercing as a spiritual conduit) could have never imagined, so Annie’s Herstory and it’s sex positive bent was a welcome return to the roots of piercing to the longer tenured piercers in attendance.Unfortunately I was only able to film for a few minutes, but I hope it’s enough to give you folks an insight into when piercing was a much different (and I’m biased in saying so) and more fun pursuit of fringe players.

Nodal Points #1

We launched our new print zine project at this year’s APP Conference and Expo with issue #1 of NODAL POINTS; 100 pages of body modification history and culture culled from twenty five years of archival that includes:

  • A. Viking Navaro polaroids/prints.
  • Evolution of a subculture: Modcon 1.
  • Subtracting. (Voluntary Amputation)
  • Rudy Inhelder.
  • BSTA: Blake Perlingieri.
  • Correspondence with Bud Larsen.
  • Annie Sprinkle/Fakir Musafar.

Ari and I are hard at work on Issue #3 1 but for folks who didn’t get a chance to grab a copy in Las Vegas- we’re stocked up at Hex Appeal.

Nodal Points #1, now shipping.

Notes:

  1. An incredibly small print run of a BSTAxNodal Points zine was produced for gifts at the 2019 APP Conference; spine #2 for Nodal Points.

Fakir Musafar Exhibit: Paul King Walkthrough

I’m still sitting on a few dozen photographs from the awe inspiring IN PURSUIT OF THE SPIRIT exhibit celebrating the life and work of Fakir Musafar that the good folks at the Body Piercing Archive set up at this year’s APP Conference and Expo; when we finally get the new issue of NODAL POINTS sent to print I’m going to try and commit some time to writing a piece about it.

Until then- I bought a brand new go-pro for this year’s APP Conference, and for some reason left it in my hotel room every time I’d go down to the Fakir exhibit; so everything I shot was on my iPhone8+ and as such is lacking in quality. And because of the size of the files… I ran out of space on the first day.

I think the PRESS ribbon I was wearing was a bit of a stretch. Continue reading

Fakir in Kodachrome

The good folks over at Yellow Beak Press (who put out some of the best tattoo history books on the market) sent SD a Kodachrome slide from the collection of photographer Bob Hanson last year; taken in the 1970s or early 1980s it features Fakir Musafar performing a then rare navel piercing.

Bob’s photos of the tattoo scene of the 70s/80s are highlighted in YBP’s Lost Love 2.

BSTA: Blake Perlingieri

Ari – Let’s start this off with your introduction to Fakir.

Blake – I got a hold of the ReSearch book in 1989 and it blew me away. Obviously it was the only cultural document at the time for an emerging subculture. There’s a lot of stuff in the book I was “meh” on but Fakir’s chapter really grabbed me. I was already piercing my friends in San Diego; people would go up to LA Gauntlet and buy a needle and barbell and I’d do them up in the park under a tree. My band had finally gotten signed and I came to this crossroad where I really wanted to do something meaningful and I knew I had a lot of learning to do so I quit the band and rolled up to San Francisco. The first time I went up there there was Body Manipulations – they were the first piercing studio in the area, they opened before Gauntlet. I went up and peeked at Body M and didn’t really know who they were but I recognized that the handsome guy out front leaning on his motorcycle having a cigarette was Vaughn. I knew he was the guy from the ReSearch book. I ended up making a couple of trips to San Francisco. My folks took me to the Gauntlet in the Castro and I went in, walked upstairs, and it was the first piercing shop I had ever been in. The term “piercer” didn’t exist yet – you were just a guy who did piercings at this time. I walked up and I said, “hey, my name is Blake and I am looking for Fakir and maybe some earrings!” I got the biggest attitude from the guy behind the counter. He didn’t even have visible piercings! He says “well we don’t have any jewelry in your size, honey.” I was like, “alright, fuck you,” and I started to walk out when I hear Fakir say “excuse me young man, I can help you!” I turn around and there he is with a porcupine quill in his septum. I just looked at him and told him he was the reason I came – but that I felt like this wasn’t a very welcoming place for me. At the time this was either summer or late 1990. Fakir took me to lunch. He put his arm around me and said, “well I have never seen the likes of you, young man., Tell me your story!” At the time I had 2” earlobes with huge dreadlocks- just a jungle kid from Southern California. How weird to walk into my first piercing shop to have some guy with no visible piercings be a dick to me. I was put off from the beginning. I didn’t consider myself professional at this time – I had only done genital and septum work. I had never done a nostril or navel. The stuff I was doing on my friends was all “Genesis P-Orridge” genitalia aesthetic. Fakir and I had an immediate connection and I told him I wanted to be a piercer. The first thing he said was, “well you sure don’t want to work at the Gauntlet, trust me.” I think we ate at Cafe Du Nord and it felt like I was coming home so to speak; he was just so welcoming. This is twenty-nine years ago. He literally says, “I think you’re doing something completely unique.” I didn’t understand his historical importance yet, I just intuitively knew he was the Granddaddy and if I was going to start a career I was going to go to the source. That’s a value that doesn’t exist anymore. There is a tattoo school is Vegas that cost $40,000 and guarantees you an internet following by the time you graduate, and you’ve only done like one tattoo. It shows you how ass backwards this culture is. The thing Fakir instilled in me in our first meeting – there were no personalities then, all I was was just a jungle kid, there was Gauntlet and Body M, that’s it for the whole US; there was no measure of what other people were doing. My experience at Gauntlet was very telling- Im sure they all had 00g PAs but they didn’t have the look I wanted to be a part of or was already doing, the things my grandmother introduced me to on her world travels. Continue reading

