Blake Perlingieri’s long out of print A Brief History of the Evolution of Body Adornment in Western Culture: Ancient Origins and Today should be in every body art fan’s library. A best seller on Shannon Larratt’s BMESHOP.COM and called a “Must have” by Fakir Musafar, a case of A Brief History has recently resurfaced and Blake will be making 200 copies available in a signed/numbered run. As Fakir said- it’s a must have; a true gem for anyone interested in the evolution of body modification. You can contact him for more information:
Blake Perlingieri c/o Nomad Piercing Studio 4827 SE DIVISION STREET, PORTLAND OREGON 97206
PIERCERS AND ENTHUSIASTS! Due to the number of inquiries I received after my lectures at APP 2015 and LBP 2016, my out of print book from 2003 will ONCE AGAIN be available in a VERY LIMITED EDITION of 200 copies. Printed on recycled paper in the United States with vegetable based ink (none of that cheap “made in China” printing), each book will be numbered, signed (custom autographed)and come with vintage Nomad memorabilia– flyers/stickers.
A few weeks ago, some twelve years after it’s launch, I nuked the Scarwars.net blog. It was a long time coming but pulling the plug was strangely anti-climactic. Still, in the decade it was online the site hosted some damn fine content, so from time to time we’ll be featuring highlights here on Sacred Debris.
These photos (by Allen Falkner) date back to May of 2005 and feature Tom’s jaw-dropping full torso scarification by Dave Gillstrap. It remains one of my favorite large-scale cuttings.
Going through 575 photos from the 2008 Rites of Passage Campout (taken by Robin Scott/Phoenixxx Rising) made several things abundantly clear to me; that of all the suspension events I’ve attended the campouts were always my favorite, that Robin took some many photos that it was difficult to pick just a few for this update and most of all that I really miss the offline social aspects of the community. Between BMEFESTS, Suscons, Campouts, Bowling with Weirdos, Modcons and the random any excuse parties we used to throw there were so many options to see friends from all over the world. Continue reading →
His flesh was virtually white, his hairless head ritualistically scarred with deep grooves that ran both horizontally and vertically, at every intersection of which a nail had been hammered through the bloodless flesh and into his bone. Perhaps, at one time, the nails had gleamed, but the years had tarnished them. No matter, for the nails possessed a certain elegance, enhanced by the way the demon held his head, as though regarding the world with an air of weary condescension. What ever torments he had planned for these last victims— and his knowledge of pain and its mechanisms would have made the Inquisitors look like school- yard bullies—it would be worsened by orders of magnitude if any one of them dared utter that irreverent nickname Pinhead, the origins of which were long lost in claim and counterclaim. -Clive Barker, The Scarlet Gospels
You don’t need 2″ ears and a full black bodysuit to do that. The origins of our art form is tribal so that really only need exist in your heart. And you have to honor the traditions of our collective human mythology by incorporating tribal consciousness as well as aesthetics into what we do. – Blake Perlingieri, 2004
When I first saw a photo of Blake Perlingieri in Fakir Musafar’s BODY PLAY in 1991 the majority of people I knew in the piercing scene were decades older than me. My piercing elders would gently caution me against stretching my earlobes (despite me having 1/2″ nipple piercings and a meatotomy) for fear of public exposure and most of the clients of Jack Yount I was introduced to assumed I was his grandson not his friend and mentee. Aside from my brother, Brian Skellie and a few others the idea of a young, heavily tattooed and pierced person was generally considered a novelty in my community. Blake was only a few years older than me. He had 2″ earlobes (at that point mine were probably a humble 1/2″ or so) and tattoos that weren’t off-the-wall flash jobs that were there to prove you could be tattooed while saying nothing about the person wearing them. His photos assured me that the cultural shift that Jack had been telling me about- the old guard making room for the new generation- was coming.
After all was said and done on the last night of the 2006 Los Angeles Scarwars event, we decided to have a little afterparty. Nothing fancy, just a group of us gathered in a bar/restaurant doing our best to process the previous three days and to relax and unwind…
Pat Tidwell came and sat down at my table and did a perfect “Run for it, Marty!” Doc Brown impersonation from Back to the Future, complete with rewind noises and a crazy pantomime that had everyone breaking down in much needed laughter.
He did it for about 15 minutes straight. One of the thousands of reasons I love Tid.
Another SCARTIST portrait by Scarwars 2005 event photographer Allen Falkner, this time featuring influential piercer/scarification artist Dave Gillstrap getting ready to start a cutting. I didn’t meet Dave until the morning of the first day of the 2005 event but his work definitely proceeded him and he went on to do some of the most impressive pieces that came out of the Scarwars events.
I’ve spent the last few days sorting Allen Falkner’s photographs from the 2005 Scarwars Philadelphia event; it’s the first time in eleven years that I’ve looked at his output from that weekend as a body of work and not just individual photos- three discs so far- discs filled with so many amazing memories, images and personalities that it’s been hard to step away from the archival and prepare any of the images for a Sacred Debris update. Continue reading →
The core value of Sacred Debris is to resurrect old mementos and put a new shine on them. Photographs, videos and body modification culture ephemera from the last few decades all polished and presented in a new context..
Which is sort of what I’ve done with the site’s layout. I was never (even remotely) in love with the WordPress theme we’ve been using since launching the blog in 2014 and, frustrated, I made the move tonight to aesthetically merge Sacreddebris.com and it’s tattoo sister-site Occultvibrations.com to add some consistency to my two history sites. They’re remaining their own unique entities (with the occasional shared post) but will look like one cohesive site.
It may be confusing, but I assure you it’s for the greater good. Or at least my own satisfaction.
Collaboration was the heart of the Scarwars events; different artists working on the same client, sometimes in tandem, sometimes employing different techniques of disciplines of scarring- with each artist taking the role of student and teacher oftentimes during the same procedure. It was immensely satisfying watching different personalities working together to make their client happy.