When I first approached Jack Yount about the possibility of doing my meatotomy, he gave me a photocopy of a chart of basic line drawings of possible male genital modifications with exotic names like the Full Persian Butterfly and Cobra to educate me on some of the options available. To this day I have no idea where or when the drawings originated, just that Jack had a folder of them ready for anyone interested in his modification work.
The gentleman in these photos may have seen Jack’s chart, detailing the process of forming his own Cobra.
In the 1980s, Master Piercer Jack Yount was working informally at DC area leather bars on a clientele that was mostly made up of gay men, but was quite willing to work on anyone that wanted pierced. I remember him telling me once that he had let some of his employees at A.S.P. know about his double life as a body piercer and that one of his secretaries had come in to have her nipple pierced. I have no way of knowing who the female client in this photograph is, but there’s a part of me that wants to think it’s her.
By the time I met Jack Yount at Bud Pierson’s tattoo shop in Orlando Florida in early 1990 he had already been castrated and had been slowly enlarging his scrotum through silicone injections administered by famed/reviled modification doctor John Ronald Brown at his Mexico City clinic.
The effect of the silicone injections was otherworldly in it’s extremity; Jack was not going for subtlety. These photos show him in the beginning stages of his enlargement project- using metal rings (as well as leather straps and weighted leather bags) to temporarily stretch his scrotum. They were taken before his castration in the mid/late 1980s.
We’re at that point in the year where I start looking at what the future is going to hold for Sacred Debris; it’s cyclic and seems to happen every autumn so you folks will just have to bear with me through the sporadic update schedule and lack of new content while I figure out the VAQ of maintaining the site.
Sometimes you just need to stop, smell the roses. and sit around with a buddy-like Sailor Sid and his friend here- and shoot the breeze instead of worrying about updating websites, scanning photographs and importing video (the queue of which is ever growing) for a blog. Continue reading →
According to my end of year (2015) poll, the majority of Sacred Debris readers work in some capacity at piercing or tattoo shops. So I’m not sure that a NOT SAFE FOR WORK tag is entirely necessary (if you work at a piercing shop that has issues with you looking at photos of Jack and Sid, you should probably find a new job) but tellingly enough when I use it I get greater reach on the post. Continue reading →
“Alan Oversby, better known by his professional alias of Mr Sebastian (chosen, naturally, after the famously pierced Saint…) was born in Liverpool in 1933 and became enamoured with body piercing in the 1950s whilst working on a sugar plantation in British Guiana. He had seen nipple piercings on some field hands, and persuaded one of them, over a few glasses of rum, to pierce him. Returning to Britain, he trained as an art teacher in the Midlands, and became increasingly enamoured with modifying his own body, first by re-piercing his own nipples, then (imitating an illustration of an African man he had seen in an anthropology book) inserting a ring into his foreskin. Eventually, he got tattooed. Indeed, he first shows up in the press in the mid-1970s, as a customer of long-standing London tattoo artist George Bone, cited precisely to demonstrate the practices middle class credentials. ‘He is a teacher’, the article tells us, ‘ and as such one of the professional minority who frequents tattoo shops:
‘I thought about it all very carefully before I began. If you don’t you end up looking a mess.’ Alan is tattooed solidly from the tops of his arms down the front of his body to his legs with the designs placed in such a way that he can wear a short-sleeved, open-necked shirt without any of them being visible. This is not to avoid incurring opposition in the school where he teaches, but ‘to make sure my mother doesn’t find out. She would be terribly upset if she knew about it’ Continue reading →
Excerpt from Painless Steel featuring Mr. Sebastian (Alan Oversby) performing an Ampallang piercing on Genesis P-Orridge of Throbbing Gristle/TOPY/Psychic TV.
Last year I wrote an article for a magazine called Best Intentions that, among other things, discussed the ephemeral nature of magnetic video tape; it’s limitations and my constant surprise when a VHS cassette that’s been stored in a rubbermaid bin for a few decades still has a little bit of life left in it.
Charles Gatewood’s FLASH VIDEOS never made it into the digital age and during the last conversation we had, Charles told me that some of the volumes in the Flash collection had production runs as low as 50 units. It’s incredibly humbling when you realize the impact his documentaries had on the Body Modification community despite the relative difficulty of getting those tapes out in the days before uploads and shares and likes.
My Flash collection is far from complete and some of the tapes have, regrettably, become unwatchable, but I’m making progress converting and archiving as much footage as possible. This clip, while short, features influential UK body piercer/tattooist Alan Oversby (Mr. Sebastian) performing an ampallang piercing on cultural engineer Genesis Breyer P-Orridge. Alan’s voice appeared on the song Message from the Temple on the 1982 Psychic TV album Force the Hand of Chance.
I spent some time this week cleaning up my ‘unused clips’ folder and decided to breathe a little life into some outtakes from the Safe Guide to Professional Piercing series. This footage was cut from the Prince Albert segment; the client had been marked for nipple piercing but decided last minute not to have it done at the same time of his PA with a post-script scene of him being shaved….
Famed UK Body Artist Alan ‘Mr. Sebastian’ Oversby infamously owned a pillow stuffed with pubic hair and Jack and Sailor Sid were often seen in their videos collecting contributions for it.
This one features Jack- in a rare PG rated appearance, talking about Pauline Clarke’s newly launched Piercing World Magazine, the current issue of PFIQ and a funny conversation with some South Florida auto-mechanics. ~ Jack Yount, Piercing World & PFIQ
In the five years I knew him, almost every conversation I had with Jack Yount ended with him dropping his drawers. It didn’t really matter what he was talking about or even who he was talking to- at some point the pants would come down and he’d take you on a tour of his latest tattoo work or modification project. It never seemed strange or inappropriate; if anything wearing pants seems like a hinderance and inconvenience and when he finally got to take them off he was much more at ease. That’s how I like to remember Jack; big smile and no pants.
When I originally posted this clip back in 2014 I cut it down to a safe for work edit; so consider this the ‘R-rated director’s cut’ of Jack’s show & tell with Sailor Sid. There were no notations on the VHS master, but I’m assuming this was filmed sometime in the late 1980s at Sid’s South Florida Silver Anchor Tattoo Studio.