In Pursuit of the Spirit

(from the Body Piercing Archive)

In honor and celebration of Fakir Musafar’s life, the Body Piercing Archive will present the most comprehensive exhibit that’s ever been seen on Fakir’s art and legacy.

Over 2000 square feet staged with his original iconic images and fabricated sculptures made famous over eight decades of accumulated artwork and Body Play.

As well on view will be many items that have never been on public display.

This will be the largest and most ambitious BPA exhibit to date, so come learn, remember, and celebrate!

Exhibit Hours:
Monday 10 am-6 pm
Tuesday 10 am-6 pm
Wednesday 10 am-6 pm
Thursday 10 am-6 pm

DOCENT TOURS:
Monday
Paul King, 11:30-12:30pm
Ian Bishop, 1:00-2:00pm
Allen Falkner, 2:30-3:30pm
Dustin Allor, 4:00-5:00pm

Tuesday
Cody Vaughn, 10:00-11:00am
Paul King, 11:30-12:30pm
Ian Bishop, 1:00-2:00pm
Betty Ann Peed, 2:30-3:30pm
Jef Saunders, 4:00-5:00pm

Wednesday
Cynthia Wright, 10:00-11:00am
Ken Coyote, 11:30-12:30pm
Yossi Silverman, 1:00-2:00pm
Grin, 2:30-3:30pm
Annie Sprinkle, 4:00-5:00pm

Thursday
Grin, 10:00-11:00am
Paul King, 11:30-12:30pm
Allen Falkner, 1:00-2:00pm
Cynthia Wright, 2:30-3:30pm
Ken Coyote, 4:00-5:00pm

https://www.safepiercing.org/conference.php

Uncovered: PFIQ 12

Annie Sprinkle documented her side of Fakir Musafar’s 1982 visit to NYC in Velvet Talks magazine, with Fakir’s story to be published in issue #12 of PFIQ. With a cover provided by illustrator Bud Larsen, Fakir’s article and photographs join the first appearance of The Incredible Til of Cardiff and the Pierce with a Pro: Clitoris tutorial in issue 12.

PFIQ is © Gauntlet Enterprises.
Issue 12 can sometimes be found on eBay.

Uncovered: Velvet Talks June 1982

The Golden Age of adult cinema 1 (and it’s siblings, adult magazines) was, despite it’s often lurid and prurient content, conservative. It traded in archetype- the perky blonde, the intense brunette, the fiery redhead-all American good looks and not much in the way of self-expression. When you did see a tattoo, it was small or discrete. Performers with large tattoos were anomalous, 2 with producers fearing that it would ruin the “girl next door” fantasy that their 8mm loops (the VHS tapes) promised.

Being tattooed or pierced was subversive in a subversive genre. Continue reading

Notes:

  1. The Golden Age of Porn: 1969-1984. Wikipedia
  2. Stephanie Green, aka Viper.

Twenty-five years in a circle.

Happy New Year from Sacred Debris; today marks our fifth anniversary and we are infinitely thankful for all of the support you folks have given us over the last half decade. It was a bumpy year for the blog; we’ve had some tech problems that I’m still trying to work through (if anyone is a WordPress savant, hit me up at [email protected]) so thanks for sticking around and for all the kind words and support; Ari and I have some fun video and print projects lined up this year so we’re hoping that it’s our best yet.

(Photo: Jim Ward and Fakir Musafar, APP Conference 2001. Photo courtesy of Sean Christian/SPCO)

#fakirforever

I was chatting with Blake Perlingieri about Fakir and his impact on the body modification community; Blake is someone who very much embodies the spirit of Fakir’s Modern Primitives and we’re excited that he’s going to be spending some time with Ari for a BSTA interview soon. With that in mind, to celebrate what would have been Fakir’s 88th birthday, I thought this photo of the two of them, borrowed from Nomad’s Instagram account, would be a nice way to remember him.

We tried to do a lot of cleaning up on this video that a friend of Blake’s shot at the APP Conference in Las Vegas a few years back, but the sound just didn’t want to cooperate. Still, it’s worth checking out for those of us who want to soak up as much of our history as possible.

Enjoy, and happy birthday, Fakir.