Category Archives: 1990s

Hilary and Dana. Photo © Roger Doe 2013

Red(head) in Tooth and Claw
A night shmoozing with the sweetest hooker in the biz.

Dana and I actually talked about how nice Dana is. Renowned not just for his piercing and suspension work, but for being all around such a fucking nice guy. From his early come-ups in California to veering off into being one of the most notable suspension practitioners, taking his skills all over the world at suscons, Dana is truly one of those old heads that’s seen some dynamic shifts the industry has taken and rolled with the punches. We sat down to talk about his introduction to suspension, the ebb of ritual, and why age helps lock down the sweet spot of professionalism in the piercing room.

Ari – Let’s do the really generic usual intro, except I want you to do it for both piercing and suspension.

Dana – The beginning of my piercing career was pretty straightforward, I was able to start an apprenticeship and attend the Gauntlet beginning training seminars the second year I believe they were offered, 1993. I don’t remember if it was the second year or not. I took the Gauntlet seminars at 17. Sharrin was running the seminar, Sharrin from the NY Gauntlet, she was a real awesome old school Psychic TV head. I “never really finished my apprenticeship” according to Jerry Metzler (Shiva) but as far as all purposes were concerned I was piercing full time by myself, with Julian Ganesha in and out of the shop because he had another full time job to pay his bills. This was in Fresno at a shop called Spear of Shiva. In 1999 I made the move to San Diego to work at Superfly, and then got an offer to move up to Portland and I was there for a few years. My introduction to suspension started a little bit more in 1999/2000, when I got involved with the San Diego crew, and once I got to Portland it was really heavy, I moved to Portland, walked into doing performances once a month at Fetish Night for five or six years straight. Continue reading

BMEFEST 2005, La Paz Mexico. ©Sacred Debris

The Todfather: A night of gently touching tips with Tod Almighty

Tod Almighty is hands down one of the most magnetic personalities in piercing. Forthcoming, charming, hilarious – it’s easy to get lost in the seduction rather then realize that he’s been a force to be reckoned with for over two decades. Coming in under the tutelage of Allen Falkner, working his way through California, teaching with the Fakir intensives, being one of the mainstays at Anatometal -that’s some serious shit right there. So we got high and decided to talk about his roots in piercing, how multi-faceted our industry has become, and why one day we might all have to wear a suit and tie. Oh, and there’s a story in here that proves Tod’s balls are bigger then any of ours. Don’t believe me? Read it for yourself.

Ari – Alright Tod, give us a little introduction

Tod – I’m Tod Almighty, and I’ve been with Anatometal for 14 years now. I started piercing in 1992 after I apprenticed under Allen Falkner in Dallas, Texas. I’ve worked out of Santa Barbara, LA, San Jose, and Dallas, a lot of places I suppose. I’ve been an instructor with the Fakir Intensives since 1997, so twenty years now – I do both basic and advanced courses with them. I took them in 1992 as well. I like long walks on the beach, I’m a dog person not a cat person, I prefer length to girth, and I have no gag reflex! Continue reading

HappyAppy

 

My search for a video of a rare dolphin piercing from BRAVO’s Mike Natali has been unsuccessful, but I’ve been finding lots of great video shot at his Brandon Florida shop in the mid/late 1990s so it’s been a fair tradeoff.

This apadravya was performed on a friend after an intense SM session where the client’s friends comforted and reassured him during the piercing; not standard piercing practice in 2017 but at the time it wasn’t that unusual for ‘enhancing’ piercings to be performed in a ritualized sexual context.

This video is presented for archival purposes only and should not be considered a how-to.

 

 

Superincised Glans

I imported almost 100gb of raw 8mm (cassette) video yesterday; I’m still sorting and storing everything but the content will hopefully rolling out here on SD over the next few weeks. One of the more surprising clips I rediscovered was of BRAVO! owner/piercer Mike Natali performing a glans superincision (which would, I suppose, still be considered a meatotomy) at his Brandon, Florida shop probably sometime in 1996-7.

I apparently filmed it but I have zero recollection of it. Memory is a funny thing.

VIDEO: Behind the glans ampallang

While ampallangs are normally pierced through the glans, some people place the piercing immediately behind the glans, or through the body of the shaft itself. A shaft ampallang placed immediately behind the glans is treated pretty much the same as a regular ampallang, but one through the body of the shaft is quite different. Experience has shown that ideally the piercing should be done while the penis is erect — since if it’s done while flaccid, it pinches when erect. This is an extremely rare piercing. 1

Piercer Mike Natali performed this ampallang piercing, placed behind the glans, in 1993 or 1994. Initially pierced with an 8g needle, the piercing was immediately stretched to 6g. While the client was happy with the placement, he removed the piercing shortly after and asked to be repierced for the sensation.

As with most of the archival videos presented on Sacred Debris, this footage contains techniques that aren’t consistent with modern standards and is being made available in an effort to document and archive body modification history.

Stay tuned to the end of the clip for a special message.

Notes:

  1. BMEZINE.COM Encyclopedia: Shaft Ampallang Piercing.

Modern Sideshow: Bebe the Circus Queen

bebe

From our friends at Wikipedia:
Bebe the Circus Queen (Beatrice Aschard) would perform a variety of stunts such as having a watermelon placed on her back and split with a sword, lying on a bed of nails while weights were placed on her chest… or the “Plastic Bag Of Death”, where she gets into a large plastic bag and one of the other performers sucks all of the air out with a vacuum cleaner. She would also employ an electric grinder in her act (for example, she would create a shower of sparks from a metal chastity belt covering her groin area).”

Taking classic acts from sideshow and vaudeville and translating them for modern audiences, the Jim Rose Circus Sideshow found themselves with ‘falling ovations’ daily, as people in the crowd would faint (no doubt aided by standing in the sun for hours, binge drinking and enjoyment of recreational party favors) as The Amazing Mr. Lifto performed his take on Rasmus Neilsen’s ‘pierced weight lifting’, upping the ante by including swinging heavy objects from his pierced penis. They’d cover their eyes as The Torture King skewered his cheeks and torso like B. A. Bryant had done decades before while touring with Barnum himself and laugh with relief when ThEnigma, tattooed from head to toe like a jigsaw puzzle did a tattooed clown act- that is until he started geeking live insects.

This was still when piercing culture trended older- 40s, 50s- and youth culture was just starting to discover expressing themselves with tattoos, body piercings, scarification and other avenues of modifying their bodies. Seeing stretched piercings swinging weights live on stage, with Eddie Vedder (or insert rockstar here) joining the cast to oooh and awww had a profound effect.

But the one member of the original troupe that didn’t get much attention was Rose’s partner, Bebe the Circus Queen. She didn’t have the dynamic motormouth of Jim, the pain proof skin of Tim “Torture King” Cridland, the stretched piercings of Joe Lifto… so she often got overlooked when it came to media write-ups of the show.

This may be an odd photo for a body modification history/culture blog in so much as it features no body modification, but without the Jim Rose show’s promotion of piercing/tattoo/modification culture during the transitional years of the early 1990s, things may have played out differently, and without Bebe, the Circus wouldn’t have been what it was.

That and I really liked the photo.

Late 1990s, 35mm print scan.