Category Archives: Historical Figures

BSTA: Vaughn

Since it’s 1989 release, RE/Search Publications’ seminal issue #12 – Modern Primitives – has become one of, if not the most, nodally significant cultural studies of western body modification ever printed. The pantheon of influential body art figures interviewed includes Fakir Musafar, Jim Ward, Ed Hardy, Raelyn Gallina, Lyle Tuttle, Hanky Panky, Leo Zulueta – you could easily get lost following the ripples of influence from any one of them. But Modern Primitives also featured some younger personalities just getting their start in the world of body art; mostly notably Greg Kulz (a pioneer of black graphic industrial tattooing) and Bay Area piercer/tattooist Vaughn, who at the time of publication was trying to make a name in the industry. Thirty years later, and Vaughn’s legacy – the opening of Body Manipulations and the shift to a more diverse clientele – is easily worthy of inclusion with the best of the industry.

In honor of his his birthday, BSTA’s Ari Pimsler interviewed Vaughn, along with friends, former employees, and clients for the new issue of our print project NODAL POINTS. The supporting interviews – Melissa & Joey from Body M’s, Greg Kulz, Duncan Van Luyt, and Blake Perlingieri – are available exclusively in the zine, which can be pre-ordered here:

https://www.blurb.com/b/9578140-nodal-points-volume-3

-SP

(special thanks to Bobby Neel Adams for the amazing outtake photos from his Modern Primitives shoot with Vaughn! http://bobbyneeladams.com)


 

Ari – For an introduction let’s start with where you started piercing, be it business or just experimentation

Vaughn – Probably about 1985. I moved to San Francisco in 1984. What I wanted to do was pierce my lip and I couldn’t find any outlet to do that. I had been pierced down in LA by Jim Ward at The Gauntlet originally because I was living down there. When I got up to San Francisco there was really no one there doing anything. I wanted to pierce my lip, couldn’t find anybody to do it, so eventually I did it myself. But as far as taking on clients I would say, 1986? I just printed up business cards that said, “Vaughn” and had my phone number on it. That was it. If I saw people who had their own piercings I’d approach them like, “hey I can do noses, I can do navels, I can do this kinda deal.” I would have people over to my apartment and pierce them there. I also would set up a little portable kit and go over to peoples houses pierce people in their homes or businesses or wherever. I did that for a couple of years. I can’t remember exactly when I met Esther but she was a big influence as far as pushing me to make it happen as a business. One of the driving forces behind that was we had heard a rumor that Gauntlet was going to try and open up in San Francisco and I wanted to break away from the stigma that Gauntlet had. That stigma was very much in the West Hollywood gay community. I wanted to see piercing move out more into the underground, like the punk scene and the music scenes. That was my main drive. Esther was kind of in the same mindset that drove me – she wasn’t really oriented on the sexual aspect of it but rather the aesthetic orientation. For about three or four years I just pierced privately and did in-home visits and portable visits. In 1989 I ended up getting a little bit of inheritance. I opened Body Manipulations with seven thousand dollars. Rent on the space was like $300 a month – it was super cheap. That all worked out because I knew the tattoo people who were in the space originally – Erno tattoo. They moved upstairs and then I rented from Erno because he still had a lease on the space for a short time. We just sublet it from Erno and turned it into a piercing studio.

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Sailor Sid in San Francisco

I don’t have much information on this image other than that it was sourced from a newly acquired Kodachrome slide that dates back to the late 1970s and features Sailor Sid Diller at an unnamed San Francisco tattoo show. Photographer, event organizer, (convention? show? his name tag turns to a blur when the image is enlarged) and all other relevant data may be lost to the ages, but at least the image, some forty plus years old now, survives.

Early tattoo conventions were an integral part of the tattoo community developing and expanding before the rise and eventual decline of the tattoo magazine and  the ubiquity of the internet, but they often ostracized attendees who were also in the emerging body piercing scene. Still, they provided a space where devotees could meet at local (often gay leather) bars near the convention or in hotel suites to share their passions,  and slowly but surely the two subcultures merged and became part of a bigger community.

Annie Sprinkle’s HERSTORY of Body Piercing, May 2019

Annie Sprinkle’s photo documentation of communities that weren’t paid attention to by the mainstream media – most notably the 42nd Street scene of the 1970s, the world of adult cinema, and the early western body piercing revival – falls very much in line with my view that subcultures should be documented internally; that participants are best suited to chronicle their own movements w/o the academic gaze.

At the 2019 Association of Professional Piercers Conference and Expo, Annie, joined by her long time friend and collaborator Veronica Vera, presented a class on her Herstory of Body Piercing and it’s intersection with early luminaries Fakir Musafar, Charles Gatewood, and Spider Webb.Annie and Veronica were as charming as could be despite the blissfully raw content they were presenting; in a class given by Jim Ward earlier that day it was pointed out that the piercing world has evolved into something that Jim (piercing as a sexual exploration) and Fakir (piercing as a spiritual conduit) could have never imagined, so Annie’s Herstory and it’s sex positive bent was a welcome return to the roots of piercing to the longer tenured piercers in attendance.Unfortunately I was only able to film for a few minutes, but I hope it’s enough to give you folks an insight into when piercing was a much different (and I’m biased in saying so) and more fun pursuit of fringe players.

Nodal Points #1

We launched our new print zine project at this year’s APP Conference and Expo with issue #1 of NODAL POINTS; 100 pages of body modification history and culture culled from twenty five years of archival that includes:

  • A. Viking Navaro polaroids/prints.
  • Evolution of a subculture: Modcon 1.
  • Subtracting. (Voluntary Amputation)
  • Rudy Inhelder.
  • BSTA: Blake Perlingieri.
  • Correspondence with Bud Larsen.
  • Annie Sprinkle/Fakir Musafar.

