Author Archives: Ari Pimsler

Ari has been a professional jerk since 1987, a professional piercer since 2003, and currently works at High Priestess Piercing.

Hilary and Dana. Photo © Roger Doe 2013

Red(head) in Tooth and Claw
A night shmoozing with the sweetest hooker in the biz.

Dana and I actually talked about how nice Dana is. Renowned not just for his piercing and suspension work, but for being all around such a fucking nice guy. From his early come-ups in California to veering off into being one of the most notable suspension practitioners, taking his skills all over the world at suscons, Dana is truly one of those old heads that’s seen some dynamic shifts the industry has taken and rolled with the punches. We sat down to talk about his introduction to suspension, the ebb of ritual, and why age helps lock down the sweet spot of professionalism in the piercing room.

Ari – Let’s do the really generic usual intro, except I want you to do it for both piercing and suspension.

Dana – The beginning of my piercing career was pretty straightforward, I was able to start an apprenticeship and attend the Gauntlet beginning training seminars the second year I believe they were offered, 1993. I don’t remember if it was the second year or not. I took the Gauntlet seminars at 17. Sharrin was running the seminar, Sharrin from the NY Gauntlet, she was a real awesome old school Psychic TV head. I “never really finished my apprenticeship” according to Jerry Metzler (Shiva) but as far as all purposes were concerned I was piercing full time by myself, with Julian Ganesha in and out of the shop because he had another full time job to pay his bills. This was in Fresno at a shop called Spear of Shiva. In 1999 I made the move to San Diego to work at Superfly, and then got an offer to move up to Portland and I was there for a few years. My introduction to suspension started a little bit more in 1999/2000, when I got involved with the San Diego crew, and once I got to Portland it was really heavy, I moved to Portland, walked into doing performances once a month at Fetish Night for five or six years straight. Continue reading

BMEFEST 2005, La Paz Mexico. ©Sacred Debris

The Todfather: A night of gently touching tips with Tod Almighty

Tod Almighty is hands down one of the most magnetic personalities in piercing. Forthcoming, charming, hilarious – it’s easy to get lost in the seduction rather then realize that he’s been a force to be reckoned with for over two decades. Coming in under the tutelage of Allen Falkner, working his way through California, teaching with the Fakir intensives, being one of the mainstays at Anatometal -that’s some serious shit right there. So we got high and decided to talk about his roots in piercing, how multi-faceted our industry has become, and why one day we might all have to wear a suit and tie. Oh, and there’s a story in here that proves Tod’s balls are bigger then any of ours. Don’t believe me? Read it for yourself.

Ari – Alright Tod, give us a little introduction

Tod – I’m Tod Almighty, and I’ve been with Anatometal for 14 years now. I started piercing in 1992 after I apprenticed under Allen Falkner in Dallas, Texas. I’ve worked out of Santa Barbara, LA, San Jose, and Dallas, a lot of places I suppose. I’ve been an instructor with the Fakir Intensives since 1997, so twenty years now – I do both basic and advanced courses with them. I took them in 1992 as well. I like long walks on the beach, I’m a dog person not a cat person, I prefer length to girth, and I have no gag reflex! Continue reading

King of the Hiller: A night reprocessing good memories with Warren Hiller.

Warren is undoubtedly one of the most positive people I’ve spoken with. His idealism is pretty refreshing in a field where most of us are grumpy as fuck. His insight into the community, not just in the early Toronto piercing scene but as well as the early information share boom occurring on BME, should sate any piercing geeks curiosity on the subjects. We spoke at length about what it was like to babysit 400+ piercers, the teachings of Tom Brazda, and why we all deserve our day in the sun. Continue reading

Better Safe than Ari: Sean Philips

Tell your MOM I said ‘Hey’- A backyard BBQ with Sean Philips.

Sean Philips is a bad motherfucker with a voice that sounds like an angel orgasming at a Lynyrd Skynyrd concert. For the last two decades he’s been helping shape the industry we have today – there’s hardly a major event or forum he hasn’t participated in. If you’ve ever asked a piercing question online, there’s a good chance he was on the other side answering it. From humble beginnings inside a piercing pagoda to running his own studio with his wife, Sean has seen and done it all. We got up early in the morning to talk about the pre-BME days, history, and why getting your heroes drunk will make your dreams come true.

Ari – Sean, go ahead and give us an introduction.

Sean – My name is Sean Philips and I’ve been piercing 20 years. I started in 1996, so my career will be of legal drinking age in October. I am currently in Round Rock, Texas, right outside Austin where I own and pierce out of Golden Goat Tattoo Company. Continue reading

Sens and Sensibility: A romantic chat with Jim Sens



Jim Sens is one of the genuinely sweetest guys you’ll ever meet.  Like almost too sweet.  Suspiciously sweet.  Like, “Who the fuck is this guy?  Why is he so nice?  Who told him he could be so nice?”  Jim has been a notable figure on the scene for quite some time now, being a big proponent of the early surface bar movement, and also for his breakneck speed with a needle.  Jim has essentially taken the High Priestess Campus location to one of the most high volume shops in the country with his personality and skills.  We recently sat down to talk about the midwest, the surface bar, and picking glue out of his penis.Ari- Ok bud, so give ahead, give it a whirl, do the introduction.

Jim Sens- Hi, I’m Jim, I’ve been piercing for a bit over 18 years, and I’ve been working at High Priestess for the last 10.  I’ve worked at a variety of big name studios before that. I started out piercing at a studio in St Cloud, Minnesota, called Cloud 9 Tattoo.  Before that I worked counter at a studio that isn’t around anymore called The Dark Side in Honolulu, Hawaii.

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Two piercings one barbell post: An evening with Gregg Marchessault

Gregg, in my opinion, has always been a piercer worth watching – and not just in a creepy, webcam sort of way, but in the way that an eighteen year titan with a metric fuckton of creativity can’t help but captivate anyone actually interested in piercing.  Even if they can’t pronounce his last name, piercers across the board universally appreciate his ingenuity, which in my opinion has not only influenced modern piercers but also modern jewelry.  Amidst a sea of black arms and olive debates, people who can stand out on a technical and innovative level, and continue to push the momentum of this industry are always worth paying attention to.  So I called Gregg to talk about his industrial work, working with other piercers, and why we’re all fucked once we get older.

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