Ari and I are hard at work on Issue #3 1 but for folks who didn’t get a chance to grab a copy in Las Vegas- we’re stocked up at Hex Appeal.

Nodal Points #1, now shipping.

Notes:

  1. An incredibly small print run of a BSTAxNodal Points zine was produced for gifts at the 2019 APP Conference; spine #2 for Nodal Points.

Fakir Musafar Exhibit: Paul King Walkthrough

I’m still sitting on a few dozen photographs from the awe inspiring IN PURSUIT OF THE SPIRIT exhibit celebrating the life and work of Fakir Musafar that the good folks at the Body Piercing Archive set up at this year’s APP Conference and Expo; when we finally get the new issue of NODAL POINTS sent to print I’m going to try and commit some time to writing a piece about it.

Until then- I bought a brand new go-pro for this year’s APP Conference, and for some reason left it in my hotel room every time I’d go down to the Fakir exhibit; so everything I shot was on my iPhone8+ and as such is lacking in quality. And because of the size of the files… I ran out of space on the first day.

I think the PRESS ribbon I was wearing was a bit of a stretch. Continue reading

ModCon 1999: The Lizardman.

Since I spaced on writing something special for the twentieth anniversary of ModCon last month,  I figured I’d at least celebrate the anniversary of this gentleman’s birth; one of the more memorable guests of the first MC event in Toronto, Erik Sprague (then Spidergod5, now the Lizard Man) was already on his way to lizarddom with implants, a split tongue, filed teeth, and the beginnings of his scale tattoo designs.

This photo, taken by ModCon (and Scarwars) photographer Philip Barbosa, appeared on the original Modcon CD-Rom.

Fakir in Kodachrome

The good folks over at Yellow Beak Press (who put out some of the best tattoo history books on the market) sent SD a Kodachrome slide from the collection of photographer Bob Hanson last year; taken in the 1970s or early 1980s it features Fakir Musafar performing a then rare navel piercing.

Bob’s photos of the tattoo scene of the 70s/80s are highlighted in YBP’s Lost Love 2.

BSTA: Blake Perlingieri

Ari – Let’s start this off with your introduction to Fakir.

Blake – I got a hold of the ReSearch book in 1989 and it blew me away. Obviously it was the only cultural document at the time for an emerging subculture. There’s a lot of stuff in the book I was “meh” on but Fakir’s chapter really grabbed me. I was already piercing my friends in San Diego; people would go up to LA Gauntlet and buy a needle and barbell and I’d do them up in the park under a tree. My band had finally gotten signed and I came to this crossroad where I really wanted to do something meaningful and I knew I had a lot of learning to do so I quit the band and rolled up to San Francisco. The first time I went up there there was Body Manipulations – they were the first piercing studio in the area, they opened before Gauntlet. I went up and peeked at Body M and didn’t really know who they were but I recognized that the handsome guy out front leaning on his motorcycle having a cigarette was Vaughn. I knew he was the guy from the ReSearch book. I ended up making a couple of trips to San Francisco. My folks took me to the Gauntlet in the Castro and I went in, walked upstairs, and it was the first piercing shop I had ever been in. The term “piercer” didn’t exist yet – you were just a guy who did piercings at this time. I walked up and I said, “hey, my name is Blake and I am looking for Fakir and maybe some earrings!” I got the biggest attitude from the guy behind the counter. He didn’t even have visible piercings! He says “well we don’t have any jewelry in your size, honey.” I was like, “alright, fuck you,” and I started to walk out when I hear Fakir say “excuse me young man, I can help you!” I turn around and there he is with a porcupine quill in his septum. I just looked at him and told him he was the reason I came – but that I felt like this wasn’t a very welcoming place for me. At the time this was either summer or late 1990. Fakir took me to lunch. He put his arm around me and said, “well I have never seen the likes of you, young man., Tell me your story!” At the time I had 2” earlobes with huge dreadlocks- just a jungle kid from Southern California. How weird to walk into my first piercing shop to have some guy with no visible piercings be a dick to me. I was put off from the beginning. I didn’t consider myself professional at this time – I had only done genital and septum work. I had never done a nostril or navel. The stuff I was doing on my friends was all “Genesis P-Orridge” genitalia aesthetic. Fakir and I had an immediate connection and I told him I wanted to be a piercer. The first thing he said was, “well you sure don’t want to work at the Gauntlet, trust me.” I think we ate at Cafe Du Nord and it felt like I was coming home so to speak; he was just so welcoming. This is twenty-nine years ago. He literally says, “I think you’re doing something completely unique.” I didn’t understand his historical importance yet, I just intuitively knew he was the Granddaddy and if I was going to start a career I was going to go to the source. That’s a value that doesn’t exist anymore. There is a tattoo school is Vegas that cost $40,000 and guarantees you an internet following by the time you graduate, and you’ve only done like one tattoo. It shows you how ass backwards this culture is. The thing Fakir instilled in me in our first meeting – there were no personalities then, all I was was just a jungle kid, there was Gauntlet and Body M, that’s it for the whole US; there was no measure of what other people were doing. My experience at Gauntlet was very telling- Im sure they all had 00g PAs but they didn’t have the look I wanted to be a part of or was already doing, the things my grandmother introduced me to on her world travels. Continue reading

Atavist: Viking Navaro

Without a doubt, one of my favorite ‘personalities’ from the 1970s/80s era of the Western body modification revival was A. Viking Navaro; the “nom de kink” of a Southern California professor who’s appearance in an early issue of PFIQ, complete with photos by Fakir Musafar, was one of the earliest examples of a modern primitive.

You can see more of Viking Navaro here on Sacred Debris, and in the new SD print zine Nodal Points, available May 2019 from Hex Appeal.